Gotham College professor Wanley and his friends become obsessed with the portrait of a woman in the window next to the men's club. Wanley happens to meet the woman while admiring her portrait, and ends up in her apartment for talk and a bit of champagne. Her boyfriend bursts in and misinterprets Wanley's presence, whereupon a scuffle ensues and the boyfriend gets killed. In order to protect his reputation, the professor agrees to dump the body and help cover up the killing, but becomes increasingly suspect as the police uncover more and more clues and a blackmailer begins leaning on the woman. Written by
Ed Sutton <firstname.lastname@example.org>
The Poster for this film lists the female lead's name incorrectly as Joan "Rennett", instead of Joan "Bennett". See more »
When Claude Mazard hits Alice in the face, his hand clearly does not actually hit her, yet she reacts to it. See more »
The Biblical injunction "Thou shalt not kill" is one that requires qualification in view of our broader knowledge of impulses behind homicide. The various legal categories such as first and second degree murder, the various degrees of homicide, manslaughter, are civilized recognitions of impulses of various degrees of culpability. The man who kills in self defense, for instance, must not be judged by the same standards applied to the man who kills for gain.
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A classic suspense thriller directed by the great Fritz Lang but spoiled by a cop-out ending.
This gripping suspense thriller involves a man (Edward G. Robinson) and woman (Joan Bennett) who barely know each other conspiring to cover up a murder which threatens to destroy their lives. Robinson is an aging college professor of criminal justice who thinks there is no adventure left in his life anymore; Bennett is a mysterious and beautiful model. Fritz Lang's brilliant direction and a stunning musical score build the suspense incredibly. However, this superb film is spoiled by a trivializing happy ending, probably imposed on Lang by studio hacks. In all other respects, it is a triumph of film making.
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