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Lady in the Dark (1944)

6.2
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Ratings: 6.2/10 from 283 users  
Reviews: 15 user | 3 critic

Ginger Rogers, "Allure" magazines editor-in-chief, suffers from headaches and continuos daydreams and undergoes psychoanalysis to determine why.

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(screen play), (screen play), 2 more credits »
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Title: Lady in the Dark (1944)

Lady in the Dark (1944) on IMDb 6.2/10

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Nominated for 3 Oscars. See more awards »
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Cast

Cast overview, first billed only:
...
Liza Elliott
...
Charley Johnson
...
Kendall Nesbitt
Jon Hall ...
Randy Curtis
...
Dr. Brooks
...
Russell Paxton
Phyllis Brooks ...
Allison DuBois
Mary Philips ...
Maggie Grant
Edward Fielding ...
Dr. Carlton
Don Loper ...
Adams
Mary Parker ...
Miss Parker
Catherine Craig ...
Miss Foster
Marietta Canty ...
Martha
Virginia Farmer ...
Miss Edwards
Fay Helm ...
Miss Bowers
Edit

Storyline

Ginger Rogers, "Allure" magazines editor-in-chief, suffers from headaches and continuos daydreams and undergoes psychoanalysis to determine why.

Plot Summary | Add Synopsis

Taglines:

The minx in mink with a yen for men!

Genres:

Drama | Musical | Romance

Certificate:

See all certifications »
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Details

Country:

Language:

Release Date:

10 February 1944 (USA)  »

Also Known As:

A Mulher que não Sabia Amar  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Mirrophonic Recording)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Paramount paid $285,000 for the film rights to the stage hit, a record at the time. $115,000 to producer Sam Harris, $85,000 to librettist Moss Hart and $42,500 each to composer Kurt Weill and lyricist Ira Gershwin. See more »

Quotes

Russell Paxton: "This is the end! The absolute end!"
See more »

Connections

Referenced in Choose Me (1984) See more »

Soundtracks

My Ship
(uncredited)
Music by Kurt Weill
Lyrics by Ira Gershwin
Performed by Ginger Rogers and Chorus
See more »

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User Reviews

 
Lavish production design, insightful drama, top notch Rogers
21 December 2000 | by (Putney, VT) – See all my reviews

This is a super lavish production - the Art Direction and Costume Design are stunningly original and beautiful to behold, especially in the fantasy numbers - and both these categories deserved to be in the winners circle on Oscar night. Sadly it was only nominated in the Art Direction category and the Costume Design category hadn't been invented yet. The film did garner two other noms- for Cinematography and Scoring, neither one deserving, I felt. However, Ms. Rogers' performance and the Adapted Screenplay did deserve nominations and went without them.

That said, this is a thoughtful and insightful film - daring for its day - exploring psychoanalysis and repression and preceding SPELLBOUND by a year. It's an adaptation of Moss Hart's play with the Kurt Weill/Ira Gershwin score jettisoned with the exception of THE SAGA OF JENNY. The story about a successful fashion magazine editor (played on stage by Gertrude Lawrence) who is plagued by depression and headaches and must come to grips through analysis and dreams with repressed traumas from her childhood is constantly interesting and Ms. Rogers delivers a superb dramatic performance - one of her best. Able in support are Ray Milland, Warner Baxter and Jon Hall. Look fast or you'll miss Rand Brook, Gail Russell and Hillary Brooke. The sumptuous Technicolor design is awe-inspiring. This is a treat from beginning to end and not to be missed.

Why,however, are the final strains of THE DESERT SONG (by a different composer) heard throughout the wedding dream sequence?????? Let it be a mystery.


3 of 4 people found this review helpful.  Was this review helpful to you?

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