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Bud Abbott and Lou Costello in Hollywood (1945)

 -  Comedy  -  5 October 1945 (USA)
7.1
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Ratings: 7.1/10 from 1,694 users  
Reviews: 18 user | 5 critic

When two bumbling barbers act as agents for a talented but unknown singer, they stage a phony murder in order to get him a plum role.

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(screenplay), (screenplay), 2 more credits »
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Title: Bud Abbott and Lou Costello in Hollywood (1945)

Bud Abbott and Lou Costello in Hollywood (1945) on IMDb 7.1/10

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Cast

Complete credited cast:
...
...
Frances Rafferty ...
Claire Warren
Bob Haymes ...
Jeff Parker (as Robert Stanton)
Jean Porter ...
Ruthie
Warner Anderson ...
Norman Royce
Rags Ragland ...
'Rags' Ragland (as 'Rags' Ragland)
...
Klondike Pete
Carleton G. Young ...
Gregory LeMaise
Donald MacBride ...
Dennis Kavanaugh
Edgar Dearing ...
Al - First Studio Cop
Marion Martin ...
Miss Milbane
Arthur Space ...
Director Lippen
William 'Bill' Phillips ...
Kavanaugh's Assistant (as Wm. 'Bill' Phillips)
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Storyline

Buzz and Abercrombie are agents trying to get Jeff Parker the lead in a movie musical. Routines include Lou's insomnia and his being unable to hear Bud due to his wearing an earplug. Lots of movie studio stuff. Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Add Synopsis

Taglines:

Your favorite SCREEN TEAM is on the SCREAM BEAM! See more »

Genres:

Comedy

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

5 October 1945 (USA)  »

Also Known As:

Abbott and Costello in Hollywood  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

This is the last of three films that Bud Abbott and Lou Costello made on loan to MGM while under contract to Universal, the other two being Rio Rita (1942) and Lost in a Harem (1944). During production on this film, Abbott and Costello returned to the Universal studio on May 13 for re-shoots for The Naughty Nineties (1945). See more »

Goofs

When Costello reveals he has a fake beard on, he runs out of the restaurant and flips over a chair. the bottom of the chair says "3A", referring to the prop number. See more »

Quotes

Abercrombie: [starting to shave Rags] Now, I got the razor and the smelling salts.
Rags Ragland: The what?
Abercrombie: The smellin' salts.
Rags Ragland: What's that for?
Abercrombie: I faint when I see the sight of blood.
Rags Ragland: Oh...
Rags Ragland: [after a delayed reaction] Blood! Look, if you cut me, there's gonna be plenty of blood, and it's all gonna be yours!
See more »

Connections

Referenced in The Waltons: The Carousel (1981) See more »

Soundtracks

Fun on the Wonderful Midway
(uncredited)
by Ralph Blane and Hugh Martin
Performed by Bob Haymes, Frances Rafferty and chorus
Arranged by Robert Franklyn and Kay Thompson
Orchestrated by Robert Franklyn
See more »

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User Reviews

 
Disappointingly weak romp for Bud & Lou
26 June 2005 | by (New York) – See all my reviews

I grew up with Abbott & Costello's movies and show (and even their cartoon) back on WPIX in the 1970s. In my eyes, they were the best comedy team ever, easily besting Laurel & Hardy, Martin & Lewis and Hope & Crosby. Having recently begun re-watching A&C movies, I was reminded of just how funny they were. That is, until I got to "A&C in Hollywood." I didn't remember having seen it before, likely because WPIX only played A&C's Universal classics.

The problem here is that more than most other A&C movies, this was a bunch of gags loosely strung together with a weak story. Many of the gags weren't very funny and several of them just went on far too long, among them Costello hiding out as a stunt dummy on the set of a western and Costello having insomnia. The latter was especially tiresome. It went on for what seemed like 10-15 minutes and didn't advance the plot at all. How many times do we need to see A&C stuffing cotton in their ears, plucking it out, then repeating the process?

Even more disturbing was their plan to eliminate their client's rival. Framing the man for a fake murder? That's definitely not A&C's style. They had always had harmless if sometimes negligent fun, but this crossed the line into outright crime.

For a better take on the basic premise of this movie (two nobodies try to break into show business, with Costello being chased by an angry villain in the climax), try "Who Done It?" That film about two soda jerks trying to become radio mystery writers, made three years before this one, was a much better effort for both of them.


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