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Passage to Marseille (1944)

 -  Drama | Adventure | War  -  11 March 1944 (USA)
6.9
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Ratings: 6.9/10 from 2,299 users  
Reviews: 43 user | 8 critic

Five patriotic convicts are helped to escape imprisonment in Devil's Island so they can fight for occupied Free French forces against the Nazis.

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(screenplay), (screenplay), 3 more credits »
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Title: Passage to Marseille (1944)

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Cast

Complete credited cast:
...
...
...
Paula Matrac (as Michele Morgan)
Philip Dorn ...
Renault
...
Maj. Duval
...
Marius
...
Petit
Helmut Dantine ...
Garou
John Loder ...
Manning
Victor Francen ...
Capt. Patain Malo
Vladimir Sokoloff ...
Grandpere
Eduardo Ciannelli ...
Chief Engineer (as Edward Ciannelli)
Corinna Mura ...
Singer
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Storyline

As French bomber crews prepare an air raid from a base in England, we learn the story of Matrac, a French journalist who opposed the Munich Pact. Framed for murder and sent to Devil's Island, he and four others escape. They are on a ship bound for Marseilles when France surrenders and fascist sympathizer Major Duval tries to seize the ship for Vichy. Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Plot Synopsis

Genres:

Drama | Adventure | War

Certificate:

TV-PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| | |

Release Date:

11 March 1944 (USA)  »

Also Known As:

Passagem Para Marselha  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

One of the few films to employ a flashback within a flashback within a flashback. This film is often seen as an attempt to recapture the magic of Casablanca (1942), which many of this film's key players were a part. Some "usual suspects" include director Michael Curtiz, stars Humphrey Bogart and Claude Rains, supporting and bit players Peter Lorre, Sydney Greenstreet, Helmut Dantine and Corinna Mura, writer Casey Robinson, composer Max Steiner, producer Hal B. Wallis and executive producer Jack L. Warner (both films were made by Warner Bros.). Also, Michèle Morgan was originally cast as Ilsa in "Casablanca", but her salary demand was too big, so Ingrid Bergman was cast instead. See more »

Goofs

We see the plane during bombing runs being attacked by anti-aircraft artillery and fighters at the same time. This would not happen as the fighters would stay outside the area when AAA is firing on the planes; as they would be shot down by their own guns. See more »

Quotes

First Mate: The British will fight.
Chief Engineer: [Sarcastically] Yes, to the last drop of French blood.
See more »


Soundtracks

Someday I'll Meet You Again
(1944) (uncredited)
Music by Max Steiner
Lyrics by Ned Washington
Sung by Corinna Mura at the nightclub
Sung also by an offscreen male voice
Played on piano by Michèle Morgan
Played often as part of the score
See more »

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User Reviews

Bogart's character not always saintly
26 August 2002 | by (Germany) – See all my reviews

I think some people have been unduly unfair on this film.

There is quite a complex sequence of flashbacks. But as a matter of fact, I didn't find them at all difficult to follow. My brain only hurts when I try to work it out afterwards. Maybe it's another of those things which work better in a cinema than on TV.

There is a scene where Bogart's character commits a war crime. I think we have to remember that Bogart did not always play saintly characters. He was not exactly saintly in the "Maltese Falcon" or "Casablanca". He was even less saintly in "The Caine Mutiny". I am sure that the audience in 1944 would have been shocked by the war crime just as we are

now; even Nazi propaganda sometimes emphasised the importance of being gentlemanly to prisoners. The easy and boring option would have been for

Bogart to play the all-American (or all-French) hero throughout; I find it

more interesting that in this case he isn't. I think the circumstances to some extent explain what Bogart's character does. The fact is war crimes happen in war. They happened then, and they happen now, and the perpetrators are not as through-and-through evil (or different from us) as we would like to think.

I agree with those who say this film is not as good as "Casablanca" or the "Maltese Falcon". The plot is a lot more lumpy and uneven than those films. But I've seen those two films several times already, and I can't watch them every night. "Passage to Marseille" is worth at least one viewing. In fact I would like to see it again, if I get a chance.


10 of 14 people found this review helpful.  Was this review helpful to you?

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