The Mask of Dimitrios (1944)

User Rating:

7.3/10   

Director:

Jean Negulesco

Writers:

Eric Ambler (novel)
Frank Gruber (screenplay)

Release Date:

1 July 1944 (USA)

Genre:

Crime | Drama | Film-Noir | Mystery

Tagline:

The Fabulous Tale OF A MAN OF MYSTERY!

Plot:

A mystery writer named Leyden is intrigued by the tale of notorious criminal Dimitrios Makropolous,...

Plot Keywords:

Istanbul | Writer | Criminal | Flashback Sequence | Belgrade

Cast

Sydney Greenstreet	...	Mr. Peters
Zachary Scott	...	Dimitrios Makropoulos
Faye Emerson	...	Irana Preveza
Peter Lorre	...	Cornelius Leyden
Victor Francen	...	Wladislaw Grudek
Steven Geray	...	Karel Bulic
Florence Bates	...	Madame Elise Chavez
Eduardo Ciannelli	...	Marukakis (as Edward Ciannelli)
Kurt Katch	...	Colonel Haki
Marjorie Hoshelle	...	Anna Bulic
Georges Metaxa	...	Hans Werner
John Abbott	...	Mr. Pappas
Monte Blue	...	Abdul Dhris
David Hoffman	...	Konrad

Runtime:

95 min

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (RCA Sound System)

Certification:

USA:Approved (PCA #9821) | USA:TV-PG (TV rating) | Finland:K-16 | Sweden:15

Company:

Warner Bros. Pictures

Trivia:

For a scene taking place in the Parisian subway,which was rebuilt and filmed on Warner sound stage,the name of subway station "Balard" is misspelled and written "Ballard".

Quotes:

Dimitrios Makropoulos: Peterson was always too ingenious; and ingenuity is never a substitute for intelligence.

Movie Connections:

Spoofed in "It Takes a Thief: Guess Who's Coming to Rio (#2.13)" (1969)

Soundtrack:

Waltz from 'Serenade for Strings in C Major, Op. 48'

A compelling thriller about the life of a master criminal.

Mystery writer Cornelius Leyden (Peter Lorre) attends a dinner party where he is told about the recent discovery of the body of a master criminal by Colonel Haki, chief of the local police. When Leyden learns that the criminal, Dimitrios Makropoulos, avoided capture for years, and engaged in everything from smuggling, blackmail, murder, and political assassination, he becomes intrigued, and begins an odyssey which takes him to many exotic locals in a bid to meet the actual people who dealt with, and managed to survive, encounters with the ruthless Dimitrios.

Leyden meets Irana Preveya, who met Dimitrios when he barged into her apartment to seize a crust of bread when he was on the verge of starvation. In flashback, we see how her story unfolds. She begins by saying, "I have known many men, but I've only been afraid of one ... Demitrios."

Then Leyden meets Grodek, a master spy, (superbly played by Victor Francen). Grodek reveals how years ago he employed Dimitrios to steal a naval chart of some important mine fields. In flashback, we see how he and Dimitrios duped Bulic, a short, pudding faced government employee, (played by Steven Geray) by first causing him to fall into debt, then by coercing him to steal the chart from an office down the hall from his own post. It was almost too much watching these two suave criminals befuddle this kindly little man.

All the while, Leyden accidentally encounters a stout gentleman in trains, restaurants, and other places. But it's no accident. The man is Mr. Peters, played by Sydney Greenstreet. Greenstreet is interested in Leyden, because Leyden is interested in Dimitrios. They soon combine forces as the films surges towards a gripping climax.

This is one of the great films of the 40's. Zachary Scott, in his 1st film, gives an oscar caliber performance as the cunning, charming, and totally ruthless Dimitrios Makropolus. There are other great performances all around, and this may be the only film where Peter Lorre gets to play himself. His character is complex. At first Leyden seems to have a cavalier interest in Dimitrios, but he has a drive and perseverence that are not at once evident. Greenstreet is masterful as the charming and courteous Mr. Peters. Yet, just below the surface of his polite veneer, he is full of vengeance. This film is a must for those who love mystery and international intrigue.