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Meet Me in St. Louis (1944)

 -  Comedy | Drama | Family  -  January 1945 (USA)
7.7
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Ratings: 7.7/10 from 12,904 users  
Reviews: 133 user | 87 critic

In the year before the 1904 St Louis World's Fair, the four Smith daughters learn lessons of life and love, even as they prepare for a reluctant move to New York.

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(screen play), (screen play), 5 more credits »
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Title: Meet Me in St. Louis (1944)

Meet Me in St. Louis (1944) on IMDb 7.7/10

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Nominated for 4 Oscars. Another 5 wins & 1 nomination. See more awards »

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Cast

Complete credited cast:
...
...
...
Lucille Bremer ...
...
Tom Drake ...
Marjorie Main ...
Katie (Maid)
...
Grandpa
...
Lucille Ballard
Henry H. Daniels Jr. ...
Lon Smith Jr.
Joan Carroll ...
...
Colonel Darly
Robert Sully ...
...
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Storyline

St. Louis 1903. The well-off Smith family has four beautiful daughters, including Esther and little Tootie. 17-year old Esther has fallen in love with the boy next door who has just moved in, John. He however barely notices her at first. The family is shocked when Mr. Smith reveals that he has been transfered to a nice position in New York, which means that the family has to leave St. Louis and the St. Louis Fair. Written by Mattias Thuresson

Plot Summary | Add Synopsis

Taglines:

M·G·M's glorious love story with music See more »


Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

January 1945 (USA)  »

Also Known As:

Le chant du Missouri  »

Box Office

Budget:

$1,707,561 (estimated)

Gross:

$7,566,000 (USA)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

After principle photography was completed, Vincent Minnelli and Judy Garland visited NYC during the production process period of the film. Staying at the Plaza Hotel, Vincent and Judy attended the S.M. Berman (author) Broadway comedy, in three acts, "The Pirate". Minnelli's "Meet Me in St. Louis" art director, Lemuel Ayers, recommended the play for Minnelli's future project. "The Pirate", produced by The Theatre Guild, (177 performances) featuring Alfred Lunt and Lynn Fontanne, with a cast of 38. The play's Scenic Designer was Lemuel Ayers. The play's costume designs were by Miles White, with the costumes executed by Madam Barbara Karinska. Directed and staged by Alfred Lunt, the comedy was performed at the Martin Beck Theatre. Enamored with the comedy, Minnelli called the studio asking MGM to purchase "The Pirate" filming property rights for him, as a follow up project after "Meet Me in St. Louis" was completed. After investigating, the MGM production office responded "we already own it!" Minnelli and Garland repeatedly attended the play's performances during their NYC stay; with Minnelli inscribing sketches and notes of the sets, costumes, and production details. See more »

Goofs

When Esther is comforting Tootie after Tootie's attack on the snow people, the shadow of the boom mike moves onto Tootie's back. See more »

Quotes

Esther Smith: Oh, Katie, they were just little white lies.
Katie the Maid: A lie's a lie. Dressin' it in white don't help it. And just why was I lying this time? Why must we have dinner an hour early?
Esther Smith: Because Rose is expecting...
Katie the Maid: Now don't go blaming your sister.
Esther Smith: Blaming her? Why, we're doing this for her. You know Rose's problem. Warren Sheffield has been writing to her for six months without one word that even smells like a proposal.
Katie the Maid: What's that got to do with having dinner an hour early?
Esther Smith: Warren is telephoning Rose ...
[...]
See more »

Connections

Referenced in The Simpsons: Burns' Heir (1994) See more »

Soundtracks

Over the Bannister
(1944) (uncredited)
Music by Ralph Blane
Lyrics by Hugh Martin
Sung by Judy Garland
See more »

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User Reviews

 
The Happiness of Not Moving--At Least for Now
21 December 2004 | by (United States) – See all my reviews

One of the greatest movie musicals, and thus one of the greatest American movies, "Meet Me in St. Louis" tells a story that may appear insultingly inconsequential: a happy family living in turn-of-the-century St. Louis considers moving to New York, but decides against it. Yet Vincente Minelli, working with a wonderful cast and unusually intelligent songs, takes this story and makes it the one really convincing screen refutation of Tolstoy's claim that all happy families are alike, and indeed perhaps the only fully rounded and persuasive representation of a happy family in the history of movies. From the small family conflict over the quality of homemade ketchup that begins the movie, to the agony over moving at the end, the Smiths are a collection of distinctive, vibrant and at times almost incompatible characters bound together not only by love but by a contagious, and very particular, sense of fun.

Minelli's genius for musical numbers in interior spaces--most notably the great party in the Smith home near the beginning of the movie--is complemented here by two unforgettable outdoor sequences, Judy Garland's matchless "Trolley Song" and Tootie's Halloween adventure in the neighborhood, where she shows such vulnerability, such courage,and in the end such diabolical lack of conscience that no one can fail to love her. These outdoor scenes protect "Meet in St. Louis" from the claustrophobia that so frequently limits the power of "family" dramas.

Tootie, at five, is the youngest of the five Smith children, and as played by the great child actor Margaret O'Brien, she is also the center of most of the fun. Her relationship with her older sister Esther (Judy Garland) is captivating in its joy, complexity, and ultimately in its sadness. For even though the catastrophe (!) of moving to New York is narrowly avoided, Esther will still leave home for life with the boy next door, and the powerful unity of these lucky people will ultimately give way to other claims of new love, new suffering and new duty. The happiness the Smiths knew while living together will only increase the pain of each parting. We're blessed, though, to have glimpsed their particular brand of happiness at its glorious peak.


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