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Lady in the Dark (1944)

6.2
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Ratings: 6.2/10 from 268 users  
Reviews: 14 user | 3 critic

Ginger Rogers, "Allure" magazines editor-in-chief, suffers from headaches and continuos daydreams and undergoes psychoanalysis to determine why.

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(screen play), (screen play), 2 more credits »
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Title: Lady in the Dark (1944)

Lady in the Dark (1944) on IMDb 6.2/10

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Nominated for 3 Oscars. See more awards »
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Cast

Cast overview, first billed only:
...
Liza Elliott
...
Charley Johnson
...
Kendall Nesbitt
Jon Hall ...
Randy Curtis
...
Dr. Brooks
...
Russell Paxton
Phyllis Brooks ...
Allison DuBois
Mary Philips ...
Maggie Grant
Edward Fielding ...
Dr. Carlton
Don Loper ...
Adams
Mary Parker ...
Miss Parker
Catherine Craig ...
Miss Foster
Marietta Canty ...
Martha
Virginia Farmer ...
Miss Edwards
Fay Helm ...
Miss Bowers
Edit

Storyline

Ginger Rogers, "Allure" magazines editor-in-chief, suffers from headaches and continuos daydreams and undergoes psychoanalysis to determine why.

Plot Summary | Add Synopsis

Taglines:

The minx in mink with a yen for men!

Genres:

Drama | Musical | Romance

Certificate:

See all certifications »
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Details

Country:

Language:

Release Date:

10 February 1944 (USA)  »

Also Known As:

A Mulher que não Sabia Amar  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Mirrophonic Recording)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

The Broadway production of "Lady in the Dark" was designed by Harry Horner, whose set design used an inner turn-table, with an outer turn-table ring, with both turn-tables operating simultaneously, either in the same direction, or turning in opposition of each other. Noteworthy is the fact that this productions' turn-table set design was a first time, use of turn-table, on a Broadway stage, although turn-tables had been previously used in European productions. Harry Horner had been brought to New York by Max Rhinehart for his imported "Mid Summer's Night Dream" as his stage manager. Harry Horner remained in New York designing scenery afterwards. See more »

Quotes

Russell Paxton: "This is the end! The absolute end!"
See more »

Connections

Referenced in Star! (1968) See more »

Soundtracks

Artist's Waltz
(uncredited)
Written by Robert Emmett Dolan
See more »

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User Reviews

 
please, let me translate....
6 July 2008 | by (Australia) – See all my reviews

The lady is in the 'dark' about being a lesbian. Oh why can't somebody just say it. I guess you could on Broadway and with Gertrude Lawrence in 1940 but at Paramount in '44 with Ginger, well, she just had to stay in the dark and have repressed sexual dreams about her fur in a cage and her eggs at a circus (see the Jenny number) ... and see that dress she unfurls.. a vagina representation of ever I saw one on a movie screen that wasn't x rated. In this ultra glamorous dreamy musical film Ginger is a business woman in business attire (read: lesbian .....) and she is tormented between her real business and society's demands that she marry and be with a man. Hence dilemma, dreams and fur openings and the egg circus (see the Jenny number) ... the storyline demands she relate to a man when she does not want to hence the dream sequences of antagonism and sexual wonderings. Ray Milland is the sop she is deemed to marry when anyone from this century can see she really wants to stay in a women's world and stop being a frustrated big angry prowling pussy in a cage (see the Jenny number) .... Kurt Weill knew what he was on about and so do we... but Paramount, in masking it for the masses in '44 pushed the pussycat into the fantasy sequences, hired a gay director and let loose on the dreams and shot the lot in the best most stylish Technicolor you ever saw outside of YOLANDA AND THE THIEF and THE PIRATE. In this according to Paramount, all Ginger needed was a jolly good roger.... ing.....


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