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The Return of the Vampire (1943)

Not Rated | | Drama, Horror | 11 November 1943 (USA)
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When an errant bomb unearths the coffin of a vampire during the London Blitz, a gravedigger unknowingly reanimates the monster by removing the stake from his heart

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Cast

Complete credited cast:
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Elsa Walter - Governess
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Dr. Walter Saunders
Leslie Denison ...
Detective Lynch
William Austin ...
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Storyline

In 1918, an English family are terrorized by a vampire, until they learn how to deal with it. They think their troubles are over, but German bombs in WWII free the monster. He reclaims the soul of his wolfman ex-servant, and assuming the identity of a scientist who has just escaped from a concentration camp, he starts out on a plan to get revenge upon the family. Written by Ken Yousten <kyousten@bev.net>

Plot Summary | Plot Synopsis

Taglines:

Eerie! Chilling! Screamy! See more »

Genres:

Drama | Horror

Certificate:

Not Rated | See all certifications »
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Details

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Release Date:

11 November 1943 (USA)  »

Also Known As:

Vampires of London  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The action of the prologue takes place beginning 15 October 1918, while the balance of the film takes place in late summer, early autumn of 1940 (according the the Regent Hall concert program shown). See more »

Goofs

A Nazi bomber flying over London has a backwards swastika on it, indicating the shot was flipped in editing. See more »

Quotes

Andreas Obry: Helo me, Master. I am hurt!
Armand Tesla: What is that to me?
See more »

Connections

Featured in Lugosi: Hollywood's Dracula (1997) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Craft and professionalism can go a long way
2 September 2005 | by (Richmond, VA) – See all my reviews

Lew Landers directed a lot of crap during his long, prolific career, but when he was on his game, as in The Raven (1934), and this film, he could produce a horror movie as good as any. The Return of the Vampire may be nothing more than a little Columbia B picture, but it exhibits more craft, care, and professionalism than 90 percent of what comes out of Hollywood today. The foggy, expressionistic photography and sets are fantastic, with excellent use of shadow and camera movement, and the early scenes of Lugosi prowling through mist and darkness, shot mostly from behind, or in silhouette, are striking in their spectral intensity. Lugosi once again shows why he ranks among the immortals; he is more commanding and magnetic walking from point A to point B in his top hat and tails than most actors are emoting through pages of dialog. Screenwriter Griffin Jay and director Landers go out of their way to showcase Lugosi's unique talents; he is given a great part with many substantial scenes to play, and Landers shoots him to his fullest advantage. Frieda Inescort, as Lugosi's nemesis, is sublimely up to the challenge, and their scenes together, especially their climactic confrontation at the pipe organ, are the best in the film. Sure, Return of the Vampire has its weak elements, such as Matt Willis's unfortunate talking werewolf, but let them pass. There are few moments in cinema as inspiring as watching Lugosi at full throttle, and Return of the Vampire has that in spades.


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