Maisie is overworked at her defense job and is ordered to take a two week vacation. When she meets Tommy, he offers her a job singing with his band in Reno, but she has to get there on her ...
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Street-smart Maisie from Brooklyn lands a job at an airplane assembly plant during WWII and falls in love with handsome pilot "Breezy" McLaughlin. Breezy, however, falling in love with and ... See full summary »
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Edwin L. Marin
Streetwise but kind-hearted Maisie Ravier has put her vaudeville life behind her, but not its associated outward good looks, flash and glamor. Trying to get to New York for a job, she ... See full summary »
Showgirl Maisie Ravier finds herself once again out of work. She meets a wealthy playboy who hires her to be his family's new maid. Maisie soon finds herself trying to mend the family's ... See full summary »
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A young writer goes to Wiesbaden to write about gambling and gamblers, only to ultimately become a compulsive gambler himself. Losing all his wealth, as well as his moral fibre, he commits ... See full summary »
Maisie is overworked at her defense job and is ordered to take a two week vacation. When she meets Tommy, he offers her a job singing with his band in Reno, but she has to get there on her own. So at the bus station, she finds a ticket and a soldier who gives her a letter for his wife, Gloria, who is in Reno waiting for a divorce. Maisie gets the letter delivered to a woman who says that she is Gloria, but she is not. When Maisie learns of the ruse, she knows something is wrong and can not be dissuaded from investigating. Written by
Tony Fontana <firstname.lastname@example.org>
This middling entry in MGM's answer to Warner's Torchy Blaine series has Maisie going to Reno, getting involved in a mystery surrounding a divorcing couple.
It is a rather dull entry, the result of an uninvolving script and bland characterizations. Harry Beaumont, one of MGM's longtime B directors, does his best with the visual story telling, but even Anne Southern, aided and abetted by some up-and-coming players like Ava Gardner and John Hodiak can't do much with the story but talk fast.
MGM, once Thalberg was dead, never quite knew what to do with unglamorous characters and a smattering of 40s jive talk dates the story and gives an infantile air to the entire operation. For completest of the talent involved, but if you miss this, you won't suffer.
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