Ginger Rogers, "Allure" magazines editor-in-chief, suffers from headaches and continuos daydreams and undergoes psychoanalysis to determine why.

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(screen play), (screen play) | 1 more credit »
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Nominated for 3 Oscars. See more awards »
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Cast

Cast overview, first billed only:
...
Liza Elliott
...
Charley Johnson
...
Kendall Nesbitt
Jon Hall ...
Randy Curtis
...
Dr. Brooks
...
Russell Paxton
Phyllis Brooks ...
Allison DuBois
Mary Philips ...
Maggie Grant
Edward Fielding ...
Dr. Carlton
Don Loper ...
Adams
Mary Parker ...
Miss Parker
Catherine Craig ...
Miss Foster
Marietta Canty ...
Martha
Virginia Farmer ...
Miss Edwards
Fay Helm ...
Miss Bowers
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Storyline

Ginger Rogers, "Allure" magazines editor-in-chief, suffers from headaches and continuos daydreams and undergoes psychoanalysis to determine why.

Plot Summary | Add Synopsis

Taglines:

The minx in mink with a yen for men!

Genres:

Drama | Musical | Romance

Certificate:

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Details

Country:

Language:

Release Date:

10 February 1944 (USA)  »

Also Known As:

A Mulher que não Sabia Amar  »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Mirrophonic Recording)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

In the original Broadway production, Danny Kaye sang his famous patter song, "Tchaikovsky (And Other Russians)," in which he dashed off the names of 50 Russian composers in 39 seconds. By the time the movie version was made, Kaye was under contract with Samuel Goldwyn, and could not appear in the film. His role as the photographer, Russell Paxton, was given to Mischa Auer, and the "Tchaikovsky" number was dropped. See more »

Quotes

Russell Paxton: "This is the end! The absolute end!"
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Connections

Remade as Lady in the Dark (1954) See more »

Soundtracks

The Saga of Jenny
(uncredited)
Music by Kurt Weill
Lyrics by Ira Gershwin
Performed by Ginger Rogers and Chorus
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User Reviews

 
Ginger in the dark, and Paramount, too.
31 July 2000 | by See all my reviews

Great score mutilated, interesting stage libretto turned into an anti-feminist tract: It seems that our heroine, a successful and independent woman, needs a man to dominate her to be happy. (The stage version had the same basic story, but the rhetoric wasn't so vehemently misogynistic.) Ginger was more than a singer-dancer -- she could act, and had an Oscar to prove it -- but here her playing is dull and unimaginative. She, the art and costume and make-up departments, and the director seem concerned with two things only: the look of Ginger, and the look of the film. She looks fine, and the gaudy production design is a Technicolor riot, if not in the best of taste. The visual splendor makes the film worth seeing, but you'll have to tune a lot of nonsense out.


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