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The Return of the Vampire (1944)

 -  Drama | Horror  -  1 January 1944 (USA)
6.2
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Ratings: 6.2/10 from 1,207 users  
Reviews: 51 user | 18 critic

When an errant bomb unearths the coffin of a vampire during the London Blitz, a gravedigger unknowingly reanimates the monster by removing the stake from his heart

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(additional dialogue), , 1 more credit »
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Title: The Return of the Vampire (1944)

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Cast

Complete credited cast:
...
Frieda Inescort ...
...
...
...
Matt Willis ...
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Storyline

In 1918, an English family are terrorized by a vampire, until they learn how to deal with it. They think their troubles are over, but German bombs in WWII free the monster. He reclaims the soul of his wolfman ex-servant, and assuming the identity of a scientist who has just escaped from a concentration camp, he starts out on a plan to get revenge upon the family. Written by Ken Yousten <kyousten@bev.net>

Plot Summary | Plot Synopsis

Taglines:

Terrifying! Paralyzing! Horrifying! See more »

Genres:

Drama | Horror

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

1 January 1944 (USA)  »

Also Known As:

Vampires of London  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Lugosi was paid $3,500 for his four weeks of work. See more »

Goofs

When the page of Tesla's book on Vampirism is shown at the beginning of the film, the text printed on the page consists of five brief paragraphs which are then repeated to fill out the page. See more »

Quotes

Lady Jane Ainsley: Your eyes look like burning coals. Don't come any nearer. Don't touch me.
See more »

Connections

Referenced in The Goldbergs: The Other Smother (2014) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Lugosi still had it, but the script......?
29 August 2002 | by (usa) – See all my reviews

This beautifully shot B&W 1940s vampire film is loaded with the kind of old fashioned, spooky atmosphere that fans of classic Gothic horror will love. The fogbound sets are deliciously creepy, the graveyard & crypt sets nothing short of fabulous! The spooky music adds a lot as well. Bela Lugosi, about 60 here and well into the undeserved waning days of his career, is damn good. Tall, imposing, and as strong a screen prescence as ever, he raises questions as to why the often heartless and stupid film industry did not make better use of his talents. He shows here that he could certainly still carry a film and command the screen. But the script needed work. Matt Willis as the talking werewolf is laughable. When he's seen entering the graveyard carrying what looks like a package of Chinese laundry, I howled! I just couldn't see him running shopping errands in his werewolf garb! And no explanation is offered as to why the vampire's slave turns into a werewolf, a state he retains regardless of whether or not the moon is full. He's a wolf even in broad daylight. Still, this is a fun, somewhat creepy film, and Lugosi is always worthy of your time.


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