IMDb > Uncertain Glory (1944)
Uncertain Glory
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Uncertain Glory (1944) More at IMDbPro »

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Uncertain Glory -- Trailer for this strange story of a fugitive, a hunter and a girl

Overview

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7.0/10   605 votes »
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Director:
Writers:
László Vadnay (screenplay) and
Max Brand (screenplay) ...
(more)
Contact:
View company contact information for Uncertain Glory on IMDbPro.
Release Date:
22 April 1944 (USA) See more »
Genre:
Plot:
After a career criminal is recaptured and knows he faces the guillotine, he offers to exchange his life for 100 hostages slated for execution by the Nazis. Full summary » | Add synopsis »
Plot Keywords:
User Reviews:
Unheralded, unappreciated, but actually one of Flynn's best See more (14 total) »

Cast

  (in credits order) (verified as complete)

Errol Flynn ... Jean Picard / Emil DuPont

Paul Lukas ... Inspector Marcel Bonet
Lucile Watson ... Mme. Maret
Faye Emerson ... Louise
James Flavin ... Captain of Mobile Guard

Douglass Dumbrille ... Police Commissioner LaFarge (as Douglas Dumbrille)
Dennis Hoey ... Father Le Clerc

Sheldon Leonard ... Henri Duval
Odette Myrtil ... Mme. Bonet
Francis Pierlot ... Father La Borde - Prison Priest

Jean Sullivan ... Marianne
rest of cast listed alphabetically:
Per Aabel ... (uncredited)
Felix Basch ... Gestapo Major (uncredited)
Frederic Brunn ... German Soldier Reporting to Major (uncredited)
Wallis Clark ... Razeau (uncredited)
Pedro de Cordoba ... Executioner (uncredited)
Fred Cordova ... Execution Guard (uncredited)
Armand Cortes ... Detective with Commissioner (uncredited)
Jean Del Val ... Prison Turnkey (uncredited)
Fernanda Eliscu ... Middle-Aged Woman at Meeting (uncredited)
Robert Fischer ... Station Master (uncredited)
Joel Friedkin ... Brenoir - Veterinary Doctor (uncredited)
Michael Gaddis ... Prison Barber (uncredited)
Creighton Hale ... Prison Secretary (uncredited)
Carl Harbaugh ... Innkeeper (uncredited)
Oscar 'Dutch' Hendrian ... Villager (uncredited)
Robert Emmett Keane ... Train Conductor (uncredited)
Victor Kilian ... Latour (uncredited)
Ethan Laidlaw ... Member of Mobile Guard (uncredited)
Connie Leon ... Bonet's Maid (uncredited)
George Magrill ... Execution Guard (uncredited)
George Meader ... French Doctor (uncredited)
Harry Hays Morgan ... German Officer with Major (uncredited)
Alfred Paix ... French Waiter (uncredited)
Paul Panzer ... Train Guard (uncredited)
Erskine Sanford ... Drover (uncredited)
Hans Schumm ... Gestapo Agent (uncredited)
Mary Servoss ... Drover's Wife (uncredited)
Art Smith ... Warden (uncredited)
Zina Torchina ... Peasant Girl Getting Innkeeper (uncredited)
Ivan Triesault ... Saboteur (uncredited)
Joyce Tucker ... Michele Bonet (uncredited)
Albert Van Antwerp ... Vitrac (uncredited)
Bobby Walberg ... Gaston Bonet (uncredited)

Directed by
Raoul Walsh 
 
Writing credits
László Vadnay (screenplay) (as Laszlo Vadnay) and
Max Brand (screenplay)

Joe May (original story) and
László Vadnay (original story) (as Laszlo Vadnay)

Produced by
Robert Buckner .... producer
Jack L. Warner .... executive producer
Errol Flynn .... associate producer (uncredited)
 
Original Music by
Adolph Deutsch 
 
Cinematography by
Sidney Hickox  (as Sid Hickox)
 
Film Editing by
George Amy 
 
Art Direction by
Robert M. Haas  (as Robert Haas)
 
Set Decoration by
Walter F. Tilford  (as Walter Tilford)
 
Makeup Department
Perc Westmore .... makeup artist
 
Production Management
Frank Mattison .... unit manager (uncredited)
 
Second Unit Director or Assistant Director
James McMahon .... assistant director (uncredited)
 
Sound Department
Oliver S. Garretson .... sound
 
Special Effects by
Roy Davidson .... special effects
 
Music Department
Leo F. Forbstein .... musical director
Jerome Moross .... orchestral arrangements
Max Steiner .... composer: stock music (uncredited)
 
Other crew
Paul Coze .... technical advisor
James Vincent .... dialogue director
Jack L. Warner .... presenter
Bob Fender .... unit publicist (uncredited)
 
Crew verified as complete


Production CompaniesDistributorsOther Companies

Additional Details

Also Known As:
Runtime:
102 min | West Germany:88 min
Country:
Language:
Aspect Ratio:
1.37 : 1 See more »
Sound Mix:
Mono (RCA Sound System)
Certification:

Did You Know?

Trivia:
Errol Flynn was criticized for playing heroes in World War II movies. Tony Thomas in his book 'Errol Flynn: The Spy Who Never Was' states that Flynn had tried to enlist in every branch of any armed services he could but was rejected as unfit for service on the grounds of his health. Flynn had a heart condition, tuberculosis, malaria and a back problem. Flynn felt he could contribute to America's war effort by appearing in such films as Edge of Darkness (1943); Northern Pursuit (1943); Dive Bomber (1941), Objective, Burma! (1945), and Uncertain Glory (1944). Reportedly, Flynn was at his most professional and co-operative he ever was whilst working on Second World War movies. The studios apparently did not diffuse the criticism of Flynn's state-of-health as they wished to keep it quiet for fear of his box-office draw waning.See more »
Quotes:
Marianne:[Last lines] What is he really like, deep in his heart?
Inspector Marcel Bonet:He was a Frenchman!
See more »
Movie Connections:
Featured in The Adventures of Errol Flynn (2005) (TV)See more »
Soundtrack:
Plaisir D'AmourSee more »

FAQ

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35 out of 37 people found the following review useful.
Unheralded, unappreciated, but actually one of Flynn's best, 4 June 2005
Author: JimB-4 from United States

Despite being quite a fan of Errol Flynn's, I had somehow managed to go forty years without seeing this movie, largely on the basis of its poor critical reputation. I always loved Flynn's swashbuckling, his insouciance, and especially his poignant performances near the end of his career in "The Sun Also Rises," "The Roots of Heaven," and "Too Much, Too Soon." I expected nothing from "Uncertain Glory," but a clip in a recent Flynn documentary caught my eye with what seemed to be a quite real and touching performance. I finally saw the film tonight and was impressed far beyond expectations. Flynn always harbored a hope of being respected as a dramatic actor, and though I think he achieved that in the previously mentioned later films, I was surprised to find in this 1944 performance a richness and texture every bit the equal of his best dramatic work. The film itself has, like most American movies of its period, certain conventions and unrealities which must be accepted (such as the variance in accents and some melodramatic plot devices), but it seemed to me to be quite believable and realistic within those confines. I was impressed by Paul Lukas, never a favorite of mine in particular, and the story kept me quite involved. Elements of it were quite moving. But Flynn quite simply overwhelmed my every expectation, and I suggest that this film might actually be reconsidered and included among the best pictures of his career. It's certainly one of his best performances.

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