Child film star Jane Powell, fed up with her every move being stage managed by her stage mother, runs away and joins the U.S. Crop Corps, a small army of young folks staying at youth ... See full summary »
S. Sylvan Simon
During World War II, all the studios put out "all-star" vehicles which featured virtually every star on the lot--often playing themselves--in musical numbers and comedy skits, and were ... See full summary »
Fields wants to sell a film story to Esoteric Studios. On the way he gets insulted by little boys, beat up for ogling a woman, and abused by a waitress. He becomes his niece's guardian when... See full summary »
Acrobat Eddie Marsh is in the army now. His first act is to become friendly with Kathryn Jones, the colonel's pretty daughter. Their romance hits a few snags, including disapproval from her... See full summary »
Constance Shaw is a dance star on Broadway, Joseph Rivington Reynolds is a keen fan of her. After she is fed up with her friend, she meets Joseph and marries him, because she thinks he is ... See full summary »
Larson E. Whipsnade runs a seedy circus which is perpetually in debt. His performers give him nothing but trouble, especially Edgar Bergen and Charlie McCarthy. Meanwhile, Whipsnade's son ... See full summary »
Edward F. Cline
Johnny Brett and King Shaw are an unsuccessful dance team in New York. A producer discovers Brett as the new partner for Clare Bennett, but Brett, who thinks he is one of the people they lent money to gives him the name of his partner.
Eleanor Powell's final starring role in a movie. After this, she would make only cameo appearances in films. See more »
A routine theater projector is used to project a Cab Calloway short subject on a New York City billboard several blocks away. Because of the focus and intensity of light required, this would be an impossibility anywhere, let alone in a well-lit area like Times Square. See more »
Another of those flimsy stories coupled with most forgettable musical numbers. Powell and O'Keefe as battling publicists are quite forgettable. However, there are two shining moments. Hubert Castle is the most incredible tightrope walker you will ever see - his "drunken walk" on the wire has to be the most spectacular piece of balancing ever recorded on film. He has to be seen to be believed. The other is Sophie Tucker doing a turn near the end of the film. Her magnetism, her professionalism, her sheer talent at being herself - well, charisma is not learned - you have it or you don't. A great lesson for all would-be cabaret artists. A sad note: W.C. Fields in his last film cameo is completely forgettable.
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