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Love Story (1944)
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Overview
User Rating:
Release Date:
20 November 1944 (UK) morePlot:
When concert pianist Lissa Campbell learns that she has a serious heart problem. she vows to enjoy what time she has left... more | add synopsisPlot Keywords:
User Comments:
a pleasant surprise, British reserve holds sentiment at bay moreCast
(Cast overview, first billed only)| Margaret Lockwood | ... | Lissa Campbell | |
| Stewart Granger | ... | Kit Firth | |
| Patricia Roc | ... | Judy | |
| Tom Walls | ... | Tom Tanner | |
| Reginald Purdell | ... | Albert | |
| Walter Hudd | ... | Ray | |
| A.E. Matthews | ... | Col. Pitt Smith | |
| Josephine Middleton | ... | Mrs. Pitt Smith | |
| Beatrice Varley | ... | Miss Rossiter | |
| Laurence Hanray | ... | Angus Rossiter | |
| Bryan Herbert | ... | Stuttering Cornish Fisherman (as Brian Herbert) | |
| Roy Emerton | ... | Cornish Fisherman | |
| George Merritt | ... | Telephone Engineer | |
| Moira Lister | ... | Carol | |
| Sidney Beer | ... | Conductor |
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
113 minCountry:
UKLanguage:
EnglishColor:
Black and WhiteAspect Ratio:
1.37 : 1 moreSound Mix:
Mono (British Acoustic)Fun Stuff
Soundtrack:
Cornish Rhapsody moreFAQ
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Discuss this movie with other users on IMDb message board for Love Story (1944)| Recent Posts (updated daily) | User |
|---|---|
| Purchasing the film. | coleporterfan |
| Lovely film | mister_tmg |
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Had heard of this movie, more particularly with concern to its music but my first opportunity to actually watch it was last night when ABC showed it as a early hours of the morning item, which coincided with a does of my insomnia.
One shudders to think that Hollywood may have done with this, as the premises of the skyline would so easily lend to laying on the melodrama and clichéd sentiment with a trowel. Thankfully, British understatement, be it in direction and performance, makes this an effective and tasteful exercise.
The musical motif, the Cornish Rhapsody, is possibly being the most famous legacy of this film. It was one of a number of series of rather similar quasi- piano concertos from British films of that era that found a place in the musical memory. The most noted of these being the Warsaw Concerto. I was interested to read an earlier post stating that it was Harriet Cohen who played the piece, as I did have a thought that it may have been a job for Eileen Joyce.