The Seventh Cross (1944)

User Rating:

7.3/10   

Director:

Fred Zinnemann

Writers:

Anna Seghers (novel)
Helen Deutsch (screenplay)

Release Date:

24 July 1944 (USA)

Genre:

Drama | Sport | War

Tagline:

Daringly Real . . . Startlingly Frank! The revealing novel of a hunted man's search for love!

Plot:

In Nazi Germany in 1936 seven men escape from a concentration camp. The camp commander puts up seven crosses and...

Plot Keywords:

Nazi | Escape | Concentration Camp | Gestapo | Siren

Awards:

Nominated for Oscar.

Cast

Spencer Tracy	...	George Heisler
Signe Hasso	...	Toni
Hume Cronyn	...	Paul Roeder
Jessica Tandy	...	Liesel Roeder
Agnes Moorehead	...	Mme. Marelli
Herbert Rudley	...	Franz Marnet
Felix Bressart	...	Poldi Schlamm
Ray Collins	...	Ernst Wallau
Alexander Granach	...	Zillich
Katherine Locke	...	Frau Hedy Sauer
George Macready	...	Bruno Sauer
Paul Guilfoyle	...	Fiedler
Steven Geray	...	Dr. Loewenstein
Kurt Katch	...	Leo Hermann
Kaaren Verne	...	Leni (as Karen Verne)

Also Known As:

The Seven Crosses

Runtime:

110 min

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (Western Electric Sound System)

Certification:

Australia:G (TV rating) | Australia:PG | Finland:K-16 | Sweden:15

Company:

Metro-Goldwyn-Mayer (MGM)

Goofs:

Factual errors: The film is set in 1936 but shows the Concentration Camp being run by the 'Storm troopers' (Sturmabteilung). The SA virtually ceased to exist following the 'night of the Long Knives'(Nacht der langen Messer), which occurred between June 30 and July 2, 1934. The SA did linger on after this but it was weakened and almost pointless, leaving the Schutzstaffel (SS) to take over most of its duties, including camp administration, etc.

Movie Connections:

Featured in Twenty Years After (1944)

Bold and complex, astonishingly so given it was made during the war.

While watching this film, I was under the impression that it had been made in the early 1950s and was amazed and impressed to see that it dates from 1944. Although not all the film's messages intertwine as neatly as they might, it is - overall - a great success. It seems surprisingly long for a film of its era as well, though it does not drag on the whole. Spencer Tracy gave me some clue in this role why he is considered to be such a great actor (you actually see his face change as he recovers from the near animal state the concentration camp had reduced him to) and Hume Cronyn and Jessica Tandy also put in top class performances. The depiction of the concentration camp is astoundingly vivid for the time, with the theme of seven crosses for either displaying the corpses of the escapees or for putting them to death being especially grim and - as the allies were soon to find out - no exaggeration as a symbol of the evil the Nazis visited upon millions who fell under their jackboot. Modern audiences may feel somewhat ambivalent about the idea of one of Tracy's dead friends from the camp acting as a voice within his soul, but I think even those not of a spiritual bent ought to concede it is depicted with a light touch that does not damage the film.