Based on the characters from the MGM hit of the same name, this TV pilot is about one day in the life of the Smith family. At the turn of the twentieth century, the family is throwing a ... See full summary »
Louisa May Alcott's autobiographical account of her life with her three sisters in Concord Mass in the 1860s. With their father fighting in the civil war, the sisters: Jo, Meg, Amy and Beth... See full summary »
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Edwin L. Marin
Mouser Jaune Tom and house cat Mewsette are living in the French countryside, but Mewsette wants to experience the refinement and excitement of the Paris living. But upon arrival she falls ... See full summary »
Judge Hardy takes his family to New York City, where Andy quickly falls in love with a socialite. He finds the high society life too expensive, and eventually decides that he liked it better back home.
Little Women is a "coming of age" drama tracing the lives of four sisters: Meg, Jo, Beth and Amy. During the American Civil War, the girls father is away serving as a minister to the troops... See full summary »
Irish colleen Nellie is in love with handsome Jerry Kelly, even though her father objects. Nellie and Jerry soon marry and announce plans to move to New York, which again angers Nellie's ... See full summary »
St. Louis 1903. The well-off Smith family has four beautiful daughters, including Esther and little Tootie. 17-year old Esther has fallen in love with the boy next door who has just moved in, John. He however barely notices her at first. The family is shocked when Mr. Smith reveals that he has been transfered to a nice position in New York, which means that the family has to leave St. Louis and the St. Louis Fair. Written by
At the end of the film, John Truett, referring to the fairgrounds, says "I liked it better when it was a swamp, and it was just the two of us." This refers to a deleted scene, that took place after the trolley scene, when John and Esther visit the fairgrounds then under construction. This scene was set to the Rodgers and Hammerstein song "Boys And Girls Like You And Me" that was dropped from the final print. See more »
In the scene where Esther and John are turning out the lights in the house, the exterior lights representing moonlight come up faster than the interior lights are extinguished. See more »
One of the greatest movie musicals, and thus one of the greatest American movies, "Meet Me in St. Louis" tells a story that may appear insultingly inconsequential: a happy family living in turn-of-the-century St. Louis considers moving to New York, but decides against it. Yet Vincente Minelli, working with a wonderful cast and unusually intelligent songs, takes this story and makes it the one really convincing screen refutation of Tolstoy's claim that all happy families are alike, and indeed perhaps the only fully rounded and persuasive representation of a happy family in the history of movies. From the small family conflict over the quality of homemade ketchup that begins the movie, to the agony over moving at the end, the Smiths are a collection of distinctive, vibrant and at times almost incompatible characters bound together not only by love but by a contagious, and very particular, sense of fun.
Minelli's genius for musical numbers in interior spaces--most notably the great party in the Smith home near the beginning of the movie--is complemented here by two unforgettable outdoor sequences, Judy Garland's matchless "Trolley Song" and Tootie's Halloween adventure in the neighborhood, where she shows such vulnerability, such courage,and in the end such diabolical lack of conscience that no one can fail to love her. These outdoor scenes protect "Meet in St. Louis" from the claustrophobia that so frequently limits the power of "family" dramas.
Tootie, at five, is the youngest of the five Smith children, and as played by the great child actor Margaret O'Brien, she is also the center of most of the fun. Her relationship with her older sister Esther (Judy Garland) is captivating in its joy, complexity, and ultimately in its sadness. For even though the catastrophe (!) of moving to New York is narrowly avoided, Esther will still leave home for life with the boy next door, and the powerful unity of these lucky people will ultimately give way to other claims of new love, new suffering and new duty. The happiness the Smiths knew while living together will only increase the pain of each parting. We're blessed, though, to have glimpsed their particular brand of happiness at its glorious peak.
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