| Basil Rathbone | ... | Sherlock Holmes | |
| Nigel Bruce | ... | Doctor Watson | |
| Gerald Hamer | ... | Potts / Tanner / Ramson | |
| Paul Cavanagh | ... | Lord Penrose | |
| Arthur Hohl | ... | Emile Journet | |
| Miles Mander | ... | Judge Brisson | |
| Kay Harding | ... | Marie Journet | |
| David Clyde | ... | Police Sergeant Thompson | |
| Ian Wolfe | ... | Drake | |
| Victoria Horne | ... | Nora | |
| rest of cast listed alphabetically: | |||
| Harry Allen | ... | Bill Taylor (uncredited) | |
| Gertrude Astor | ... | Lady Lillian Gentry Penrose (uncredited) | |
| Frank Austin | ... | Villager in Pub with Dr. Watson (uncredited) | |
| Ted Billings | ... | Villager in Pub (uncredited) | |
| Horace B. Carpenter | ... | Villager in Pub (uncredited) | |
| Bill Cartledge | ... | Hotel Bellhop (uncredited) | |
| William Desmond | ... | Member of Royal Canadian Occult Society (uncredited) | |
| Al Ferguson | ... | Attendant (uncredited) | |
| Clyde Fillmore | ... | Inspector (uncredited) | |
| Charles Francis | ... | Sir John (uncredited) | |
| Olaf Hytten | ... | Hotel Day Desk Clerk (uncredited) | |
| George Kirby | ... | Father Pierre (uncredited) | |
| Charles Knight | ... | Assistant Police Inspector (uncredited) | |
| Eric Mayne | ... | Member of Royal Canadian Occult Society (uncredited) | |
| Norbert Muller | ... | Page-boy (uncredited) | |
| Pietro Sosso | ... | Andy Trent (uncredited) | |
| Tony Travers | ... | Musician (uncredited) | |
| Eric Wilton | ... | Hotel Evening Desk Clerk (uncredited) | |
Directed by | |||
| Roy William Neill | |||
Writing credits | ||
| Edmund L. Hartmann | (screenplay) and | |
| Roy William Neill | (screenplay) | |
| Paul Gangelin | (story) and | |
| Brenda Weisberg | (story) | |
| Arthur Conan Doyle | (characters) (as Sir Arthur Conan Doyle) | |
Produced by | |||
| Roy William Neill | .... | producer | |
| Howard Benedict | .... | executive producer (uncredited) | |
Original Music by | |||
| Paul Sawtell | (uncredited) | ||
Cinematography by | |||
| George Robinson | (director of photography) | ||
Film Editing by | |||
| Paul Landres | |||
Art Direction by | |||
| Ralph M. DeLacy | |||
| John B. Goodman | |||
Set Decoration by | |||
| Russell A. Gausman | |||
| Ira Webb | (as Ira S. Webb) | ||
Makeup Department | |||
| Jack P. Pierce | .... | makeup artist (uncredited) | |
Sound Department | |||
| Bernard B. Brown | .... | sound director | |
| Robert Pritchard | .... | sound technician | |
Visual Effects by | |||
| John P. Fulton | .... | special photography | |
Music Department | |||
| Paul Sawtell | .... | musical director | |
| Charles Previn | .... | composer: stock music (uncredited) | |
| Hans J. Salter | .... | composer: stock music (uncredited) | |
| Frank Skinner | .... | composer: stock music (uncredited) | |
Other crew | |||
| Stacy Keach Sr. | .... | dialogue director (as Stacey Keach) | |
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| The House of Fear | Sherlock Holmes Faces Death | Mr. Brooks | Freeway | The Secret of Treasure Island |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
Although to some people this might be blasphemous, I am not at all a fan of the way Bruce interprets the Watson character. This is simply because I believe this is not the way ACD intended to portray the character and it's simply ridiculous. Movies being another art form though, one must certainly make allowances for alternative interpretations. Rathbone, as usual, excels himself here and in my personal Holmes actor ranking he's first just before Jeremy Brett.
At the outset, I had the slight impression that the story is a bit of a rip-off of the HOUND but very soon one realises that the storyline goes into quite another direction. But since The Hound Of The Baskervilles is my very favourite Holmes story that didn't undo the story for me.
What made me wonder a bit was that although set in francophone Canada the only French allusions are the use of the address 'monsieur' and the name of the village... Everything else sounds quite English.
Still, the movie is greatly entertaining and the eerie marshland atmosphere with a hint at the supernatural is cleverly caught.