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Summer Storm (1944)

 -  Drama  -  14 July 1944 (USA)
6.9
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Ratings: 6.9/10 from 258 users  
Reviews: 10 user | 9 critic

In this filmed Chekhov adaptation, Olga is an alluring peasant woman who lures cynical aristocrat Fedor away from his milquetoast fiancée, with tragic consequences.

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(screenplay), (adaptation), 3 more credits »
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Title: Summer Storm (1944)

Summer Storm (1944) on IMDb 6.9/10

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Nominated for 1 Oscar. See more awards »
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Cast

Cast overview:
...
...
...
...
Nadena Kalenin
Hugo Haas ...
Laurie Lane ...
Clara Heller (as Lori Lahner)
Sig Ruman ...
Kuzma, Volsky's woodcutter
John Philliber ...
Polycarp - Petroff's butler
...
Lunin - public prosecutor
Mary Servoss ...
Mrs. Kalenin
André Charlot ...
Mr. Kalenin, publisher
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Storyline

In this filmed Chekhov adaptation, Olga is an alluring peasant woman who lures cynical aristocrat Fedor away from his milquetoast fiancée, with tragic consequences. Written by Remy <rholzer@ammi.org>

Plot Summary | Add Synopsis

Taglines:

She was an invitation to murder. See more »

Genres:

Drama

Certificate:

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Details

Country:

Language:

Release Date:

14 July 1944 (USA)  »

Also Known As:

Extraña confesión  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The source story by Anton Chekhov, 'The Shooting Party', is set in the 1840's, but director Douglas Sirk moved up the setting to the 1910s so the framing sequences at the beginning and the end would take place after the Russian Revolution. "With guys like [Fedor] and the Count going around, there had to be a revolution," Sirk explained. See more »

Quotes

Fedor Mikhailovich Petroff: You're so beautiful; why is it that you degrade everything you touch?
See more »

Connections

Version of Tragödie auf der Jagd (1968) See more »

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User Reviews

 
Mediocre
23 September 2010 | by (Claremont,USA) – See all my reviews

Darnell (Olga) does a bang-up job posing seductively as she works her destructive way up the social ladder in czarist Russia. Still, the movie lacks persuasiveness. Now, few actors are better at being both snide and dashing than Sanders (Fedor) who is expert at both, especially in that spiffy uniform. The trouble is this melodrama hinges on soft emotions made intense, and frankly neither Darnell nor Sanders excel at being lovelorn—at least in this movie (contrast with Anna Lee's Nadeena who brings it off nicely). So, we listen to the words and watch the clinches, but it's all minus the inner conviction. Thus, the tragic upshot fails to impact the way it should, despite the touching very last frame.

Nonetheless, Horton (Volsky) gets a showcase role as the decadent, yet likable, aristocrat who also manages to steal the show. At the same time, I don't know who plays the petite maid, but she has a look and manner that's quite distinctive.

Also, I don't know who the production company, Angelus, is, but they're clearly a cheap-jack outfit. The sets for the shooting party are bare-bones and obvious; at the same time, the entire film has an extremely drab look that cuts against its manorial setting. This is a movie- subject that needs generous, if not lavish, production values as a background, especially to justify Olga's aspirations. Instead, we get the economy version, to put it politely. Too bad a prestige studio like TCF didn't take on the project.

Anyway, I agree with another reviewer that the movie is basically for fans of Sanders and Darnell, with Horton as an amusing bonus.

(In passing—note the photo of Lenin in the publisher's office. It may be the only Hollywood appearance of the Bolshevik revolutionary outside of Cold War contexts.)


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