7.6/10
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88 user 18 critic

Since You Went Away (1944)

Approved | | Drama, Romance, War | 20 July 1944 (USA)
With her husband away to fight in World War II, a housewife struggles to care for their two daughters - and a pair of lodgers who have moved in - alone.

Directors:

, (uncredited) | 2 more credits »

Writers:

(book), (adaptation) | 1 more credit »
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Won 1 Oscar. Another 8 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
...
...
Lt. Tony Willett
...
Brig Hilton
...
Col. William G. Smollett
...
Clergyman
...
Cpl. Bill Smollett 2nd
...
Fidelia
...
Emily Hawkins
...
Zofia Koslowska (as Nazimova)
...
Dr. Sigmund Gottlieb Golden
...
Marine Officer Seeking Room
...
Lt. Solomon
...
Hal Smith
...
Danny Williams
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Storyline

While husband Tim is away during World War II, Anne Hilton copes with problems on the homefront. Taking in a lodger, Colonel Smollett, to help make ends meet and dealing with shortages and rationing are minor inconveniences compared to the love affair daughter Jane and the Colonel's grandson conduct. Written by Ron Kerrigan <mvg@whidbey.com>

Plot Summary | Plot Synopsis

Taglines:

Great! . . . A Story So Warm . . . So Human . . . So Real . . . you'll wish it might never end! With seven great stars who were never greater! See more »

Genres:

Drama | Romance | War

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

|

Release Date:

20 July 1944 (USA)  »

Also Known As:

Desde que te fuiste  »

Box Office

Budget:

$2,400,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

(1949 re-release) | (DVD) | (copyright length)

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

At 1 hour, 15 minutes, and 38 seconds, Jennifer Jones's performance in this movie is the longest ever nominated for an Academy Award for Best Supporting Actress. See more »

Goofs

Colonel William G. Smollett introduces himself as such when he responds to the advertisement for an officer boarder, but is called 'Colonel Smollie' by Bridget while tending the victory garden, and again at his birthday party with his cake having 'Colonel Smollie' written on it. Although Bridget and the other family members know his correct surname and, at the beginning, address him by it, they later clearly address him as 'Smollie' as an affectionate family nickname. See more »

Quotes

Anne Hilton: By the way, how did you leave Jane?
Lieutenant Tony Willett: With the mumps, and with tears, I'm afraid. I haven't much tact, I guess. I didn't know what to say.
Anne Hilton: I know. Poor dear. Then you are very attractive, Tony.
Lieutenant Tony Willett: A bone from Mrs. Hilton?
Anne Hilton: No, I mean it. It won't be too easy for Jane, getting over it.
Lieutenant Tony Willett: Nonsense. Older men. Every girl goes through it. Didn't you?
Anne Hilton: Still going through it.
Lieutenant Tony Willett: Yeah. Older men named Hilton. Don't you ever worry about Jane.
Anne Hilton: I won't. As long as the older men are like you.
Lieutenant Tony Willett: You know something, ...
[...]
See more »

Crazy Credits

The on-screen screenplay credit reads "screenplay by the producer." See more »

Connections

Featured in Biography: Jennifer Jones: Portrait of a Lady (2001) See more »

Soundtracks

Kaiser-Walzer (Emperor Waltz) op.437
(1889) (uncredited)
Music by Johann Strauss
Arranged by Franz Waxman
Played as dance music by the band at the dance; danced by Jennifer Jones with Joseph Cotten and Robert Walker with Claudette Colbert
See more »

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User Reviews

 
Personal Remarks
26 August 2004 | by (Cleveland, Ohio) – See all my reviews

As I watched this recently on Turner Movie Classics, a number of trivial points ran through my mind. David O. Selznick certainly had a knack for making clear statements and making sure that everything in his productions (at least up to this time) was easily understood by viewers of all levels.

As his cinematographer, Lee Garmes, was noted for his tendency toward dark images, I was constantly aware of the many shadows in his shots. For his actors to move from one position to another they walk through at least one area of total darkness. There are many shadows on their faces, many profiles, and sharp light and dark contrasts in the background. While Selznick reportedly didn't appreciate Garmes' signature style for GWTW, David certainly tolerated it here, and this dark ambiance gave "Since You Went Away" a quality of depth and substance it might not otherwise have had.

David's effort to get the "perfect" cast paid off. With Colbert anchoring the enactment with a great performance, the film was also blessed with excellent work from Cotten, Jones, Temple, Wooley, McDaniel, Moorhead, et al.

It looks like Colbert's preference for being photographed from the left side is valid. On my system, motion can be stopped and slowly forwarded, observing her from the right side when she turns. In real time one only glimpses; in slow motion one can see her point.

Max Steiner's themes are quite haunting (one of his main ones reveals generic influences of the "Liebestod" from Tristan und Isolde--another the basis for a later Christmas song) and his careful underscoring of every action works well here. TMC Channel's inclusion of the complete Overture and Entr'acte enhances the presentation's effectiveness. It's a joy to see material once cut from so many "classics" now sensitively restored.

Knowing what the Walkers were going through in real life (marital separation) during this filming does indeed make me further appreciate the fine quality of their work. Though Jennifer reportedly often left the set in tears, not a hint of that shows. That indeed is strong acting.

The volume of sad and tragic events depicted in this film now seems, by the end, a wee bit much. Still, this "tear jerker supreme" continues to be enjoyed by many viewers, and "Since You Went Away," remains a nostalgic enactment of an emotional period in American history.




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