While on a South Seas trip, a professor falls in love and marries an exotic native woman. What he doesn't know is that she was raised by superstitious natives who believe her to be some ...
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Attorney Wayne Fletcher and his secretary are having an affair, so when Wayne's wife is found smothered to death, he becomes the prime suspect. As the police investigate the murder, a ... See full summary »
Lon Chaney Jr.,
J. Edward Bromberg
While on a South Seas trip, a professor falls in love and marries an exotic native woman. What he doesn't know is that she was raised by superstitious natives who believe her to be some kind of supernatural being. Written by
During filming of more than one scene Evelyn Ankers was trying to appear menacing and resentful towards Anne Gwynne. The two actresses were best friends and so both found it difficult to keep a straight face during these scenes and would begin laughing uncontrollably. See more »
At the beginning of the movie, Lon Chaney Jr's wife walk near a picture of her husband but in the next plan, the picture is different. See more »
One of the better films in Universal's INNER SANCTUM series of mysteries to star Lon Chaney, and based on the novel CONJURE WIFE. As a suave and calculated writer of a recent book about dispelling false superstitions, Lon is married to a lovely young girl named Paula (the adorable Anne Gwynne) whom he first met at a voodoo ritual on an island some years ago and who is still interested in the occult, magic, and strange rituals. When all sorts of odd occurrences and deaths transpire, the blame is laid at the feet of the "witchy" Paula, much to her husband's chagrin.
This installment benefits from a good cast. Anne Gwynne has always received my vote for the most attractive of the '40s Universal babes, and Evelyn Ankers (THE WOLF MAN, THE GHOST OF FRANKENSTEIN) is a close second and earns extra points in this one for portraying a baddie this time around, much against type. Elizabeth Russell turns in a strong and compelling performance. Director Reginald LeBorg makes good use of dark, windy nights and eerie atmosphere to nice effect. The subject was tackled again later for the 1962 British film BURN WITCH BURN. *** out of ****
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