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Murder, My Sweet (1944)

Approved | | Crime, Drama, Film-Noir | 9 December 1944 (USA)
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After being hired to find an ex-con's former girlfriend, Philip Marlowe is drawn into a deeply complex web of mystery and deceit.

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(screenplay), (novel)
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Cast

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Douglas Walton ...
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Police Lieutenant Randall (as Don Douglas)
Ralf Harolde ...
Esther Howard ...
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Storyline

This adaptation of the Raymond Chandler novel 'Farewell, My Lovely', renamed for the American market to prevent filmgoers mistaking it for a musical (for which Powell was already famous) has private eye Philip Marlowe hired by Moose Malloy, a petty crook just out of prison after a seven year stretch, to look for his former girlfriend, Velma, who has not been seen for the last six years. The case is tougher than Marlowe expected as his initially promising enquiries lead to a complex web of deceit involving bribery, perjury and theft, and where no one's motivation is obvious, least of all Marlowe's. Written by Mark Thompson <mrt@oasis.icl.co.uk>

Plot Summary | Plot Synopsis

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Meet the NEW Dick Powell! See more »


Certificate:

Approved | See all certifications »

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Details

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Release Date:

9 December 1944 (USA)  »

Also Known As:

Farewell, My Lovely  »

Box Office

Budget:

$400,000 (estimated)
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Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

"Lux Radio Theater" broadcast a 60 minute radio adaptation of the movie on June 11, 1945 with Dick Powell and Claire Trevor reprising their film roles. See more »

Goofs

During the dream sequence where the stair rail disappears, you can see that Powell is holding onto a string where the rail was. See more »

Quotes

Philip Marlowe: [about Moose Malloy] I tried to picture him in love with somebody, but it didn't work.
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Connections

Version of Expose Me, Lovely (1976) See more »

Frequently Asked Questions

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User Reviews

Film Noir 101
4 April 2004 | by See all my reviews

This is the movie that hooked me on "Film Noir." I first saw this on the late show while suffering a killer flu. Even through local TV editing and enough medicine to tranquilize a circus tent, it had me sitting at attention from start to finish. It wasn't until several years later that I got to see it uncut on cable that I got the full effect. Having grown up with Bogart's hard-boiled private eye archetype, Dick Powell was a complete revelation to me. If you double-bill this with Bogart's "Big Sleep," you see at once that Powell truly IS Phillip Marlowe (even Raymond Chandler thought so), and Bogart is much better suited to portray Hammet's colder, meaner Sam Spade. Powell gives Marlowe a vulnerable cynicism as well as a touch of the "everyman," that Bogart wouldn't be able to pull off until later in his career. Powell's background in romantic musicals gives him access to a far deeper emotional range, needed to play the complex and conflicted Marlowe; his cynicism, his humour, his loyalty to his code...it's all there. Powell manages to give extra resonance to some of Chandler's throw-away similes! No wonder he claimed this as his favorite role!

The direction by Edward Dmytryk and cinematography by Harry Wild are perfect, giving the film a tight, economical yet alluring vintage "feel". Working on a tight budget, they manage to infuse it with all the seedy, chaotic topography that would serve as the touchstones for every film of this type from "Night of the Hunter" to "Blade Runner." While this isn't the first Noir film, it may well be the best.


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