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The Soul of a Monster (1944)

Approved | | Horror | 17 August 1944 (USA)
As famous surgeon, George Winson, lies on his deathbed, his wife Ann calls on unknown powers to save him. A strange woman (Lilyan) appears from nowhere and takes control. George recovers, ... See full summary »

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Cast

Cast overview:
...
...
...
Dr. Roger Vance
...
Ann Winson
Erik Rolf ...
Fred Stevens
Ernest Hilliard ...
Wayne
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Storyline

As famous surgeon, George Winson, lies on his deathbed, his wife Ann calls on unknown powers to save him. A strange woman (Lilyan) appears from nowhere and takes control. George recovers, but he's mysteriously dominated by Lilyan, and leaves his wife. When the evil woman tempts him into letting his best friend (Roger) die Wilson realizes that Lilyan wants his soul in exchange for the chance to continue living. Written by Mike Rogers <MICHAELPEM@aol.com>

Plot Summary | Add Synopsis

Taglines:

SEE A DEAD MAN WALK! (original print ad - all caps) See more »

Genres:

Horror

Certificate:

Approved
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Release Date:

17 August 1944 (USA)  »

Also Known As:

A Morte Caminha Só  »

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Technical Specs

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(RCA Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Shooting from May 25-June 13, 1944, released August 17. See more »

Goofs

Several minutes into the film, after the main character has had a miraculous recovery, he has an encounter with a German shepherd that has a mostly black muzzle. The dog growls at him, so he throws a pair of hedge clippers at the dog and chases it away. In the next shot, the dog runs to a woman in his yard and the dog has a much lighter colored muzzle with very little black on it. See more »


Soundtracks

Ain't That Just Like a Man?
by Don Raye and Gene de Paul
Performed by Clarence Muse
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User Reviews

 
Two women struggle for a man's soul
23 September 2015 | by See all my reviews

Despite its lurid title, Soul of a Monster is much less of a horror film and much more of a religious allegory. A saintly doctor, George Winston, nationally famous for his humanitarianism is dying and no power on earth is able to save him.Because of this his wife Ann has lost her faith in God. She calls on the dark powers to save him. A rather severe and intimidating women appears out of nowhere to save his life. Her entrance into the story is the eeriest and most mysterious part of the film. She arrives at the doctors deathbed with the claim that she can help him and takes over the situation . The woman calls herself Lilyan Gregg and she does bring about Winston's recovery. The doctor has recovered but he is a changed man. He seems to have lost his humanity. He no longer has any empathy with those whom he formerly cared for.He is now cold, aloft and unsympathetic. He comes to reject his wife and friends for a relationship with Lilyan.His wife Ann regrets her plea to the dark side to save her husbands from death for now she must battle Lilyan for his very soul.

Anybody who watches Soul of a Monster to see a horror film is really going to be disappointed. It's a cleverly done fantasy film but hardly horrific.Rose Hobart was a talented actress and here she is quite effective as the Devils messenger. She is someone that seems to invite confrontation and she can intimidate just about anybody.Lilyan is the movies most watchable character.George Macready made a career out of playing egotistical, unscrupulous, slightly feminine men who played at being mentally superior but are actually weak and cowardly. I buy him as the soulless George Winston. It's him as the noble and saintly Dr Winston that I just can't picture.

Soul of a Monster has a bit of the Devil and Daniel Webster and Cat People and even a bit of Frankenstein written into it's story.As I said Rose Hobart stands out and its her performance that makes the picture worth viewing. Erik Rolf plays Fred Stevens a family friend who is the conscience of the film. He is the Christian voice in the movie. Rolf always reminded me of Nils Asther. Soul of a Monster is really trying to sermonize about keeping faith in God and not losing morality in times of stress. It's not a terrible film but it ain't great either.


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