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The Lodger (1944)

Approved  |   |  Crime, Horror, Mystery  |  19 January 1944 (USA)
7.3
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Ratings: 7.3/10 from 1,648 users  
Reviews: 42 user | 30 critic

A landlady suspects her new lodger is Jack the Ripper.

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(screen play), (from the novel by)
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Cast

Complete credited cast:
...
...
Laird Cregar ...
...
Robert Bonting (as Sir Cedric Hardwicke)
...
Aubrey Mather ...
Superintendent Sutherland
Queenie Leonard ...
Daisy - the Maid
Doris Lloyd ...
Jennie
David Clyde ...
Sergeant Bates
Helena Pickard ...
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Storyline

In late Victorian London, Jack the Ripper has been killing and maiming actresses in the night. The Burtons are forced to take in a lodger due to financial hardship. He seems like a nice young man, but Mrs. Burton suspects him of being the ripper because of some mysterious and suspicious habits, and fears for her beautiful actress niece who lives with them. Written by John Oswalt <jao@jao.com>

Plot Summary | Add Synopsis

Taglines:

PROBING EYES that marked the woman he loved for death! See more »


Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

19 January 1944 (USA)  »

Also Known As:

Jack l'éventreur  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

The sequence involving the killing of Annie Rowley was judged to be so well done that studio chief Darryl F. Zanuck ordered it placed at the beginning of the picture. Actress Helena Pickard's face was not shown so that it became a simple matter of re-dubbing the dialog so that she is addressed as "Katie." See more »

Goofs

George Sanders says that handguns are illegal in England, "even for the police." In the final scenes he is chasing Creger with, and firing, a handgun. See more »

Quotes

[first lines]
Old Cockney Man: [reading poster] "Murders being committed in our midst. Police inadequate. We intend offering a substantial reward to anyone, citizen or otherwise, who shall give information bringing the murderer or murderers to justice." Hmm.
See more »

Connections

Version of The Phantom Fiend (1932) See more »

Soundtracks

What Cher 'Ria
(ca 1885) (uncredited)
Music by Bessie Bellwood
Lyrics by Will Herbert
Sung a cappella by a mob outside a pub
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Mrs. Lowndes' evergreen tale of the Ripper finds a memorable exemplar in Laird Cregar
13 October 2002 | by (Western New York) – See all my reviews

It's London's autumn of terror – 1888 – when Jack the Ripper stalked the slums of Whitechapel to eviscerate gin-soaked prostitutes and shake the capital of the British Empire to its foundations. John Brahm's movie opens on the gas-lit and fog-wreathed cobblestones, evocatively shot by Lucien Ballard, in this umpteenth recension of Marie Belloc Lowndes' evergreen chiller The Lodger (Alfred Hitchcock did a silent treatment in 1927, and Jack Palance would star in Man in the Attic in 1954 , to name but two of its closest cousins).

The crafty Mrs. Lowndes may have been the first to use that surefire scare tactic `the call is coming from inside the house!' The gimmick of her story is that the fiend has a respectable face and may have taken lodgings under a respectable roof while its respectable occupants remain oblivious but imperiled.

Brahm's choice of lodger is Laird Cregar, whose enormous bulk – he was six-three and 300 pounds – made him look perpetually 45, though he was only 28 when he died, shortly after making this movie. (His last, released posthumously the following year, was the somewhat similar Hangover Square, which Brahm also directed). The rooms he takes (including an attic `laboratory' complete with gas fire for his experiments) belong to Cedric Hardwicke and Sara Allgood, whose niece Merle Oberon, a music-hall star, lives there as well.

When Laird is invited to attend one of Oberon's can-can numbers, he rants and raves about painted and powdered woman and finally erupts: `I can show you something more beautiful than a beautiful woman,' whereupon he produces a photograph of his dead brother, who came to ruin through consorting with wicked women (there's the merest insinuation of syphilitic insanity). Clearly, the lodger has unresolved issues.

The Ripper legend and Lowndes' telling of it are so familiar it needs no retracing, save to note that George Sanders plays the smitten Scotland Yard Detective and that Brahm delivers all the expected chills. But then this German emigrant always fared better with the spooky and the Victorian than with the hard-boiled and American. The Lodger counts among his finer hours-and-a-half.


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