Glamorous Lorry Jones, the toast of a Missouri military canteen, has become "engaged" to almost every serviceman she's signed her pin-up photo for. Now she's leaving home to go into ... See full summary »

Director:

(as Bruce Humberstone)

Writers:

(screen play), (screen play) | 2 more credits »
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Cast

Complete credited cast:
...
John Harvey ...
Tommy Dooley
...
Molly McKay
...
Eddie Hall
...
Barney Briggs
Skating Vanities ...
Specialty Skaters
Dorothea Kent ...
Kay
Dave Willock ...
Dud Miller
The Condos Brothers ...
Specialty Dancers (as Condos Brothers)
Charlie Spivak ...
Orchestra Leader
Charlie Spivak Orchestra ...
Orchestra
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Storyline

Glamorous Lorry Jones, the toast of a Missouri military canteen, has become "engaged" to almost every serviceman she's signed her pin-up photo for. Now she's leaving home to go into government service (not, as she fantasizes, to join the USO). On a side trip to New York, her vivid imagination leads her to True Love with naval hero Tommy Dooley; but increasingly involved Musical Comedy Complications follow. Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis

Taglines:

Your No. 1 BoxOffice Star In Her No. 1 BoxOffice Hit! See more »

Genres:

Comedy | Musical | Romance | War

Certificate:

Passed | See all certifications »
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Details

Country:

Language:

Release Date:

25 April 1944 (USA)  »

Also Known As:

Imagine Us  »

Box Office

Budget:

$1,615,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

The 29 June 1943 'Hollywood Reporter' stated that Hermes Pan would be directing dance routines involving the Roller Skating Vanities of which Gloria Nord would star. However, Nord has no listed credit on this picture but apparently was an uncredited roller skating headliner. As such, she appeared as one of the skaters but did not "star" in the picture so to speak. See more »

Connections

Featured in The Story of Film: An Odyssey: Post-War Cinema (2011) See more »

Soundtracks

Goin' to the County Fair
(uncredited)
Music by Harry Warren
Played when Eddie Hall stops by Lorry and Kay's table
See more »

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User Reviews

 
Like Grable, it's pretty to look at. That's about it
1 October 2008 | by (California) – See all my reviews

Splashy Technicolor musical with Betty Grable and Martha Raye has beautiful photography, Grable's incredible legs--although they're not featured as much as you'd think they'd be, considering they were what she was most famous for--and not a whole lot more. The musical numbers are for the most part uninspired, and the casting of unknown John Harvey as Grable's romantic interest was a big mistake. He's a bland, not particularly good actor who tries too hard to be the peppy "boy next door" type and has no chemistry at all with Grable. Dorothea Kent as Grable's sidekick is enjoyable but for some reason she vanishes about halfway through the film. Martha Raye, as always, gives it her best but the songs they stuck her with are, to be charitable, pedestrian and, in the case of "Yankee Doodle Hayride", downright stupid. Grable's "Don't Carry Tales Out of School" is boring--I have no idea why it's performed two different times in the film, as it doesn't get better with repetition. Raye's "Red Robins, Bobwhites and Bluebirds" is a juvenile time-waster and she looks almost embarrassed performing it--the lyrics are childish and the song makes virtually no sense. Just about the only number that has any spark at all is "Once Too Often", which Grable dances with the great Hermes Pan. It's not one of his or Grable's best, but compared to the rest of the numbers in this picture, it's a masterpiece. Joe E. Brown is an acquired taste, which I haven't acquired, but if you like him I guess this is as good a place to see him as any. The tap-dancing Condos Brothers are good, there's a campy but somewhat entertaining roller-skating number early in the film and a very bizarre and really out-of-place sequence at the end where Betty is a drill sergeant putting a female drill team through a series of complicated marching routines--it's almost surreal to watch her carrying a sword and shouting "Dress that line, there!" and "Hup, hip, hoop, harch!"--but even that dose of wartime weirdness doesn't do much for the picture. Overall it's a lower-rank, by-the-numbers effort from people who've done far better. Worth a look maybe just so you can say you've seen it, but other than that, there's not much reason to spend any time on it.


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