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The Purple Heart (1944) More at IMDbPro »


Overview

User Rating:
7.0/10   369 votes
MOVIEmeter: ?
Down 33% in popularity this week. See why on IMDbPro.
Director:
Writers:
Jerome Cady (writer)
Darryl F. Zanuck (story)
Contact:
View company contact information for The Purple Heart on IMDbPro.
Release Date:
23 February 1944 (USA) more
Genre:
Tagline:
An EPIC SAGE of RAW COURAGE!(original ad - many caps)
Plot:
This is the story of the crew of a downed bomber, captured after a run over Tokyo, early in the war... more | add synopsis
User Comments:
Interesting historical curio more (19 total)

Cast

  (Cast overview, first billed only)

Dana Andrews ... Capt. Harvey Ross
Richard Conte ... Lt. Angelo Canelli
Farley Granger ... Sgt. Howard Clinton
Kevin O'Shea ... Sgt. Jan Skvoznik
Don 'Red' Barry ... Lt. Peter Vincent (as Donald Barry)
Trudy Marshall ... Mrs. Ross
Sam Levene ... Lt. Wayne Greenbaum
Charles Russell ... Lt. Kenneth Bayforth

John Craven ... Sgt. Martin Stoner
Tala Birell ... Johanna Hartwig - Berlin News Correspondent
Richard Loo ... General Ito Mitsubi
Peter Chong ... Mitsuru Toyama
Gregory Gaye ... Peter Voroshevski - Russian News Correspondent
Torben Meyer ... Karl Kappel - Swiss Consul
Kurt Katch ... Ludwig Kruger - German News Correspondent
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Additional Details

Runtime:
99 min
Country:
Language:
Aspect Ratio:
1.37 : 1 more
Sound Mix:
Mono (Western Electric Recording)
Certification:
UK:A (original rating) | UK:PG (re-rating) (2005) | Australia:PG | Finland:K-16 | Sweden:15

Fun Stuff

Trivia:
According to the book The Films of World War II by Joe Morella, Edward Z. Epstein and John Griggs (1973), this film was "released shortly after the [US] government's publication of reports of Japanese torture of American prisoners of war" and as such the film's original cinema release "was extremely timely and moving." more
Quotes:
Title Card: "Let it be known that he who wears the military order of the purple heart has given of his blood in the defense of his homeland and shall forever be revered by his fellow countrymen." - Geo. Washington, General and Commander-in-Chief of the Continental Army, Aug. 7 1782 more
Movie Connections:
Soundtrack:
The Army Air Corps Song more

FAQ

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11 out of 20 people found the following comment useful.
Interesting historical curio, 4 July 2002
6/10
Author: rss2 from New York

Worth seeing for WWII and film history fans, this occasionally sappy film buys into the Hollywood anti-Japanese jingo-ism of the war while throwing in a few interesting curve balls.

The story hangs on a show-trial of a captured American bomber crew for the charge of murder for killing civilians during the bombing of Tokyo in 1942. Anticipating the Nuremburg trials, the plot is a daring concept for a time (1943) when the U.S. still had no clear idea how the war would end!

While the main characters adhere to the standard PR depiction of the Japanese as evil, cruel and hate-filled, there are interesting exceptions in the margins, particularly a kameo by Key Luke as a sailor who survives a shipwreck. He has to provide testimony that will either embarrass the army General prosecuting the case or his own Navy superiors. Tangential to be sure, but even this much sympathy for the Yellow Devil is almost unique for the period.

It also goes to great pains to show that not all orientals are evil, with an extended subplot involving a Chinese soldier who dies a hero's death.

Certainly, all the characters are highly emblematic - the Chinese soldier and his collaborationist father represent the divided China of the war, the foreign diplomats for whose benefit the show-trial is being conducted are all straight from central casting (note the conflicted Russian, not yet at war with Japan, who is driven finally to reject his own government!), and the crew are the typical rah-rah war movie accumulation of types and accents. But there are several extremely intelligent debates on war and responsibility to duty scattered through the film, along with a grudging admiration for the Japanese people as strong-willed and able to suffer deprivation for the sake of their ideals.

Ultimately, the movie is carried mostly by the charm of the American crew, who manage to get through the most appallingly sentimental parts of the film with their dignity intact.

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