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Shadows in the Night (1944)

A young woman wants The Crime Doctor to help her decipher her strange nightmares.

Director:

(as Eugene J. Forde)

Writers:

(radio series Crime Doctor characters), (screenplay) | 1 more credit »
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Cast

Cast overview:
...
...
Lois Garland
George Zucco ...
Frank Swift
Edward Norris ...
Jess Hilton
Lester Matthews ...
Stanley Carter
...
Nick Kallus
...
Adele Carter
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Storyline

A young woman wants The Crime Doctor to help her decipher her strange nightmares.

Plot Summary | Add Synopsis

Plot Keywords:

nightmare | mental illness | See All (2) »

Genres:

Crime | Drama | Mystery

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Details

Country:

Language:

Release Date:

27 July 1944 (USA)  »

Also Known As:

Crime Doctor's Rendezvous  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
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Connections

Followed by The Crime Doctor's Warning (1945) See more »

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User Reviews

 
Entertaining and engrossing
18 May 2008 | by (Derby, UK) – See all my reviews

Having seen most of the series over the decades there's a couple of Crime Doctor films I've still to see, this was one of them until last night. Was it worth it the wait? Like the previous commenter, as a fan of b movie detective films (especially from the Golden Age): Yes! This was no. 3 and Columbia were well into their stride by now – and with Boston Blackie, the Lone Wolf and the Whistler – churning out 10 films in 6 years until everyone ran out of steam in 1949.

A mysterious woman visits Dr. Ordway (always played by the ever dependable Warner Baxter) at 3 am in the pouring rain for his psychiatric help because she doesn't know whether the bad dreams she's having tempting her to suicide are actually real. This leads him to stay at her spooky but extremely scenic house and grounds by the ocean containing a motley assemblage of strange guests and staff with secrets galore – when one of them gets murdered the game is afoot to unmask the culprit. The usual stuff in other words, but expertly handled with high production values and a nice brooding smoky atmosphere. George Zucco helps the film but hinders Ordway as a fairly mad scientist – a brilliant stroke to put him in! Distracted Nina Foch plays the woman apparently having nightmares; just about the only film you see her in over here nowadays is An American In Paris. Favourite bits: Ordway's sleepwalking adventure; searching the cellars and the dark underground journey. It's all reasonably cogent and it all fits neatly together by the end.

A nice entry in the series, one I can recommend to fans of the genre as usual and encourage non-fans to save their time as usual.


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