7.6/10
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88 user 19 critic

Since You Went Away (1944)

Approved | | Drama, Romance, War | 20 July 1944 (USA)
With her husband away to fight in World War II, a housewife struggles to care for their two daughters - and a pair of lodgers who have moved in - alone.

Directors:

, (uncredited) | 2 more credits »

Writers:

(book), (adaptation) | 1 more credit »
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Won 1 Oscar. Another 8 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
...
...
Lt. Tony Willett
...
Bridget 'Brig' Hilton
...
Col. William G. Smollett
...
Clergyman
...
Cpl. William G. 'Bill' Smollett II
...
Fidelia
...
Mrs. Emily Hawkins
...
Zofia Koslowska (as Nazimova)
...
Dr. Sigmund Gottlieb Golden
...
Marine Officer Seeking Room
...
Lt. Solomon
...
Sailor Harold E. Smith
...
Danny Williams
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Storyline

While husband Tim is away during World War II, Anne Hilton copes with problems on the homefront. Taking in a lodger, Colonel Smollett, to help make ends meet and dealing with shortages and rationing are minor inconveniences compared to the love affair daughter Jane and the Colonel's grandson conduct. Written by Ron Kerrigan <mvg@whidbey.com>

Plot Summary | Add Synopsis

Taglines:

The four most important words since Gone With the Wind-- SINCE YOU WENT AWAY! See more »

Genres:

Drama | Romance | War

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

|

Release Date:

20 July 1944 (USA)  »

Also Known As:

Desde que te fuiste  »

Box Office

Budget:

$2,400,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

(1949 re-release) | (DVD) | (copyright length)

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

The opening sequence was re-shot. Originally it featured a male dog (whose genitalia photographed far too prominently). The shot was redone using a female dog. David O. Selznick's personal print, however, contains the original "naughty" version. See more »

Goofs

Colonel William G. Smollett introduces himself as such when he responds to the advertisement for an officer boarder, but is called 'Colonel Smollie' by Bridget while tending the victory garden, and again at his birthday party with his cake having 'Colonel Smollie' written on it. Although Bridget and the other family members know his correct surname and, at the beginning, address him by it, they later clearly address him as 'Smollie' as an affectionate family nickname. See more »

Quotes

Jane Deborah Hilton: Mother?
Mrs. Anne Hilton: Yes, Jane?
Jane Deborah Hilton: Mother, do you think I have a nice figure?
Mrs. Anne Hilton: Yes, darling. You have a beautiful figure.
Jane Deborah Hilton: Do you think Tony might paint me someday?
Mrs. Anne Hilton: Over my dead body.
See more »

Crazy Credits

The on-screen screenplay credit reads "screenplay by the producer." See more »

Connections

Featured in Biography: Jennifer Jones: Portrait of a Lady (2001) See more »

Soundtracks

Happy Birthday to You
(1893) (uncredited)
Written by Mildred J. Hill and Patty S. Hill
Sung a cappella by Hattie McDaniel, Claudette Colbert, Jennifer Jones and Shirley Temple
See more »

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User Reviews

The premier Sunday afternoon experience.
9 February 2004 | by (Washington, DC) – See all my reviews

I saw this yesterday on TCM. Yes, it is sentimental, patriotic, and a bit syrupy in the dialog. But it was released in 1944 (filmed right in the middle of the war), so the sentiment and especially the times are aptly reflected. More than anything else, the film's virtues are the performances. Claudette Colbert reminds me very much of Norma Shearer's matriarch in 'The Women:' warm, intelligent, and very likable, but surrounded by the constrictions and circumstances of the time. (It's interesting to hear her tell Joseph Cotten two hours into the film that she feels useless and is not contributing to the war effort when in fact she's been contributing all along.) Cotten is wonderful as her surrogate mate (still carrying a torch after all these years) and daughters Jennifer Jones and Shirley Temple are quite good. The standout scene, of course is Jones and real-life husband Robert Walker parting at the train station. The Steiner score (echoing the chugging of the train) and especially Jones' tearful run as the train departs are especially heartbreaking. (Does she sense her soldier's fate? There's something almost psychic in her face as she reads the engraving on the watch.) Good performances also from Agnes Moorehead and Selznick veteran Hattie McDaniel. Nominated for a ton of Oscars, and deservedly so.


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