An Egyptian high priest travels to America to reclaim the bodies of ancient Egyptian princess Ananka and her living guardian mummy Kharis. Learning that Ananka^Òs spirit has been ... See full summary »
Reginald Le Borg
Lon Chaney Jr.,
Count Alucard (read his name backwards) finds his way from Budapest to the swamps of the Deep South; his four nemeses are a medical doctor, a university professor, a jilted fiancé and the woman he loves.
Lon Chaney Jr.,
In 1918, an English family are terrorized by a vampire, until they learn how to deal with it. They think their troubles are over, but German bombs in WWII free the monster. He reclaims the soul of his wolfman ex-servant, and assuming the identity of a scientist who has just escaped from a concentration camp, he starts out on a plan to get revenge upon the family. Written by
Ken Yousten <firstname.lastname@example.org>
The text of Tesla's book as shown is: "THE SUPERNATURAL AND ITS MANIFESTATIONS By Dr. Armand Tesla. From the beginning of time, man has been troubled by the uncertainty of death and by the rare and horrible manifestations which occur at intervals in which the dead are known to return from their grave. Such people are known as vampires or werewolves. Scientific men throughout the ages have endeavored to delve into the mystery that has baffled them The most ancient writings have mentioned this strange phenomenon and it has always left the writer baffled. It is a known certainty that these beings do return to earth and have been known to attack humans. They have at times left horrible marks of their visits. The victim of such an attack by the un-dead insists upon the memory of a horrible dream, or nightmare. In addition, there are lacerations about the size of pin-pricks, on the throat and an almost total absence of blood in the body. They strike with such suddenness that it has been impossible to locate their coming and going and it is usually a case of sudden death to the unfortunate victim. Some tribes have recorded the visits of these beings and scientific research has revealed them to be beyond the realm of superstition. From the beginning of time..." (text begins repeating at this point.) See more »
When Nina Foch is introduced to Lugosi, she is the granddaughter of Dr Saunders (Uncredited Gilbert Emery) and Lugosi comments on having met her grandfather. The next time they meet - Lugosi summons from sleep, she asks why he summoned her - he says 'you read your FATHER's manuscript'. In the prior scene he acknowledged that her grandfather was Dr Saunders but in the next scene refers to his notes as written by her father. See more »
[to Lady Ainsley]
You're a very brilliant woman, but a foolish one to pit your strength against mine!
See more »
Lew Landers directed a lot of crap during his long, prolific career, but when he was on his game, as in The Raven (1934), and this film, he could produce a horror movie as good as any. The Return of the Vampire may be nothing more than a little Columbia B picture, but it exhibits more craft, care, and professionalism than 90 percent of what comes out of Hollywood today. The foggy, expressionistic photography and sets are fantastic, with excellent use of shadow and camera movement, and the early scenes of Lugosi prowling through mist and darkness, shot mostly from behind, or in silhouette, are striking in their spectral intensity. Lugosi once again shows why he ranks among the immortals; he is more commanding and magnetic walking from point A to point B in his top hat and tails than most actors are emoting through pages of dialog. Screenwriter Griffin Jay and director Landers go out of their way to showcase Lugosi's unique talents; he is given a great part with many substantial scenes to play, and Landers shoots him to his fullest advantage. Frieda Inescort, as Lugosi's nemesis, is sublimely up to the challenge, and their scenes together, especially their climactic confrontation at the pipe organ, are the best in the film. Sure, Return of the Vampire has its weak elements, such as Matt Willis's unfortunate talking werewolf, but let them pass. There are few moments in cinema as inspiring as watching Lugosi at full throttle, and Return of the Vampire has that in spades.
26 of 28 people found this review helpful.
Was this review helpful to you?