Maisie is overworked at her defense job and is ordered to take a two week vacation. When she meets Tommy, he offers her a job singing with his band in Reno, but she has to get there on her ...
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Edwin L. Marin
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Maisie is overworked at her defense job and is ordered to take a two week vacation. When she meets Tommy, he offers her a job singing with his band in Reno, but she has to get there on her own. So at the bus station, she finds a ticket and a soldier who gives her a letter for his wife, Gloria, who is in Reno waiting for a divorce. Maisie gets the letter delivered to a woman who says that she is Gloria, but she is not. When Maisie learns of the ruse, she knows something is wrong and can not be dissuaded from investigating. Written by
Tony Fontana <firstname.lastname@example.org>
This middling entry in MGM's answer to Warner's Torchy Blaine series has Maisie going to Reno, getting involved in a mystery surrounding a divorcing couple.
It is a rather dull entry, the result of an uninvolving script and bland characterizations. Harry Beaumont, one of MGM's longtime B directors, does his best with the visual story telling, but even Anne Southern, aided and abetted by some up-and-coming players like Ava Gardner and John Hodiak can't do much with the story but talk fast.
MGM, once Thalberg was dead, never quite knew what to do with unglamorous characters and a smattering of 40s jive talk dates the story and gives an infantile air to the entire operation. For completest of the talent involved, but if you miss this, you won't suffer.
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