7.6/10
3,588
88 user 21 critic

Since You Went Away (1944)

Approved | | Drama, Romance, War | 20 July 1944 (USA)
With her husband away to fight in World War II, a housewife struggles to care for their two daughters - and a pair of lodgers who have moved in - alone.

Directors:

, (uncredited) | 2 more credits »

Writers:

(book), (adaptation) | 1 more credit »
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Won 1 Oscar. Another 8 nominations. See more awards »
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Cast

Cast overview, first billed only:
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...
...
...
...
...
Clergyman
...
...
...
...
Zofia Koslowska (as Nazimova)
...
...
Marine Officer Seeking Room
...
...
...
Danny Williams
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Storyline

While husband Tim is away during World War II, Anne Hilton copes with problems on the homefront. Taking in a lodger, Colonel Smollett, to help make ends meet and dealing with shortages and rationing are minor inconveniences compared to the love affair daughter Jane and the Colonel's grandson conduct. Written by Ron Kerrigan <mvg@whidbey.com>

Plot Summary | Plot Synopsis

Taglines:

The four most important words since Gone With the Wind-- SINCE YOU WENT AWAY! See more »

Genres:

Drama | Romance | War

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

|

Release Date:

20 July 1944 (USA)  »

Also Known As:

Desde que te fuiste  »

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Box Office

Budget:

$2,400,000 (estimated)
See more on IMDbPro »

Company Credits

Show more on  »

Technical Specs

Runtime:

(1949 re-release) | (DVD) | (copyright length)

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Tay Garnett directed part of the film uncredited; Edward F. Cline, a specialist in comedies, was brought in to direct the comedy sequences; producer David O. Selznick filled in as director for four days when director John Cromwell was not available. See more »

Goofs

Colonel William G. Smollett introduces himself as such when he responds to the advertisement for an officer boarder, but is called 'Colonel Smollie' by Bridget while tending the victory garden, and again at his birthday party with his cake having 'Colonel Smollie' written on it. Although Bridget and the other family members know his correct surname and, at the beginning, address him by it, they later clearly address him as 'Smollie' as an affectionate family nickname. See more »

Quotes

Jane Hilton: I'm sorry to have interrupted you, Dr. Golden, but I was instructed to get the patient to bed.
Dr. Sigmund Gottlieb Golden: It's all right. He's had quite enough for one day.
Jane Hilton: Doctor, will Mr. Williams be all right?
Dr. Sigmund Gottlieb Golden: In time. In time. He's a fine young man. He must have another chance at life, and we must work to give it to him.
Jane Hilton: His burns seem almost healed.
Dr. Sigmund Gottlieb Golden: Yes, his burns, but the most serious injury - that, I'm afraid, will take more time.
Jane Hilton: The injury to his mind? Is that what you mean?
Dr. Sigmund Gottlieb Golden: No, not to his mind. To his ...
[...]
See more »

Crazy Credits

The on-screen screenplay credit reads "screenplay by the producer." See more »

Connections

Featured in Going Hollywood: The War Years (1988) See more »

Soundtracks

Shoo-Shoo Baby
(1943) (uncredited)
Music and Lyrics by Phil Moore
Sung by soldiers on a train
See more »

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User Reviews

 
Personal Remarks
26 August 2004 | by See all my reviews

As I watched this recently on Turner Movie Classics, a number of trivial points ran through my mind. David O. Selznick certainly had a knack for making clear statements and making sure that everything in his productions (at least up to this time) was easily understood by viewers of all levels.

As his cinematographer, Lee Garmes, was noted for his tendency toward dark images, I was constantly aware of the many shadows in his shots. For his actors to move from one position to another they walk through at least one area of total darkness. There are many shadows on their faces, many profiles, and sharp light and dark contrasts in the background. While Selznick reportedly didn't appreciate Garmes' signature style for GWTW, David certainly tolerated it here, and this dark ambiance gave "Since You Went Away" a quality of depth and substance it might not otherwise have had.

David's effort to get the "perfect" cast paid off. With Colbert anchoring the enactment with a great performance, the film was also blessed with excellent work from Cotten, Jones, Temple, Wooley, McDaniel, Moorhead, et al.

It looks like Colbert's preference for being photographed from the left side is valid. On my system, motion can be stopped and slowly forwarded, observing her from the right side when she turns. In real time one only glimpses; in slow motion one can see her point.

Max Steiner's themes are quite haunting (one of his main ones reveals generic influences of the "Liebestod" from Tristan und Isolde--another the basis for a later Christmas song) and his careful underscoring of every action works well here. TMC Channel's inclusion of the complete Overture and Entr'acte enhances the presentation's effectiveness. It's a joy to see material once cut from so many "classics" now sensitively restored.

Knowing what the Walkers were going through in real life (marital separation) during this filming does indeed make me further appreciate the fine quality of their work. Though Jennifer reportedly often left the set in tears, not a hint of that shows. That indeed is strong acting.

The volume of sad and tragic events depicted in this film now seems, by the end, a wee bit much. Still, this "tear jerker supreme" continues to be enjoyed by many viewers, and "Since You Went Away," remains a nostalgic enactment of an emotional period in American history.


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