6.6/10
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26 user 8 critic

The Whistler (1944)

A depressed man hires an assassin to kill him when he least expects it, but when his life takes an upward turn, he finds he now wishes to live.

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Cast

Cast overview:
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...
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The Killer
...
Gorman, Killer's Rich Friend
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Storyline

A man, despondent over the death of his wife, wants to commit suicide but can't bring himself to do it. He hires a man to hire a professional killer to do the job. However, he soon finds out that his wife isn't really dead - but the man he paid to hire the hitman is, and he has no idea who the man hired or how to get him to call off the hit. Written by frankfob2@yahoo.com

Plot Summary | Add Synopsis

Taglines:

Radio's Master of Mystery... NOW on the Screen!


Certificate:

Approved | See all certifications »
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Details

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Release Date:

30 March 1944 (USA)  »

Also Known As:

Esta Noite Morrerás  »

Company Credits

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Technical Specs

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Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The average budget for The Whistler series was $65,000 - $75,000. See more »

Goofs

While the killer is lying on the bed perusing his book on Fear of Death, a cigarette suddenly appears in his mouth. See more »

Quotes

The Bum in the Next Bed: Rats in this place as big as beavers. They won't hurt ya... but you're liable to trip over them in the dark.
See more »

Connections

Referenced in You're Never Too Young (1955) See more »

Frequently Asked Questions

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User Reviews

 
Great atmosphere, but too much 'destiny'
24 January 2014 | by (Greece) – See all my reviews

This unusual Film Noir (the only one ever to be made into a whole series of films) certainly catches the sinister atmosphere of its genre, both visually with very well done shadow effects and the adequate 'cheap' harbor surroundings of a B movie, and thematically, using a lot of psychology which doesn't fail to have its effects, neither on the protagonists nor on the audience - but just a little bit of an overdose of the belief in 'destiny'...

Whose destiny is it to live or to die? Who has a 'right' to live or to die? Questions like these are maybe somehow out of place in a Film Noir

  • because they've got too much to do with morality. The Noir world (at


least that of the 40s) is usually quite immoral (see "The Maltese Falcon", "The Shanghai Gesture", "Gilda"); and it's not always the good ones who get away - that's the cynical Noir philosophy...

But anyway, "The Whistler" still remains an enormously suspenseful film with a very capable cast and direction; and a 'must' for every fan of classic crime.


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