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The Way Ahead (1944)

 -  War | Drama  -  3 June 1945 (USA)
7.1
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Ratings: 7.1/10 from 954 users  
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A group of conscripts are called up into the infantry during WWII. At first they appear a hopeless bunch but their sergeant and Lieutenant have faith in them and mould them into a good team... See full summary »

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Title: The Way Ahead (1944)

The Way Ahead (1944) on IMDb 7.1/10

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Cast

Cast overview, first billed only:
...
Lieutenant Jim Perry
...
Pvt. Ted Brewer
...
Pvt. Evan Lloyd
...
Pvt. Luke
Leslie Dwyer ...
Pvt. Sid Beck
Hugh Burden ...
Pvt. Bill Parsons
Jimmy Hanley ...
Pvt. Geoffrey Stainer (as Jimmie Hanley)
...
Sgt. Ned Fletcher (as Billy Hartnell)
Reginald Tate ...
The Training Company Commanding Officer
...
Captain Edwards
John Ruddock ...
Chelsea Pensioner
A. Bromley Davenport ...
Chelsea Pensioner (as Bromley Davenport)
Renée Asherson ...
Marjorie Gillingham (as Renee Asherson)
Mary Jerrold ...
Mrs. Gillingham
Tessie O'Shea ...
Herself - ENSA Entertainer
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Storyline

A group of conscripts are called up into the infantry during WWII. At first they appear a hopeless bunch but their sergeant and Lieutenant have faith in them and mould them into a good team. When they go into action in N. Africa they realise what it's all about. Written by Steve Crook <steve@brainstorm.co.uk>

Plot Summary | Add Synopsis

Taglines:

A Story of Today---YOU'LL REMEMBER FOREVER! (original ad - several caps)

Genres:

War | Drama

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

3 June 1945 (USA)  »

Also Known As:

The Immortal Battalion  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

This film's opening prologue is a quote of the definition of the word Army from 'Enyclopedia Brittanica'. It states: "AN ARMY - A considerable body of men, armed, organised and disciplined, to act together for purposes of warfare." See more »

Goofs

The Vickers gun used by Brewer and Luke changes from having a smooth barrel casing/water jacket, in the exterior shots, to a corrugated pattern once inside the Cafe Rispoli. See more »

Quotes

Pvt. Ted Brewer: Only one good man ever got into Parliament.
Pvt. Herbert Davenport: Oh really? Who?
Pvt. Ted Brewer: Bleedin' Guy Fawkes.
See more »

Connections

Featured in War Stories (2006) See more »

Soundtracks

Marche Mustapha Kamel
(uncredited)
Composer unknown
See more »

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User Reviews

 
Best war movie made in the 2nd World War
30 April 2004 | by (London) – See all my reviews

I really can't understand some of the more negative comments from some reviewers from the USA about this movie. For me, it is far superior to equivalent American wartime propaganda movies (including enjoyable but hardly realistic efforts such as 7 Graves To Cairo and Sahara), and made and acted by a British cast who were serving servicemen as well (unlike a certain J. Wayne or H. Bogart). Carol Reed gives us on the surface a cliche ridden movie but his gritty visual style which would become his trademark plus a script that still gives depth to a by now familiar concept lift this way above other movies made at the time.

The soldiers don't look pristine and for most of the time, don't act heroically until the last 5 minutes. They're not an elite unit (as in Sands of Iwo Jima), they grumble, complain and stagger their way to the front lines but nor are they goofballs, pranksters or loveable rogues. They are ordinary men in difficult times, which was what the film makers wanted to show. They are not all broad stereotypes either; some, like the characters Davenport or Brewer, may on the surface seem like the upper class toff and the cheeky cockney but again, the way they interplay with the rest of the cast, they become more than just representatives of their class.

For an old war movie, I was impressed with the action. Early on, when the two old soldiers are talking about how much better it was in the army in their day, we get a juxtaposed montage of David Niven in training, showing how hard it is. A lot of the burning troop ship shots are done hand held, which adds to the tension. The Tunisia scenes look very authentic and see how Reed indulges in rapid cutting, disorienting explosions and run down and dirty art direction. The only film that comes close to achieving this kind of grittiness in the war years is "Guadalcanal Diary".


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