A Lady Surrenders
(1944)
|
|
| 0Share... |
A Lady Surrenders
(1944)
|
|
| 0Share... |
| Cast overview, first billed only: | |||
|
|
Margaret Lockwood | ... |
Lissa Campbell
|
| Stewart Granger | ... |
Kit Firth
|
|
|
|
Patricia Roc | ... |
Judy
|
|
|
Tom Walls | ... |
Tom Tanner
|
|
|
Reginald Purdell | ... |
Albert
|
|
|
Walter Hudd | ... |
Ray
|
|
|
A.E. Matthews | ... |
Col. Pitt Smith
|
|
|
Josephine Middleton | ... |
Mrs. Pitt Smith
|
|
|
Beatrice Varley | ... |
Miss Rossiter
|
|
|
Laurence Hanray | ... |
Angus Rossiter
|
|
|
Bryan Herbert | ... |
Stuttering Cornish Fisherman
(as Brian Herbert)
|
|
|
Roy Emerton | ... |
Cornish Fisherman
|
|
|
George Merritt | ... |
Telephone Engineer
|
|
|
Moira Lister | ... |
Carol
|
|
|
Sidney Beer | ... |
Conductor
|
When concert pianist Lissa Campbell learns that she has a serious heart problem. she vows to enjoy what time she has left. On taking her first holiday, she meets Kit Firth, a pilot on leave, because his future vision may disappear due to a bomb explosion while he was in active service. Kit Firth is searching for a rare mineral Britian needs in the war effort. When there is an explosion at the local tin mine, Kit and several others are trapped, but due to his knowledge of the mine workings, he leads the others to safety. But his greatest challenge is to come, when he has to undergo an operation, that hopefully may keep him from going blind. This operation has a slim chance of being successful. This video is available in VHS PAL format under the series named, "The Margaret Lockwood Collection". Written by mike.wilson6@btinternet.com
Had heard of this movie, more particularly with concern to its music but my first opportunity to actually watch it was last night when ABC showed it as a early hours of the morning item, which coincided with a does of my insomnia.
One shudders to think that Hollywood may have done with this, as the premises of the skyline would so easily lend to laying on the melodrama and clichéd sentiment with a trowel. Thankfully, British understatement, be it in direction and performance, makes this an effective and tasteful exercise.
The musical motif, the Cornish Rhapsody, is possibly being the most famous legacy of this film. It was one of a number of series of rather similar quasi- piano concertos from British films of that era that found a place in the musical memory. The most noted of these being the Warsaw Concerto. I was interested to read an earlier post stating that it was Harriet Cohen who played the piece, as I did have a thought that it may have been a job for Eileen Joyce.