While husband Tim is away during World War II, Anne Hilton copes with problems on the homefront. Taking in a lodger, Colonel Smollett, to help make ends meet and dealing with shortages and ...
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Young freewheeling wanderer Jerry Day and his beautiful wife Toni are at odds over their lifestyle. Jerry can't accept responsibility but Toni yearns for a family and a settled life. Then ... See full summary »
Corliss Archer, 15, and Mildred Pringle, 17, are best friends, and get into some mischief together which causes their parents to start fighting over who is a bad influence on whom. Their ... See full summary »
Elizabeth and John say goodbye as John leaves to go to war. When World War I ends, Elizabeth receives a telegram that John has been killed in action. She finds comfort in Larry and they ... See full summary »
Adam Lemp, the Dean of the Briarwood Music Foundation, has passed on his love of music to his four early adult daughters - Thea, Emma, Kay and Ann - who live with him and his sister, the ... See full summary »
Ellen McNulty loses her hamburger joint and goes to see her son, who marries a socialite at the same time. Due to her modest background and a case of mistaken identity, Ellen poses as the newlyweds' cook.
While husband Tim is away during World War II, Anne Hilton copes with problems on the homefront. Taking in a lodger, Colonel Smollett, to help make ends meet and dealing with shortages and rationing are minor inconveniences compared to the love affair daughter Jane and the Colonel's grandson conduct. Written by
Ron Kerrigan <email@example.com>
This came about because David O. Selznick wanted to make a film that showed his support for the war effort. He deliberately did not want to make a traditional war movie. See more »
Colonel William G. Smollett introduces himself as such when he responds to the advertisement for an officer boarder, but is incorrectly called 'Colonel Smollie' by Bridget while tending the victory garden, and again at his birthday party with his cake having 'Colonel Smollie' written on it. See more »
Call 'Since You Went Away' schmaltzy, cliched, idealized, propaganda, soapy
whatever you like: I LOVE this movie. It was made when we called them
movies, not films, not cinema.
Every Christmastime I HAVE to watch 'Since You Went Away'. The laughter - that good, clean kind of fun laughter that gets trashed nowadays by the many who like to affect "sophisticated" jadedness - it provokes from my heart, and the tears it pulls from my eyes are worth every second of this Selznick masterpiece (in my opinion this movie trumps the overblown, talky, overpraised 'Gone With The Wind').
I laugh and cry, especially, watching and listening to the gifted, lovely Hattie McDaniel handling her role, a good measure of which was written in the period's typical "Negro dialect," with dignity and aplomb. If I had to be stranded on a desert island with one person I'd hope it could be McDaniel, a woman who embodied grace under pressure.
Claudette Colbert simply glows throughout. Jennifer Jones oozes smoldering sexuality, but manages to convince us that she's a teen verging on responsible adulthood. Shirley Temple tugs at your heartstrings. McDaniel radiates strength, stamina, and tenderness. Monty Woolley irritates and charms. Joseph Cotten brings a healthy dose of class and charm. Agnes Moorehead infuriates - she was one of the most talented actresses ever to grace the screen. Robert Walker exemplifies the innocence that war guts from the young, and the sacrifice made, like his character, by thousands of young people in defending, and assuring the legacy, of America's founding ideals.
Have your tissues - a whole box - handy. And let 'Since You Went Away' make your heart soar.
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