An Egyptian high priest travels to America to reclaim the bodies of ancient Egyptian princess Ananka and her living guardian mummy Kharis. Learning that Ananka^Òs spirit has been ... See full summary »
Reginald Le Borg
Lon Chaney Jr.,
In this third Gill-Man feature, the Creature is captured and turned into an air-breather by a rich mad scientist. This makes the Creature very unhappy, and he escapes, killing people and ... See full summary »
An artist (Lon Chaney Jr) is blinded by a jealous assistant/model. His fiance's father generously offers his eyes for a sight restoring operation. there's only one hitch. Chaney has to wait... See full summary »
The only entry in the "Kharis" series in which George Zucco does not appear. See more »
When Kharis attacks Tante Berthe in her room, she gasps as he strangles her. The camera pans to the resurrected Ananka, who stands nearby. Tante Berthe's previous gasps are replayed as Ananka watches the struggle. See more »
This fourth and final Mummy film to feature Kharis is the best example of milking a formula to death. It's good enough, but Lon Chaney hated playing the mummy and it shows more here than in the other outings. He sulks through the film with no impact, presumably only interested in a paycheck.
There is a dynamite scene featuring the resurrection of Kharis' princess, but that highlight is overshadowed by routine and familiar situations. It's also dull to see the mummy constantly coming within seconds of grabbing his girl, only to lose her again and again and again during the prolonged chase in this feature.
It's interesting to note that this film by all rights would be taking place in 1995!!! THE MUMMY'S HAND took place in 1940; THE MUMMY'S TOMB and MUMMY'S GHOST both took place 30 years after, which would be 1970; THE MUMMY'S CURSE occurs still 25 (!!) years after THAT (1995?)
You could do a lot worse than watching this movie, but it's really too much of a good thing in the long run.
9 of 12 people found this review helpful.
Was this review helpful to you?