In 1918, an English family are terrorized by a vampire, until they learn how to deal with it. They think their troubles are over, but German bombs in WWII free the monster. He reclaims the soul of his wolfman ex-servant, and assuming the identity of a scientist who has just escaped from a concentration camp, he starts out on a plan to get revenge upon the family. Written by
Ken Yousten <firstname.lastname@example.org>
Lugosi was paid $3,500 for his four weeks of work. See more »
When the page of Tesla's book on Vampirism is shown at the beginning of the film, the text printed on the page consists of five brief paragraphs which are then repeated to fill out the page. See more »
It's interesting that even though Bela Lugosi enjoys an eternal reputation of playing the most imitated vampire of all (the legendary Count Dracula), the actor really didn't star as a true bloodsucker in that many motion pictures. But he's nothing less than the real deal here, in an enjoyably misty and moody horror offering which was produced by Columbia Pictures, yet could be easily mistaken for any one of the 1940s classics that Universal Studios was churning out at this time.
Though Bela looks and sounds much like Dracula with his trademark flowing cape and piercing eyes, this time he plays a different character called Armand Tesla, a vampire who rises from his grave in ravaged WW II times to seek revenge many years after being destroyed with a metal spike. Frieda Inescort is a welcome change of pace as a female "Van Helsing" type of protector, and the Lon Chaney-ish Matt Willis is cast as a pitiable servant named Andreas, who becomes corrupted by Tesla and is transformed into a werewolf that TALKS! Adding this hirsute Renfield character in fangs and fur was possibly an effort by Columbia to compete with Universal's current monster rally, FRANKENSTEIN MEETS THE WOLF MAN. Nina Foch is the pretty young damsel in distress whom the vampire plots to possess. Fans of Bela Lugosi and the classic old Universal monster movies will not want to skip this one. *** out of ****
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