Abigail Chandler has written her stuffy Boston relatives that she's a successful opera singer in New York. In reality, she works at a burlesque house and is billed as High-C Susie. When her... See full summary »
Eric Wainwright (Van Johnson), a busy impresario, is besieged by hordes of wannabe concert stars, eager for their big break. One of them is Cynthia Potter (June Allyson), a talented pianist... See full summary »
At fictitious Tait University in the Roaring 20's, co-ed and school librarian Connie Lane falls for football hero Tommy Marlowe. Unfortunately, he has his eye on gold-digging vamp Pat ... See full summary »
Van Johnson is a navy pilot in WWII, who has been shot down in the Pacific on a bombing mission. He and a wounded comrade are the only survivors of the mission and are lost at sea. As they ... See full summary »
Hot-tempered Kathleen Maguire enlists the services of a young attorney to help her zookeeper father get his job back after he is fired for political reasons. In the midst of uncovering ... See full summary »
Maisie is overworked at her defense job and is ordered to take a two week vacation. When she meets Tommy, he offers her a job singing with his band in Reno, but she has to get there on her ... See full summary »
A sailor helps two sisters start up a service canteen. The sailor soon becomes taken with gorgeous sister Jean, unaware that her sibling Patsy is also in love with him. Written by
Daniel Bubbeo <email@example.com>
[after hitting a high note in the song, "Inka Dinka Doo"]
That note was given to me by Bing Crosby, and was he glad to get rid of it.
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The background for the opening credits is a drawing of a stage with part of the proscenium arch and curtain visible on the left side of the screen. As each credit is shown a caricature representing that person or persons appears on the stage near the bottom of the screen. See more »
This slight musical comedy from 1944 was a blockbuster of its year. Its one of those Stage door canteen where G.I.s are entertained by hit musicians of their including the popular band and orchestra leader Harry James and Xavier Cugat. The big hit "Young man with a horn" is featured prominently. The songs are lovely and generally feel orchestrated and operatic as this is a Joe Pasternak production. Like a Bruckheimer, a Selznick, a Freed or a Ross Hunter, you know a Pasternak when you see it. That is, slight plots with certain scenes that are written and play better than the whole movie and make you wish they were in another movie. There is usually a love plot involving dueling sisters, mother and daughter, or jealous daughters to their dads. The actresses are pretty and young. The songs, hits of their day but taken out of their time and the situations, they lack the oomph for classic appreciation unlike the movies of Arthur Freed. Take note, there is a dream sequence in this movie that is begging for one of those Freed musical numbers but instead we get Jimmy Durante shenanigans that lifts the weight from the scene. Thorpe, the journeyman director at MGM who made a lot of hits, directs in his usual flat and placid style that gets the job done and not much more. If only Pasternak aimed higher, varied the formula a little, he could have been a champion, not just a contender.
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