| Cary Grant | ... | Ernie Mott | |
| Ethel Barrymore | ... | Ma Mott (as Miss Ethel Barrymore) | |
| Barry Fitzgerald | ... | Henry Twite | |
| June Duprez | ... | Ada Brantline | |
| Jane Wyatt | ... | Aggie Hunter | |
| George Coulouris | ... | Jim Mordinoy | |
| Dan Duryea | ... | Lew Tate | |
| Roman Bohnen | ... | Dad Pettyjohn | |
| Konstantin Shayne | ... | Ike Weber | |
| rest of cast listed alphabetically: | |||
| Katherine Allen | ... | Millie Wilson (uncredited) | |
| William Ambler | ... | Bus Driver (uncredited) | |
| George Atkinson | ... | Man with Gramophone (uncredited) | |
| Polly Bailey | ... | Ma Floom (uncredited) | |
| Ted Billings | ... | Cockney Bum (uncredited) | |
| Rosemary Blong | ... | Dancer (uncredited) | |
| Sammy Blum | ... | Drunk in Funfair (uncredited) | |
| Marina Bohnen | ... | Girl (uncredited) | |
| Matthew Boulton | ... | First Police Desk Sergeant (uncredited) | |
| Eva Leonard Boyne | ... | Ma Chalmers (uncredited) | |
| William Challee | ... | Knocker Jones (uncredited) | |
| Robin Sanders Clark | ... | Bit Part (uncredited) | |
| David Clyde | ... | Policeman with Stripes (uncredited) | |
| Marie De Becker | ... | Madam La Vaka (uncredited) | |
| Sayre Dearing | ... | Bit Part (uncredited) | |
| Marcel Dill | ... | Percy (uncredited) | |
| Diane Dyer | ... | Ada's Baby (uncredited) | |
| Herbert Evans | ... | Second Police Desk Sergeant (uncredited) | |
| Virginia Farmer | ... | Ma Segwiss (uncredited) | |
| Lita Gordon | ... | Girl (uncredited) | |
| Helena Grant | ... | Old Woman in Shop (uncredited) | |
| Eddie Hall | ... | Man Walking into 'Funfare' (uncredited) | |
| Alec Harford | ... | Drunk (uncredited) | |
| Forrester Harvey | ... | Shooting Galley Proprietor (uncredited) | |
| Herbert Heywood | ... | Dad Fitchitt (uncredited) | |
| Keith Hitchcock | ... | Roly Poly Man (uncredited) | |
| Leyland Hodgson | ... | Policeman (uncredited) | |
| Charles Irwin | ... | Policeman at Crash Site (uncredited) | |
| Rosalind Ivan | ... | Mrs. Clara Tate (uncredited) | |
| Jack Jackson | ... | Dancer (uncredited) | |
| Tiny Jones | ... | Bit Part (uncredited) | |
| Colin Kenny | ... | Policeman Outside (uncredited) | |
| Skelton Knaggs | ... | Lou 'Slush' Atley (uncredited) | |
| Rosemary La Planche | ... | Dancer (uncredited) | |
| Morton Lowry | ... | Taz Jones (uncredited) | |
| John Meredith | ... | Policeman (uncredited) | |
| Chef Milani | ... | Rossi (uncredited) | |
| Al Murphy | ... | Henchman (uncredited) | |
| Joseph North | ... | Old Man (uncredited) | |
| William O'Leary | ... | Cab Driver (uncredited) | |
| Elsie Prescott | ... | Old Lady (uncredited) | |
| Barry Regan | ... | Dancer (uncredited) | |
| Al Rhein | ... | Henchman (uncredited) | |
| Renie Riano | ... | Flo (uncredited) | |
| Amelia Romano | ... | Lame Girl (uncredited) | |
| Nancy Russell | ... | Girl (uncredited) | |
| Yorke Sherwood | ... | Cell Block Policeman (uncredited) | |
| Ernest Shields | ... | Bit Part (uncredited) | |
| Ida Shoemaker | ... | Old Lady (uncredited) | |
| Art Smith | ... | Mr. Marjoriebanks (uncredited) | |
| Walter Soderling | ... | Pa Floom (uncredited) | |
| Helene Thimig | ... | Sister Nurse (uncredited) | |
| Roy Thomas | ... | Rookie Policeman (uncredited) | |
| Charles S. Thompson | ... | Defeated Man (uncredited) | |
| David Thursby | ... | Prison Guard (uncredited) | |
| Diedra Vale | ... | Miss Tate (uncredited) | |
| Queenie Vassar | ... | Mrs. Jane Snowden (uncredited) | |
| Clare Verdera | ... | Barmaid (uncredited) | |
| Joseph Vitale | ... | 'Cosh' Simmons (uncredited) | |
| Milton Wallace | ... | Ike Lesser (uncredited) | |
| Eric Wilton | ... | Prison Guard (uncredited) | |
| Bill Wolfe | ... | Blind Man (uncredited) | |
Directed by | |||
| Clifford Odets | |||
Writing credits | ||
| Clifford Odets | (written for the screen by) | |
| Richard Llewellyn | (from the novel by) | |
Produced by | |||
| David Hempstead | .... | producer | |
| Sherman Todd | .... | associate producer | |
Original Music by | |||
| Hanns Eisler | |||
Cinematography by | |||
| George Barnes | (director of photography) | ||
Film Editing by | |||
| Roland Gross | |||
Production Design by | |||
| Mordecai Gorelik | |||
Art Direction by | |||
| Albert S. D'Agostino | |||
| Jack Okey | |||
Set Decoration by | |||
| Harley Miller | (set decorations) | ||
| Darrell Silvera | (set decorations) | ||
Costume Design by | |||
| Renié | (gowns) | ||
Makeup Department | |||
| Mel Berns | .... | makeup artist | |
Production Management | |||
| Lloyd Richards | .... | unit manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Ruby Rosenberg | .... | assistant director | |
| Lynn Shores | .... | director: action footage (uncredited) | |
Sound Department | |||
| James G. Stewart | .... | rerecordist | |
| Richard Van Hessen | .... | recordist | |
Special Effects by | |||
| Vernon L. Walker | .... | special effects | |
Music Department | |||
| C. Bakaleinikoff | .... | musical director | |
Other crew | |||
| Edith Conrad | .... | stand-in: Ethel Barrymore (uncredited) | |
| Barbara Gray | .... | technical advisor (uncredited) | |
| Mal Merrihugh | .... | stand-in: Cary Grant (uncredited) | |
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| Empire Falls | Lackawanna Blues | Gone with the Wind | Giant | The Constant Gardener |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
I found this movie to be very painful to watch. It is not your typical Hollywood, let's glamorise everything, everyone has money, let's make it look pretty. These people are grindingly poor, the mother is dying of cancer, and our boy is trying to be his own man, without money or position. Tuning pianos seems like a difficult way to earn a living, but makes use of the only talent he really has, which is perfect pitch. For those who don't know, it is the ability to name any tone or note that you hear. This movie has a great supporting cast, Barry Fitzgerald and Jane Wyatt, just to mention two. Grant's mother is one of my favorite actresses, Ethel Barrymore. She really has too much class for the part she plays. And the sets make you glad you don't have to live there. Still memorable, though, in spite of being so depressing.