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Passage to Marseille (1944)

 -  Drama | Adventure | War  -  11 March 1944 (USA)
6.9
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Ratings: 6.9/10 from 2,334 users  
Reviews: 43 user | 9 critic

Five patriotic convicts are helped to escape imprisonment in Devil's Island so they can fight for occupied Free French forces against the Nazis.

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(screenplay), (screenplay), 3 more credits »
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Title: Passage to Marseille (1944)

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Cast

Complete credited cast:
...
...
...
Paula Matrac (as Michele Morgan)
Philip Dorn ...
...
...
Marius
...
Helmut Dantine ...
Garou
John Loder ...
Manning
Victor Francen ...
Capt. Patain Malo
Vladimir Sokoloff ...
Grandpere
Eduardo Ciannelli ...
Chief Engineer (as Edward Ciannelli)
Corinna Mura ...
Singer
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Storyline

As French bomber crews prepare an air raid from a base in England, we learn the story of Matrac, a French journalist who opposed the Munich Pact. Framed for murder and sent to Devil's Island, he and four others escape. They are on a ship bound for Marseilles when France surrenders and fascist sympathizer Major Duval tries to seize the ship for Vichy. Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Plot Synopsis

Genres:

Drama | Adventure | War

Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| | |

Release Date:

11 March 1944 (USA)  »

Also Known As:

Passagem Para Marselha  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Warner Bros. built a full-scale Merchant Marine ship in three months, modeled after the French ship Ville de Nancy. See more »

Goofs

In the film, the aircraft used by the Free French squadrons are American-built Boeing B-17 Flying Fortresses, and are described as such by Capt. Freycinet. There actually were two Free French heavy bomber squadrons based in England: Groupes de Bombardment GB II/23 "Guyenne" and GB I/25 "Tunisie," which were part of the Royal Air Force as 346 and 347 Squadrons respectively. However, they did not fly Fortresses. Their aircraft was the British-built Handley Page Halifax. Obviously, for Hollywood purposes, Fortresses were easier to obtain than Halifaxes. See more »

Quotes

Petit: I wish I was in France killing pigs of Germans instead of mosquitos.
See more »

Connections

Featured in Great Performances: Bacall on Bogart (1988) See more »

Soundtracks

La Marseillaise
(1792) (uncredited)
Written by Claude Joseph Rouget de Lisle
Variations played often in the score
Sung by a chorus at the end
See more »

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User Reviews

Flashbacks be dammed! This is a great action movie.
15 August 2004 | by (United States) – See all my reviews

While much has been made of the flashback within a flashback utilized in the movie, one shouldn't overlook the great action sequences, particularly towards the end, that have you cheering on the French heroes in the film. Sure, Humphrey Bogart doesn't attempt a French accent, but just look at films where he didn't attempt a foreign accent and how disasters they were (what was that James Cagney Western where Bogie was supposed to speak with a Spanish accent? I still cringe at the thought of it.) But it doesn't affect his acting in the lead role. After all, Clark Gable didn't put on a Southern accent for "God With The Wind" and I didn't hurt his work in that masterpiece.

This is no masterpiece and it is difficult to follow sometimes, but just to see Peter Lorre, Sidney Greenstreet and Claude Raines work is worth it. This

Again, many people have mentioned in the war crime Bogart commits in the film, but when I saw the supposed offending part, I had no problem with it. And I'm no conservative when it comes to such things normally, but the "crime" is against ruthless that these who had no such reservations about the rules of war.

"Casablanca" is an entirely different film and it is unfair to compare this one to that one just because it has the same director and many of the same cast members. This is a rousing piece of war propaganda that gets the audience involved and I liked it very much. There is even an emotional element to it and unlike "Casablanca," it does not feel studio bound with even some believable exterior shots. I give it seven out of ten for the action alone.


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