Lowell Blackford (Kay Kyser) is blessed with a gift of music,but also cursed with a hereditary "evil eye" which hypnotizes people,and he is virtually a recluse. He goes in search of a ...
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Biography of songwriter, Broadway pioneer, Jerome Kern. Unable to find immediate success in the USA, Kern sought recognition abroad. He journeyed to England where his dreams of success became real and where he met his future wife Eva.
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Olivia de Havilland,
Lowell Blackford (Kay Kyser) is blessed with a gift of music,but also cursed with a hereditary "evil eye" which hypnotizes people,and he is virtually a recluse. He goes in search of a Broadway publisher for a symphonietta he has written, and ends up crashing an audition at the Swing Publishing Company, where he meets torch singer Ginger Gray (Marilyn Maxwell) and her fiance and promoter, Waltzy Malone (William Gargan). Ginger accidently walks off with his music and he follows her to a gym where Waltzy's fighter, "Killer" Kennedy (Nat Pendleton), has just been kayoed by his sparring partner. Waltzy learns of Lowell's hypnotic power and believes that Kennedy can win the championship if Lowell uses his power against the champ. He arranges for Lowell to lead the band at the club where Ginger sings. The latter objects to the role she is to play in getting Lowell to use his "evil eye" but Waltzy persuades her to go along by telling Lowell that Kennedy is her brother and it means everything ... Written by
Les Adams <firstname.lastname@example.org>
This film was first telecast in Los Angeles Thursday 18 April 1957 on KTTV (Channel 11) and in Philadelphia Thursday 23 May 1957 on WFIL (Channel 6); its television premiere in San Francisco occurred 19 December 1958 on KGO-TV (Channel 7). See more »
From the contrarian viewpoint, this is the only Kay Kyser film I've seen yet that I've found watchable. Kyser plays a character other than his usual "Kay Kyser, goofy band leader" -- not a complete change, but just different enough to make him tolerable. And, while it's Kyser's band, someone else has apparently arranged the music so it actually swings and has some oomph for a change.
The script is as thin as usual for this sort of musical, but passable. Marilyn Maxwell's part doesn't require much acting, but she's a treat when she's on screen. And her singing, which is excellent, is a hoot for the vintage musicals connoisseur to watch - one song she does Mae West, later she puts on a bit of Ginger Rogers.
Lena Horne's "You're So Indifferent" is a pleasure - in a minimalist bluesy mode, unlike so much of what she did at MGM.
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