This is the story of the crew of a downed bomber, captured after a run over Tokyo, early in the war. Relates the hardships the men endure while in captivity, and their final humiliation: ...
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Henry Graham lives the life of a playboy. When his lawyer tells him one day that his lifestyle has consumed all his funds, he needs an idea to avoid climbing down the social ladder. So he intends to marry a rich woman and - murder her.
In 1915, T.S. (Tom) Eliot and Vivienne Haigh-Wood elope, but her longstanding gynecological and emotional problems disrupt their planned honeymoon. Her father is angry because Tom's poetry ... See full summary »
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A homely maid and a scarred ex-GI meet at the cottage where she works and where he was to spend his honeymoon prior to his accident. The two develop a bond and agree to marry, more out of ... See full summary »
Helen and Ken are a pretty strange couple. She is a pathological liar, and he is a scrupulously honest (and therefore unsuccessful) lawyer. Helen starts a new job, and when her employer is ... See full summary »
This is the story of the crew of a downed bomber, captured after a run over Tokyo, early in the war. Relates the hardships the men endure while in captivity, and their final humiliation: being tried and convicted as war criminals. Written by
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The trial, as depicted in the film, was held at Police Headquarters in Shanghai, China on 14 October 1942. The eight men were condemned to death. Hallmark, Farrow, and Spatz were executed by a firing squad of the Imperial Japanese Army at sunset the next day. The remainder were given an Imperial commutation to life in prison. In 1943, Meder died of mistreatment and various diseases. The remaining four survived until they were freed upon Japan's surrender in August, 1945. See more »
There should be a solid red circle inside the white star on the insignia on the fuselage of the B-25 "Mrs. Murphy". The insignia shown was not adopted until June, 1942, two months after the Doolittle Raid. See more »
Captain Harvey Ross:
No your excellency. It's true we Americans don't know very much about you Japanese. And we never did. And now I realize you know even less about us. You can kill us. All of us, or part of us. But if you think that's going to put the fear of god into the United States of America, and stop them from sending other flyers to bomb you, you're wrong. Dead wrong. They'll come by night, they'll come by day. Thousands of them. They'll blacken your skies and burn your cities to the ground and make you ...
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From the beginning I was impressed with Lewis Milestone's direction. The film opens in a darkened courtroom (although the emblem of the rising sun can be discerned on the far wall). A man in uniform enters and switches on the lights. Another man enters with a pitcher of water and begins preparing for the ritual of the judges' entrance. The first man begins opening the window blinds. This leisurely accumulation of detail gives these moments a documentary feel that lends verisimilitude to the events that follow. Even when the American heroes respond to their captors with caustic patriotic speeches, there's still an aura of realism that makes it hard to classify this movie along with the cruder propaganda efforts of the times.
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