Mary Rafferty comes from a poor family of steel mill workers in 19th Century Pittsburgh. Her family objects when she goes to work as a maid for the wealthy Scott family which controls the ... See full summary »
In an effort to understand the plight of homeless women living on the streets, young social worker, Carrie Lange (Daphne Zuniga) attempts befriending a homeless woman named Florabelle ('... See full summary »
Harry and Willie buy the Edison Movie Studio in the year 1912 from Joseph Gorman, a confidence man. They follow Gorman to Hollywood where, as stunt men, they find him directing movies as Sergei Trumanoff and stealing the studio payroll.
Jonesy and Lou are in Algeria looking for a wrestler they are promoting. Sergeant Axmann tricks them into joining the Foreign Legion, after which they discover Axmann's collaboration with ... See full summary »
Abbott and Costello are two window washers who are mistaken by Nick Craig, a bookie, as the messengers he sent for to pick up $50,000. Now the person he sent them to sent two of his men to ... See full summary »
Two peanut vendors at a rodeo show get in trouble with their boss and hide out on a railroad train heading west. They get jobs as cowboys on a dude ranch, despite the fact that neither of ... See full summary »
A documentary showing the constructive approach taken by the Lou Costello, Jr. Youth Foundation in Los Angeles toward prevention of juvenile delinquency. William Bendix, as a neighborhood ... See full summary »
An intended film for Bud Abbott and Lou Costello that ened up with Hugh O'Brian (a performer who was often funny, but not on purpose) and Buddy Hackett in the A&C roles, with most of the ... See full summary »
Spike Jones and His City Slickers,
Buzz and Abercrombie are agents trying to get Jeff Parker the lead in a movie musical. Routines include Lou's insomnia and his being unable to hear Bud due to his wearing an earplug. Lots of movie studio stuff. Written by
Ed Stephan <firstname.lastname@example.org>
This film's producer, Martin A. Gosch, was not an MGM in-house producer, as most producers were on MGM films. He was the producer for Bud Abbott and Lou Costello's radio show, and they insisted that he produce this film rather than a studio producer they believed would be looking out for the studio's interests rather than theirs. See more »
When Costello reveals he has a fake beard on, he runs out of the restaurant and flips over a chair. the bottom of the chair says "3A", referring to the prop number. See more »
I gotta break the date.
Don't you remember? June 22nd?
June 22nd? I don't remwember anything about a date.
Oh, yes. Don't you remember? I said I was gonna take you to the Palladium a long time ago, and you said, 'See me next year.' Well, tonight the year is up.
See more »
Not one of A&C's best. Has it's moments, but it's not the Universals.
This is one of the three pictures Abbott and Costello made for MGM-- who proved with Buster Keaton, the Marx Brothers films after "A Day At the Races and Laurel and Hardy's late releases," that they really don't have much of a "touch" for this kind of comedy. Abbott and Costello fared much better at Universal with films such as "Hold That Ghost," "Buck Privates," "Who Done It?" "Abbott and Costello Meet Frankenstein," "The Time of Their Lives," etc. That's not to say that the film is terrible, it just suffers from sloppy pacing, almost no story, and somewhat weaker material for A&C (which was much sharper in the Universal films).
It definitely has its funny points, but it doesn't hold together very well as a complete film. Best to stick to the Universal's--- especially if you are a first time viewer of Abbott and Costello.
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