| Photos (See all 12 | slideshow) |
| Tallulah Bankhead | ... | Constance 'Connie' Porter | |
| William Bendix | ... | Gus Smith | |
| Walter Slezak | ... | Willy | |
| Mary Anderson | ... | Alice MacKenzie | |
| John Hodiak | ... | John Kovac | |
| Henry Hull | ... | Charles S. Rittenhouse | |
| Heather Angel | ... | Mrs. Higgins | |
| Hume Cronyn | ... | Stanley 'Sparks' Garett | |
| Canada Lee | ... | George 'Joe' Spencer | |
| rest of cast listed alphabetically: | |||
| William Yetter Jr. | ... | Young German Sailor (uncredited) | |
Directed by | |||
| Alfred Hitchcock | |||
Writing credits | ||
| John Steinbeck | (by) | |
| Jo Swerling | (screenplay) | |
| Ben Hecht | uncredited | |
| Alfred Hitchcock | story idea (uncredited) | |
Produced by | |||
| Alfred Hitchcock | .... | producer | |
| Kenneth Macgowan | .... | producer | |
| William Goetz | .... | executive producer (uncredited) | |
| Darryl F. Zanuck | .... | executive producer (uncredited) | |
Original Music by | |||
| Hugo Friedhofer | (as Hugo W. Friedhofer) | ||
Cinematography by | |||
| Glen MacWilliams | (director of photography) | ||
| Arthur C. Miller | (director of photography) (uncredited) | ||
Film Editing by | |||
| Dorothy Spencer | |||
Art Direction by | |||
| James Basevi | |||
| Maurice Ransford | |||
Set Decoration by | |||
| Thomas Little | |||
Costume Design by | |||
| René Hubert | (costumes) (as Rene Hubert) | ||
Makeup Department | |||
| Guy Pearce | .... | makeup artist | |
Production Management | |||
| R.L. Hough | .... | production manager (uncredited) | |
| Ben Silvey | .... | unit production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Saul Wurtzel | .... | assistant director (uncredited) | |
Art Department | |||
| Frank E. Hughes | .... | associate set decorator | |
Sound Department | |||
| Bernard Freericks | .... | sound | |
| Roger Heman Sr. | .... | sound (as Roger Heman) | |
Special Effects by | |||
| Fred Sersen | .... | special photographic effects | |
| Edwin Hammeras | .... | special photographic effects (uncredited) | |
| James Curtis Havens | .... | background (uncredited) | |
Camera and Electrical Department | |||
| Harry Jackson | .... | location camera (uncredited) | |
| Paul Lockwood | .... | camera operator (uncredited) | |
Costume and Wardrobe Department | |||
| Sam Benson | .... | wardrobe (uncredited) | |
| Eugene Joseff | .... | costume jeweller (uncredited) | |
Editorial Department | |||
| Lyman Hallowell | .... | apprentice editor (uncredited) | |
Music Department | |||
| Emil Newman | .... | musical director | |
Other crew | |||
| Thomas Fitzsimmons | .... | technical advisor: National Maritime Unioin | |
| Queenie Leonard | .... | dialogue coach (uncredited) | |
| Eugen Sharin | .... | dialogue coach (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Thriller section | IMDb USA section |
How difficult is it to make a 96 minute film with one set and keep it consistently interesting and fascinating? Answer: Extremely - but Hitchcock and his cinematographer pulled it off brilliantly.
Bankhead is brilliant and deserved an Oscar nom for Best Actress - likewise William Bendix is superb and deserved a Best Supporting Actor nom -neither made the Academy's final list. A shame! (I found Bendix in WAKE ISLAND, for which he was nominated, rather forgettable).
This one did get noms for direction, cinematography and original story- all deserved. The ensemble playing from everyone is exceptional - it's dark and harrowing, but a masterpiece nonetheless. Don't miss it!