In one of his rare performances without Bud Abbott, Lou Costello plays a rubbish collector and inventor. When radiation in a nearby cave turns his girlfriend into a giantess, antics ensure ... See full summary »
A compilation of clips from 19 Abbott & Costello features: The Wistful Widow of Wagon Gap, In the Navy, Hit the Ice, Who Done It?, Abbott and Costello Meet Frankenstein, Mexican Hayride, ... See full summary »
Hat check man Louis Blore is in love with nightclub star May Daly. May, however, is love with a poor dancer, but wants to marry for money. When Louis wins the Irish Sweepstakes, he asks May... See full summary »
A contrived misunderstanding leads to the breakup of a songwriter and his fiancée. She returns to work as a gym teacher at an all-girls school, but a legal loophole allows the man to enroll as one of her students.
In the 15th century Richard Duke of Gloucester, aided by his club-footed executioner Mord, eliminates those ahead of him in succession to the throne, then occupied by his brother King ... See full summary »
Rowland V. Lee
A documentary showing the constructive approach taken by the Lou Costello, Jr. Youth Foundation in Los Angeles toward prevention of juvenile delinquency. William Bendix, as a neighborhood ... See full summary »
An intended film for Bud Abbott and Lou Costello that ened up with Hugh O'Brian (a performer who was often funny, but not on purpose) and Buddy Hackett in the A&C roles, with most of the ... See full summary »
Spike Jones and His City Slickers,
Buzz and Abercrombie are agents trying to get Jeff Parker the lead in a movie musical. Routines include Lou's insomnia and his being unable to hear Bud due to his wearing an earplug. Lots of movie studio stuff. Written by
Ed Stephan <email@example.com>
This film's producer, Martin A. Gosch, was not an MGM in-house producer, as most producers were on MGM films. He was the producer for Bud Abbott and Lou Costello's radio show, and they insisted that he produce this film rather than a studio producer they believed would be looking out for the studio's interests rather than theirs. See more »
During Costello's shaving scene, members of the crew can be heard laughing off-camera. See more »
The film starts off in a Hollywood barber shop. After a brief opening scene where two hairdressers are seen bickering, the story starts where Bud and Lou are in a back room where Abbott is conning Costello out of more money. Apparently, Abbott went to barbering school but left Costello at home so he would have to pay Abbott to teach him the trade. So Abbott teaches Costello how to shave a balloon! Of course, Abbott is using the soft end of the razor and is making Lou use the razor end so Costello will continue to fail so therefore will end up having to pay Abbott more money. After getting wise to this scam, Costello 'shaves' the balloon successfully then puts it down on a heater (or something hot) whilst putting more lather on the balloon., of course after putting the razor near the balloon again, it pops. But wouldn't of Lou felt how hot it got before putting it near to the balloon? Anyway, it's a good start off scene and establishes both Bud and Lou's characters. Costello, after giving his last 5 dollars to Abbott has to then break a date with one of the girls. The dialogue here is very funny as he reminds her he asked her for a date and then she apparently said to him to see him next year 'and tonight the year is up!' She asks whether he is still falling for Abbott's scam and convinces him to shave the next customer. So Lou convinces Bud to shave the next customer while the boss is out. Rags Ragland walk in and Lou proceeds to shave him. Of course this is a Burlesque routine that has it's moments. Bud and Lou get called off to a job at a big-time agent's office. On the way to their car, they bump into their friend, Claire Warren, who used to work with them but is now a big star. Her and Costello's 'date' are roommates and best friends. Gregory Lemaise, the big crooner and big time star drives up and as he and Claire are to star in a new romance film, invites her to his beach house, presumably so he can seduce her. She turns him down (Indirectly by Lou - a good bit here) and he drives off. He is already established as the bad guy. Abbott and Costello make their way to the agent's office and get to work. Abbott is the barber and Lou is the shoe polisher. They are very impressed with how he operates his business, by producers phoning him and asking to use his clients therefore making him a lot of money without him apparently doing nothing. In walks new talent, who reminds the agent that him and his dad used to be best friends but the agent can't remember. Anyway, the kid persuades the agent to let him sing him a song and he is very successful. Lemaise walks in and threatens to pull out of the romance picture as Claire turned him down and the agent offers the kid the part. Even though Lemaise is supposed to be a big star, the kid doesn't recognise him till he sees a photo of him on the piano! As soon as The kid walks out the door, Lemaise persuades the agent to give him the part back so the agent's idea is to drop the kid. Bud and Lou then decide to become the Kid's agent and get him the part. This Abbott and Costello film has a good background story but their routines aren't up to scratch and a couple of them go on to long, thus disrupting the flow of the story. The result is an uneven film. Had they concentrated more on the story then it would have been a lot better. An unsual film for the boys. They show a bit of business acumen in an order to advance themselves. Though Lou is not as funny as he was a few years previously, he has the odd laugh here and there. The part where he runs amok in the studio lot goes on a bit to long and ends abruptly. The funniest bit is certainly the end with Lemaise chasing Lou on a roller coaster. Though the wheels don't match up to the tracks, it somehow makes it more hilarious
This is for fans only and I find that the more I watch it the more I get from it. The end musical number is entertaining with Costello on the run from the big shot actor. When A studio Policeman asks a worker if he has seen Gregory Lemaise and the worker asks 'who?', it's like asking a worker at Warner Brothers if he has seen Sylvester Stallone.
MGM was disappointed with the grosses for this film and subsequently dropped the option to produce more Abbott and Costello films. It's a shame as for better or for worse, the films done at MGM had a totally different atmosphere to the films made at Universal.
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