Seduced by a satyr, Pluto celebrates spring. He goes around enjoying the scents, then imitating various animals. But when he imitates the butterfly (that transformed from a caterpillar ... See full summary »

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(as Charles Nichols)

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(story), (story)
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Cast

Credited cast:
Pinto Colvig ...
Pluto (voice)
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Storyline

Seduced by a satyr, Pluto celebrates spring. He goes around enjoying the scents, then imitating various animals. But when he imitates the butterfly (that transformed from a caterpillar before our eyes), he gets in trouble. The butterfly had done a little dance with a water droplet; Pluto picks a beehive as his "ball". The bees, of course, attack, and Pluto escapes by diving into some bushes of poison ivy. Then the "gentle" rains of spring come, along with the hail ("hail, hail the rains"), making a mess of Pluto's house. Written by Jon Reeves <jreeves@imdb.com>

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Approved | See all certifications »
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Release Date:

23 June 1944 (USA)  »

Also Known As:

Le printemps de Pluto  »

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Sound Mix:

(RCA Sound System)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

First Disney cartoon with a full set of on-screen credits. See more »

Quotes

Singing Caterpillar: [while climbing Pluto's tail, and spinning himself into a cocoon] Oh, little underslung friend so furry, / Wriggling by without a worry, / Hurry, hurry, hurry, lest thou be late, / To thy prearranged fate. / Oh, spin, spin, spin without questioning, / Spin thy cloak for evolutioning, / Hang, hang in suspended animation, / 'Til comes the call for alteration.
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User Reviews

 
Pluto Splats Into Spring
8 April 2003 | by (Forest Ranch, CA) – See all my reviews

A Walt Disney PLUTO Cartoon.

A new SPRINGTIME FOR PLUTO brings butterflies & birds to delight him - but also a fair share of vicious bees, poison ivy, pollen & hail.

There are some good laughs in this amusing little film - the Pup's modern dance with the beehive (a probable salute to Charlie Chaplin & the globe in THE GREAT DICTATOR from 1940) is hilarious. The Spirit of Spring looks like a Greek demigod escaped from FANTASIA (1940). The inimitable Thurl Ravenscroft, who would add his voice to so many Disney projects over the coming decades, is the bass singer heard briefly vocalizing about caterpillars spinning cocoons

Walt Disney (1901-1966) was always intrigued by pictures & drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew comic figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that childlike simplicity of message and lots of hard work always pay off.


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