Mary Rafferty comes from a poor family of steel mill workers in 19th Century Pittsburgh. Her family objects when she goes to work as a maid for the wealthy Scott family which controls the ... See full summary »
In an effort to understand the plight of homeless women living on the streets, young social worker, Carrie Lange (Daphne Zuniga) attempts befriending a homeless woman named Florabelle ('... See full summary »
Harry and Willie buy the Edison Movie Studio in the year 1912 from Joseph Gorman, a confidence man. They follow Gorman to Hollywood where, as stunt men, they find him directing movies as Sergei Trumanoff and stealing the studio payroll.
Jonesy and Lou are in Algeria looking for a wrestler they are promoting. Sergeant Axmann tricks them into joining the Foreign Legion, after which they discover Axmann's collaboration with ... See full summary »
Abbott and Costello are two window washers who are mistaken by Nick Craig, a bookie, as the messengers he sent for to pick up $50,000. Now the person he sent them to sent two of his men to ... See full summary »
Two peanut vendors at a rodeo show get in trouble with their boss and hide out on a railroad train heading west. They get jobs as cowboys on a dude ranch, despite the fact that neither of ... See full summary »
A documentary showing the constructive approach taken by the Lou Costello, Jr. Youth Foundation in Los Angeles toward prevention of juvenile delinquency. William Bendix, as a neighborhood ... See full summary »
An intended film for Bud Abbott and Lou Costello that ened up with Hugh O'Brian (a performer who was often funny, but not on purpose) and Buddy Hackett in the A&C roles, with most of the ... See full summary »
Spike Jones and His City Slickers,
Buzz and Abercrombie are agents trying to get Jeff Parker the lead in a movie musical. Routines include Lou's insomnia and his being unable to hear Bud due to his wearing an earplug. Lots of movie studio stuff. Written by
Ed Stephan <email@example.com>
After the disappointing performance of this film at the box office, MGM dropped its option to produce more Bud Abbott & Lou Costello films. See more »
During Costello's shaving scene, members of the crew can be heard laughing off-camera. See more »
I gotta break the date.
Don't you remember? June 22nd?
June 22nd? I don't remwember anything about a date.
Oh, yes. Don't you remember? I said I was gonna take you to the Palladium a long time ago, and you said, 'See me next year.' Well, tonight the year is up.
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Being yet still in the womb and pondering my next move when this was released in the UK, it was to be several years before I actually caught up with it - during an Abbott & Costello festival at my hometown theater.
One's opinion these days depends whether you "recall it" as life WAS in the mid fifties or as an entity in its own right in 2003. Fact is, it was one funny movie and as well as being the last they actually made for MGM and remembering, that the war was not officially over during early filming, it actually had a sizeable budget allocated to it.
Way better than LOST IN A HAREM, Lou was a hoot here as a Hollywood agent (with Bud) trying to get their client the lead role in a musical. Arguably the best routine on offer was that wherein Lou remains awake listening to a record designed to make him sleep.
One of their more enduring films.
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