This, the second adaptation of Raymond Chandler's novel, is much closer to the source text than the original - Murder, My Sweet (1944), which tended to avoid some of the sleazier parts of ... See full summary »
A private eye escapes his past to run a gas station in a small town, but his past catches up with him. Now he must return to the big city world of danger, corruption, double crosses and duplicitous dames.
Philip Marlowe gets involved when limp-wristed and snidely Leslie Murdock steals a rare doubloon from his mother to give to a newsreel photographer in exchange for film that is being used ... See full summary »
This adaptation of the Raymond Chandler novel 'Farewell, My Lovely', renamed for the American market to prevent filmgoers mistaking it for a musical (for which Powell was already famous) has private eye Philip Marlowe hired by Moose Malloy, a petty crook just out of prison after a seven year stretch, to look for his former girlfriend, Velma, who has not been seen for the last six years. The case is tougher than Marlowe expected as his initially promising enquiries lead to a complex web of deceit involving bribery, perjury and theft, and where no one's motivation is obvious, least of all Marlowe's. Written by
Mark Thompson <email@example.com>
Lindsay Marriott's car (driven to the jewelry rendezvous by Marlowe) is an Isotta Franchini 8A Spinto variant. This expensive Italian make was typically sold as a chassis with the owner selecting a custom body by a selected coach builder. The car used here is highly unusual (a 4-place convertible, split windshield, the original right hand drive was retained and features parade doors). Although the year is unknown it is likely a 1932. It featured a straight 8-cylinder engine and 4-wheel brakes. See more »
At the end of the movie, when only Marlowe and Velma are in the living room, talking, and Marlowe is walking around the couch, when he is between the couch and fireplace, the large shadow of a boom mic appears over the fireplace. It starts at the upper left and goes to center left. This is easily visible even in non-letterbox viewings. See more »
She was a charming middle-aged lady with a face like a bucket of mud. I gave her a drink. She was a gal who'd take a drink, if she had to knock you down to get the bottle.
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Love The Wisecracks, But Wish It Was Easier To Understand
This is considered one of the classic film noirs ever made and some think THE film noir. In recognizing that before I had seen it, perhaps I was disappointed because I expected more.
What I found was a very confusing film, at least in the last third of the movie as everything started to be explained. It almost got ridiculous in the last 10 minutes when Dick Powell ("Philip Marlowe") explained the whole story. He talked too fast and it was next to impossible to follow. I guess I will have to view this more often to understand it better, or find someone who can explain it for my feeble brain.
The best part of the film was the cinematography, which really comes to life on the DVD. Someone did a very nice job restoring this film. That, and the general dialog by Powell, were fascinating. You could make a short book with all the wise-guy remarks made by "Marlowe" in this film
a lot of great stuff. I just wish they had made a simpler story and
made it easier for the viewer to digest all the facts at the end.
34 of 46 people found this review helpful.
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