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Lost in a Harem (1944)

Passed | | Comedy | December 1944 (USA)
Two bumbling magicians help a Middle Eastern prince regain his rightful throne from his despotic uncle.

Director:

(as Charles Riesner)

Writers:

(screen play), (screen play) | 1 more credit »
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Cast

Complete credited cast:
...
...
Marilyn Maxwell ...
Hazel Moon
John Conte ...
Prince Ramo
...
Nimativ
Lottie Harrison ...
Teema
Lock Martin ...
Bobo (as J. Lockard Martin)
Murray Leonard ...
Adia Kuznetzoff ...
Chief Ghamu
Milton Parsons ...
Crystal Gazer
Ralph Sanford ...
Mr. Ormulu
Jimmy Dorsey and His Orchestra
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Storyline

Pete Johnson and Harvey D. Garvey, two inept magicians on tour in the Middle Eastern kingdom of Barabeeha, help disenfranchised young Prince Ramo regain his throne from his devious Uncle Nimativ, who uses two magical hypnotic rings and ruthless methods to maintain his power. By posing as Hollywood talent scouts the boys break out of a dank dungeon with a deranged derelict, evade palace guards, elude the palace executioner, and avoid detection in the forbidden royal harem. Written by Gabe Taverney (duke1029@aol.com)

Plot Summary | Add Synopsis

Taglines:

Music! Maidens! Merriment! See more »

Genres:

Comedy

Certificate:

Passed | See all certifications »
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Details

Country:

Language:

Release Date:

December 1944 (USA)  »

Also Known As:

Harem Scare 'Em  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

This film received its USA television premiere on Wednesday 30 October 1956 on KTTV (Los Angeles); but its San Francisco television premiere did not take place until 15 November 1958 on KGO-TV, and its first New York City telecast was not until 1 June 1959. See more »

Goofs

When Harvey shoots the rifle after the barrel was bent by the candle, there was only one hole in his pith helmet. There should have been two, one for the bullet's entrance and one for its exit. See more »

Quotes

Peter Johnson: [after picking Harvey's pith helmet up from the floor, and admonishing the Derelict:] These things cost money. Be careful how you handle 'em!
[Peter then tosses the helmet aside, bouncing it off of Harvey's head, stunning him]
See more »

Connections

Featured in 100 Years of Comedy (1997) See more »

Soundtracks

Scheherezade Symphonic Suite, Op.35
(1888) (uncredited)
Music by Nikolai Rimsky-Korsakov
Excerpts played in the harem and danced by Nimativ's wives and slaves in a production number
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User Reviews

 
Boy Are You in Trouble, Prince
25 May 2004 | by (Buffalo, New York) – See all my reviews

John Conte is the renegade Prince in hiding with his desert tribesmen, with both a yen for Marilyn Maxwell and an interest in getting back the throne that his Uncle, Douglass Dumbrille, has stolen from him. The first I can understand, but who does he get to aid him in his second objective. Marilyn, stranded showgirl in the desert, and her sidekicks Abbott and Costello. If you're willing to suspend reality and believe' that anyone looking to pull off a coup d'etat is looking for help from Abbott and Costello, well then sit back and enjoy the fun.

I have to say that the boys are up to their usual monkeyshines and Marilyn Maxwell is inclined to make any self-respecting prince drool, but the real treat is Douglass Dumbrille. Dumbrille was a fine character actor who usually played smooth villains. He's probably best remembered for being the lawyer trying to cheat Gary Cooper out of his inheritance in Mister Deeds Goes To Town. However there are moments went Dumbrille shows a nice sense of comic timing and plays a very good straight man for Costello. Hypnosis is one of the tricks in Dumbrille's bag and he hypnotizes the boys, Marilyn Maxwell, and even the whole Jimmy Dorsey band. I guess they like swing music on the desert.

Dumbrille played a similar function in The Big Store with the Marx Brothers. He gets right into the clowning with them also.

There's a woman who plays one of Dumbrille's hare girls who looks a lot like Rosie O'Donnell. Naturally at one point the plot calls for Costello to get into drag and disguise himself as her to fool Dumbrille.

Good, funny, Abbott and Costello nonsense. Easily the best of the films they did on that MGM loan out from Universal.


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