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St. Louis 1903. The well-off Smith family has four beautiful daughters, including Esther and little Tootie. 17-year old Esther has fallen in love with the boy next door who has just moved in, John. He however barely notices her at first. The family is shocked when Mr. Smith reveals that he has been transfered to a nice position in New York, which means that the family has to leave St. Louis and the St. Louis Fair. Written by
The street on which the Smith home stood was built specifically for "Meet Me in St. Louis." Located on MGM's vast Backlot #3 that was at Jefferson and Overland Boulevards in Culver City,it was known at the studio as "St. Louis Street" and all of the houses that were on it were used in various film and television shows throughout the next 27 years, until Lot 3 was demolished to make way for an apartment and condominium project. Even in 1970, the last year of Lot 3's existence, the Smith home still looked like it did in 1944, minus the set dressings, of course. See more »
In an early scene you can see feathers and down floating all over the set, left over from the upcoming winter scenes. See more »
I can't believe it. Right here where we live - right here in St. Louis.
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If there was no other reason why Judy Garland married Vincente Minnelli, then this film supplies the reason for how he won her hand. It's a valentine to her talents and, as an example of MGM's gilt-edged manufacture, it's a sold gold entry.
Yes, Tom Drake was a bit wan as Judy's love interest but everyone else in the cast, maybe even including the too-glamorous Lucille Bremer, are just right, especially the inimitable Marjorie Main. Mary Astor, already deep in the throes of her extended bout with alcoholism as the family's matriarch shows nary a sign of her illness, such was the wizardry of the makeup artists, costumers, hair dressers and the cinematographer. And Judy, too, already addicted to the medications that her tyrannical studio bosses used to keep her nose to a very demanding grindstone, looks as wholesome and lovely as one could wish, particularly in the "Have Yourself a Merry Little Christmas" number.
It's one of those Golden Age classics that always repays a return viewing and its naysayers are in a rather lonely minority, in my opinion.
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