7.4/10
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The Seventh Cross (1944)

Passed | | Drama, War | 24 July 1944 (USA)
In Nazi Germany in 1936 seven men escape from a concentration camp. The camp commander puts up seven crosses and, as the Gestapo returns each escapee he is put to death on a cross. The ... See full summary »

Director:

Writers:

(screen play), (based upon the novel by)
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Nominated for 1 Oscar. See more awards »
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Cast

Cast overview, first billed only:
...
...
...
...
Liesel Roeder
...
Mme. Marelli
Herbert Rudley ...
Felix Bressart ...
Poldi Schlamm
...
Wallau
Alexander Granach ...
Zillich
Katherine Locke ...
...
...
Steven Geray ...
Dr. Loewenstein
Kurt Katch ...
Kaaren Verne ...
Leni (as Karen Verne)
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Storyline

In Nazi Germany in 1936 seven men escape from a concentration camp. The camp commander puts up seven crosses and, as the Gestapo returns each escapee he is put to death on a cross. The seventh cross is still empty as George Heisler seeks freedom in Holland. Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Add Synopsis

Taglines:

His Greatest Role See more »

Genres:

Drama | War

Certificate:

Passed | See all certifications »
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Details

Country:

Language:

Release Date:

24 July 1944 (USA)  »

Also Known As:

The Seven Crosses  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

The initial 3,000 RM for George's capture - as seen in the newspaper article - would equate to $1,210 at the time, or about $20,625 in 2016. The increase in the reward to 5,000 RM would equate to about $34,375 in 2016. See more »

Goofs

When the escapees are being hunted, the only uniformed personnel we see chasing them are the 'Storm troopers' (Sturmabteilung) or SA. Even before the 'night of the Long Knives', the SA would not have been the only group to search for escapees & by 1936, the hunt would also have been carried out by the regular police and the Schutzstaffel (SS). See more »

Quotes

Bruno Sauer: Come in. You want to see me? What can I do for you?
[Sauer is at the mirror, shaving with a straight razor]
Paul Roeder: I bring you the regards of a mutual friend. I wonder if you still remember him. He was with you once on a canoeing excursion.
[Sauer pauses and looks frightened, then continues shaving]
Bruno Sauer: I'm afraid I don't understand. Whose regards are you bringing me?
Paul Roeder: It was more than three years ago. You said to him that if there was ever something big he wanted done, he could count on you.
Bruno Sauer: I still don't ...
[...]
See more »

Connections

Featured in Twenty Years After (1944) See more »

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User Reviews

 
Bold and complex, astonishingly so given it was made during the war.
18 August 2000 | by (Derbyshire, United Kingdom) – See all my reviews

While watching this film, I was under the impression that it had been made in the early 1950s and was amazed and impressed to see that it dates from 1944. Although not all the film's messages intertwine as neatly as they might, it is - overall - a great success. It seems surprisingly long for a film of its era as well, though it does not drag on the whole. Spencer Tracy gave me some clue in this role why he is considered to be such a great actor (you actually see his face change as he recovers from the near animal state the concentration camp had reduced him to) and Hume Cronyn and Jessica Tandy also put in top class performances. The depiction of the concentration camp is astoundingly vivid for the time, with the theme of seven crosses for either displaying the corpses of the escapees or for putting them to death being especially grim and - as the allies were soon to find out - no exaggeration as a symbol of the evil the Nazis visited upon millions who fell under their jackboot. Modern audiences may feel somewhat ambivalent about the idea of one of Tracy's dead friends from the camp acting as a voice within his soul, but I think even those not of a spiritual bent ought to concede it is depicted with a light touch that does not damage the film.


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