| Photos (See all 17 | slideshow) |
| Robert Mitchum | ... | Jim Lacy (as Bob Mitchum) | |
| Anne Jeffreys | ... | Julie Dexter | |
| Guinn 'Big Boy' Williams | ... | Dusty | |
| Nancy Gates | ... | Hattie Ide | |
| Richard Martin | ... | Chito Rafferty | |
| Craig Reynolds | ... | Cash Burridge | |
| Harry Woods | ... | Joe Powell | |
| Edmund Glover | ... | Ed Nelson, Assayer | |
| Alan Ward | ... | Sheriff William H. Brewer | |
| Harry McKim | ... | Marvie Ide | |
| Larry Wheat | ... | Ben Ide | |
| Jack Overman | ... | Croupier Red Berry | |
| Emmett Lynn | ... | 'Pancake' Comstock | |
| rest of cast listed alphabetically: | |||
| Virginia Belmont | ... | Dancer (uncredited) | |
| Sammy Blum | ... | Gold Hill Bartender (uncredited) | |
| Patti Brill | ... | Dancer (uncredited) | |
| Ralph Bucko | ... | Barfly (uncredited) | |
| Wheaton Chambers | ... | Doctor Burton (uncredited) | |
| George DeNormand | ... | Red Berry's Bartender (uncredited) | |
| Mary Halsey | ... | Dancer (uncredited) | |
| Russell Hopton | ... | Henchman (uncredited) | |
| Ben Johnson | ... | Saloon Patron (uncredited) | |
| Bert Moorhouse | ... | Sandy Bowers (uncredited) | |
| Philip Morris | ... | Prospector Ed (uncredited) | |
| Margie Stewart | ... | Dancer (uncredited) | |
| Bryant Washburn | ... | Townsman (uncredited) | |
Directed by | |||
| Edward Killy | |||
Writing credits | ||
| Norman Houston | (screenplay) | |
| Zane Grey | (novel) | |
Produced by | |||
| Sid Rogell | .... | executive producer | |
| Herman Schlom | .... | producer | |
Original Music by | |||
| Paul Sawtell | |||
| Dave Dreyer | (uncredited) | ||
| Roy Webb | (uncredited) | ||
Cinematography by | |||
| Harry J. Wild | |||
Film Editing by | |||
| Roland Gross | |||
Art Direction by | |||
| Lucius O. Croxton | (as L.O. Croxton) | ||
| Albert S. D'Agostino | |||
Set Decoration by | |||
| Darrell Silvera | |||
| William Stevens | |||
Costume Design by | |||
| Renié | (gowns) | ||
Second Unit Director or Assistant Director | |||
| Harry Mancke | .... | assistant director | |
Sound Department | |||
| Terry Kellum | .... | sound re-recordist | |
| Richard Van Hessen | .... | sound | |
Stunts | |||
| George DeNormand | .... | stunts (uncredited) | |
| Fred Graham | .... | stunt double: Harry Woods & Craig Reynolds (uncredited) | |
| Ben Johnson | .... | stunt double: Robert Mitchum (uncredited) | |
Camera and Electrical Department | |||
| Charles Straumer | .... | second camera (uncredited) | |
Music Department | |||
| C. Bakaleinikoff | .... | musical director | |
| Earl B. Mounce | .... | music mixer (uncredited) | |
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| The Carson City Kid | Johnny Guitar | Loaded Pistols | Green Fire | Thunder Mountain |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Western section | IMDb USA section |
Apparently Bob Mitchum (that's how he's billed in this film) did quite a few supporting roles before he got his first starring role in NEVADA. And, like many up and coming stars of the day, they gave him this chance in a B-movie role--a minor film that was a second feature for a double-feature. In other words, a lesser film made with a smaller budget. Oddly, however, they put Mitchum into this Western--I guess since they had no preconceptions about what types of roles he'd be good at they thought they could make him a cowboy hero--not realizing he'd make much more of a mark in Film Noir and dramas. As for Mitchum's acting, it was very good and I could see him starring in more of the like, though he only did a few more Westerns here and there.
Aside from the novelty of seeing Mitchum in a Gene Autry type role, there really isn't that much to distinguish this film. It's not bad but also suffers from the problem many B-movies had--they were rushed into production so quickly and shoved into such a short running time (rarely much more than 60 minutes) that the films cut corners plot-wise. Here, the plot resolutions happen way too quickly and conveniently for the film to be anything more than average for the genre.
The film's pluses were Mitchum's acting, the acting of some of the supporting actors (screen veteran Guinn Williams was a nice addition) and nice location shooting. Minuses were the obvious and poor use of stunt doubles and the very preachy ending that left the viewer with a bad final impression--the lady's soliloquy just sounded silly and fake. Overall, this is worth watching--particularly if you are a film historian or Robert Mitchum fan. Otherwise, it's a time passer and nothing more.