Two bumbling plumbers are hired by a socialite to fix a leak. A case of mistaken identity gets the pair an invitation to a fancy party and an entree into high society. As expected, things ... See full summary »
Harry and Willie buy the Edison Movie Studio in the year 1912 from Joseph Gorman, a confidence man. They follow Gorman to Hollywood where, as stunt men, they find him directing movies as Sergei Trumanoff and stealing the studio payroll.
Two ex-soldiers return from overseas--one of them having smuggled into the country a French orphan girl he has become attached to. They wind up running into their old sergeant--who hates ... See full summary »
Abbott and Costello are two window washers who are mistaken by Nick Craig, a bookie, as the messengers he sent for to pick up $50,000. Now the person he sent them to sent two of his men to ... See full summary »
Muggs' rich Uncle Pete is coming to visit. Unfortunately, Muggs' late father had bragged that he had seven kids, so Muggs recruits the members of the gang to pose as his family--including ... See full summary »
The gang is befriended by a millionaire whom they save from a mugging. However, they begin to suspect that the man's son was actually one of the muggers. Knowing that the boy's father is ... See full summary »
Muggs, ordered by a judge to get a job "or else", is hired by a society matron as the chauffeur for her wacky family. An engagement party is thrown for the family's daughter, and the rest ... See full summary »
Buzz and Abercrombie are agents trying to get Jeff Parker the lead in a movie musical. Routines include Lou's insomnia and his being unable to hear Bud due to his wearing an earplug. Lots of movie studio stuff. Written by
Ed Stephan <firstname.lastname@example.org>
This film's producer, Martin A. Gosch, was not an MGM in-house producer, as most producers were on MGM films. He was the producer for Bud Abbott and Lou Costello's radio show, and they insisted that he produce this film rather than a studio producer they believed would be looking out for the studio's interests rather than theirs. See more »
When Costello reveals he has a fake beard on, he runs out of the restaurant and flips over a chair. the bottom of the chair says "3A", referring to the prop number. See more »
I grew up with Abbott & Costello's movies and show (and even their cartoon) back on WPIX in the 1970s. In my eyes, they were the best comedy team ever, easily besting Laurel & Hardy, Martin & Lewis and Hope & Crosby. Having recently begun re-watching A&C movies, I was reminded of just how funny they were. That is, until I got to "A&C in Hollywood." I didn't remember having seen it before, likely because WPIX only played A&C's Universal classics.
The problem here is that more than most other A&C movies, this was a bunch of gags loosely strung together with a weak story. Many of the gags weren't very funny and several of them just went on far too long, among them Costello hiding out as a stunt dummy on the set of a western and Costello having insomnia. The latter was especially tiresome. It went on for what seemed like 10-15 minutes and didn't advance the plot at all. How many times do we need to see A&C stuffing cotton in their ears, plucking it out, then repeating the process?
Even more disturbing was their plan to eliminate their client's rival. Framing the man for a fake murder? That's definitely not A&C's style. They had always had harmless if sometimes negligent fun, but this crossed the line into outright crime.
For a better take on the basic premise of this movie (two nobodies try to break into show business, with Costello being chased by an angry villain in the climax), try "Who Done It?" That film about two soda jerks trying to become radio mystery writers, made three years before this one, was a much better effort for both of them.
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