On a Greek island during the 1912 war, several people are trapped by quarantine for the plague. If that isn't enough worry, one of the people, a superstitious old peasant woman, suspects ... See full summary »
A Scotland Yard investigator looks into four mysterious cases involving an unoccupied house: 1) A writer encounters a strangler of his own creation, 2) Two men are obsessed with a wax ... See full summary »
3 horror stories based on the writings of Nathaniel Hawthorne. In the 1st story titled "Dr. Heidegger's Experiment", Heidegger attempts to restore the youth of three elderly friends. In "... See full summary »
A special sideshow torture exhibit has the power, according to showman Dr. Diablo, to warn people of evil in their futures. Ore by one, skeptical customers stand before the Fate Atropos to ... See full summary »
Count Alucard (read his name backwards) finds his way from Budapest to the swamps of the Deep South; his four nemeses are a medical doctor, a university professor, a jilted fiancé and the woman he loves.
Lon Chaney Jr.,
In 1918, an English family are terrorized by a vampire, until they learn how to deal with it. They think their troubles are over, but German bombs in WWII free the monster. He reclaims the soul of his wolfman ex-servant, and assuming the identity of a scientist who has just escaped from a concentration camp, he starts out on a plan to get revenge upon the family. Written by
Ken Yousten <email@example.com>
According to "The Films of Bela Lugosi", Columbia grossed close to half a million dollars on this film on an investment of $75,000. See more »
When Nina Foch is introduced to Lugosi, she is the granddaughter of Dr Saunders (Uncredited Gilbert Emery) and Lugosi comments on having met her grandfather. The next time they meet - Lugosi summons from sleep, she asks why he summoned her - he says 'you read your FATHER's manuscript'. In the prior scene he acknowledged that her grandfather was Dr Saunders but in the next scene refers to his notes as written by her father. See more »
Come Andreas. I must find a new resting place. There you will bring the coffin with my native soil...
... and then, Andreas, I have other plans!
See more »
This beautifully shot B&W 1940s vampire film is loaded with the kind of old fashioned, spooky atmosphere that fans of classic Gothic horror will love. The fogbound sets are deliciously creepy, the graveyard & crypt sets nothing short of fabulous! The spooky music adds a lot as well. Bela Lugosi, about 60 here and well into the undeserved waning days of his career, is damn good. Tall, imposing, and as strong a screen prescence as ever, he raises questions as to why the often heartless and stupid film industry did not make better use of his talents. He shows here that he could certainly still carry a film and command the screen. But the script needed work. Matt Willis as the talking werewolf is laughable. When he's seen entering the graveyard carrying what looks like a package of Chinese laundry, I howled! I just couldn't see him running shopping errands in his werewolf garb! And no explanation is offered as to why the vampire's slave turns into a werewolf, a state he retains regardless of whether or not the moon is full. He's a wolf even in broad daylight. Still, this is a fun, somewhat creepy film, and Lugosi is always worthy of your time.
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