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The Whistler (1944)

6.6
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Ratings: 6.6/10 from 426 users  
Reviews: 24 user | 4 critic

A depressed man hires an assassin to kill him when he least expects it, but when his life takes an upward turn, he finds he now wishes to live.

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Title: The Whistler (1944)

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Cast

Cast overview:
...
Earl C. Conrad
...
Alice Walker
J. Carrol Naish ...
The Killer
Alan Dinehart ...
Gorman, Killer's Rich Friend
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Storyline

A man, despondent over the death of his wife, wants to commit suicide but can't bring himself to do it. He hires a man to hire a professional killer to do the job. However, he soon finds out that his wife isn't really dead - but the man he paid to hire the hitman is, and he has no idea who the man hired or how to get him to call off the hit. Written by frankfob2@yahoo.com

Plot Summary | Add Synopsis

Taglines:

Radio's Master of Mystery... NOW on the Screen!

Genres:

Mystery | Thriller

Certificate:

Approved
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Details

Country:

Language:

Release Date:

30 March 1944 (USA)  »

Also Known As:

Esta Noite Morrerás  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

There were six entries in the "Whistler" series, and Richard Dix appeared in all but the last one. Unusually, he played a different character in each. See more »

Connections

Followed by The Thirteenth Hour (1947) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
quintessential "b"
17 January 2004 | by (Montreal) – See all my reviews

Before he became a producer and conjured up all those publicity gimmicks for his cheesy horror pictures, William Castle churned out a series of nifty little pictures as a director for Harry Cohn's B unit -- including the immortal "When Strangers Marry". "The Whistler" is a clever noir that tackles the old premise of a despondent man hiring a contract killer to murder him, only to change his mind later. Castle provides a higher standard of mise-en-scene than in most pictures of this ilk, with nice camera movement and grungy, realistic sets. The absurd plot twists and lapses of logic stretch credulity to the utmost -- but that's one of the "beatitudes of the B's" (as Andrew Sarris would say). It's surprising that Cornell Woolrich was not the original author, so close is the atmosphere to his oeuvre. Dix is a bit of a cipher, but Naish is as compelling as always in another offbeat role as the philosophical hit man who suffers from fear of death; plus there are plenty of familiar faces in minor roles. The mysterious omniscient Whistler narrator is effective, if somewhat underused here. Castle went on to direct two even better entries in the series.


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