During WWII several murders occur at a convalescent home where Dr. Watson has volunteered his services. He summons Holmes for help and the master detective proceeds to solve the crime from ... See full summary »
Sherlock Holmes investigates when young women around London turn up murdered, each with a finger severed off. Scotland Yard suspects a madman, but Holmes believes the killings to be part of a diabolical plot.
When the fabled Star of Rhodesia diamond is stolen on a London to Edinburgh train and the son of its owner is murdered, Sherlock Holmes must discover which of his suspicious fellow passengers is responsible.
When Nazi saboteurs jeeringly predicts to the nation of new depredations via their radio Voice of Terror, the Intellegence Inner Council summons Sherlock Holmes (Basil Rathbone)to help in ... See full summary »
When a pearl with a sinister reputation for causing misfortune to its owners is stolen from a museum by a master criminal because of Sherlock Holmes' show-boating, he is naturally obliged to find it. Soon, he learns of a series of brutal murders that seemed to have been commited by a malevolent man mountain known only as the Creeper. Now, Holmes must deal with the seemingly overwhelming menace of this man and his boss in order to retrieve the pearl. Written by
Kenneth Chisholm <firstname.lastname@example.org>
Expertly directed by R. William Neill, who was responsible for the film noir classic "Black Angel", "The Pearl Of Death" is based on the Arthur Conan Doyle story "The Adventure of the Six Napoleons". This film has it all: mystery, action, comedy, horror, even a half-assed patriotic message tacked on to the end (it was made as WWII was coming to a close). I was impressed by Basil Rathbone's characterization of Holmes: he consistently utters lines that, coming from an inferior actor, would probably sound ridiculous, yet he manages (probably because this was his sixth turn at the character) to impress me with his believability and sheer presence on the screen. Until I saw this film I was always irritated by Nigel Bruce's bumbling Dr. Watson, whose character is miles away from the Watson portrayed in the books, but I now realize that he was the perfect foil for Rathbone's Holmes. The updating of Holmes into the modern era also troubles me, but the film manages to maintain a kind of 'timeless' quality by avoiding too many 'modern' references. Virgil Miller's cinematography is beautiful: I would hate to see it "Colorized" by Turner and his evil band. Miller, who shot another one of my favorite films, "Mr. Moto Takes A Chance" is the perfect compliment for Neill's great direction: together they make every shot interesting, and provide many unforgettable images.
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