Abigail Chandler has written her stuffy Boston relatives that she's a successful opera singer in New York. In reality, she works at a burlesque house and is billed as High-C Susie. When her... See full summary »
Sailor Ted meets at the Lonely Hearts Club of his friend Gunny's wife, Jenny, a girl, Nora Paige, and falls in love. Nora wants to become a dancer on Broadway. Ted rescues the Pekinese of ... See full summary »
Roy Del Ruth
Joe Grant is an inventor, fireman and baseball player in his small home town. He gets an offer to play in a big team, he hopes to get more money for his inventions. But he is invited to ... See full summary »
A sailor helps two sisters start up a service canteen. The sailor soon becomes taken with gorgeous sister Jean, unaware that her sibling Patsy is also in love with him. Written by
Daniel Bubbeo <firstname.lastname@example.org>
Gracie Allen loathed the hurry-up-and-wait tedium of making movies, but husband George Burns always talked her into it, claiming it was good for both their act and their bank account. By this point in their career the couple no longer needed publicity or money, so once filming was completed, Allen insisted this was to be her final movie - which it was. See more »
[after hitting a high note in the song, "Inka Dinka Doo"]
That note was given to me by Bing Crosby, and was he glad to get rid of it.
See more »
This slight musical comedy from 1944 was a blockbuster of its year. Its one of those Stage door canteen where G.I.s are entertained by hit musicians of their including the popular band and orchestra leader Harry James and Xavier Cugat. The big hit "Young man with a horn" is featured prominently. The songs are lovely and generally feel orchestrated and operatic as this is a Joe Pasternak production. Like a Bruckheimer, a Selznick, a Freed or a Ross Hunter, you know a Pasternak when you see it. That is, slight plots with certain scenes that are written and play better than the whole movie and make you wish they were in another movie. There is usually a love plot involving dueling sisters, mother and daughter, or jealous daughters to their dads. The actresses are pretty and young. The songs, hits of their day but taken out of their time and the situations, they lack the oomph for classic appreciation unlike the movies of Arthur Freed. Take note, there is a dream sequence in this movie that is begging for one of those Freed musical numbers but instead we get Jimmy Durante shenanigans that lifts the weight from the scene. Thorpe, the journeyman director at MGM who made a lot of hits, directs in his usual flat and placid style that gets the job done and not much more. If only Pasternak aimed higher, varied the formula a little, he could have been a champion, not just a contender.
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