While husband Tim is away during World War II, Anne Hilton copes with problems on the homefront. Taking in a lodger, Colonel Smollett, to help make ends meet and dealing with shortages and ... See full summary »
In 1858 France, Bernadette, an adolescent peasant girl, has a vision of "a beautiful lady" in the city dump. She never claims it to be anything other than this, but the townspeople all ... See full summary »
The true story of Agnes Newton Keith's imprisonment in several Japanese prisoner-of-war camps from 1941 to the end of WWII. Separated from her husband and with a young son to care for she ... See full summary »
The work of a progressive female psychiatrist and her colleague at a mental hospital is threatened by the arrival of a conservative new supervisor, who disapproves of both her methods and the fact that she is a woman in a "man's field."
Gregory La Cava
Corliss Archer, 15, and Mildred Pringle, 17, are best friends, and get into some mischief together which causes their parents to start fighting over who is a bad influence on whom. Their ... See full summary »
While husband Tim is away during World War II, Anne Hilton copes with problems on the homefront. Taking in a lodger, Colonel Smollett, to help make ends meet and dealing with shortages and rationing are minor inconveniences compared to the love affair daughter Jane and the Colonel's grandson conduct. Written by
Ron Kerrigan <email@example.com>
Surrealist painter Salvador Dali worked on a deleted dream sequence with art director William L. Pereira and director Andre de Toth. According to de Toth the sequence "stuck out like a sore thumb and Seznick was right to delete it." Dali designed a more successful dream sequence for Selznick in "Spellbound" the following year. De Toth also claims that nine or ten directors worked on the picture at different times. See more »
Colonel William G. Smollett introduces himself as such when he responds to the advertisement for an officer boarder, but is incorrectly called 'Colonel Smollie' by Bridget while tending the victory garden, and again at his birthday party with his cake having 'Colonel Smollie' written on it. See more »
The formula for a successful film incorporates good direction, a deep and talented cast, a sophisticated script, and a profound theme. This film has all of the above. The poignant theme is that of the Homefront's waiting for soldiers to safely return from the various battle zones of World War Two, with full knowledge that some would not return. In this film, released just two weeks after D-Day, the daily lives of the characters are dominated by the pall of war, and the casualty reports. Non-patriotic foils are sprinkled throughout, especially those who regularly violate the rationing system. In essence, the main thrust of the film to the audience is this: Do not despair, everyone with servicemen abroad is experiencing the same fears and emotions. Like "Casablanca" and other films produced during the war, the message of common sacrifice prevails. Everyone is in the same boat, or so says Hollywood. This film is both entertaining and instructive, as intended. If this film has a weakness, it is the title. It would better be something like "what would I do when you're no longer here to tell my troubles to?" No longer here could be for the duration of the war--or for eternity.
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