It's 1650 in New Amsterdam, and Brom Broeck, a young outspoken newspaper publisher is arrested for printing advanced opinions on the undemocratic rule of Govenor "Peg-Leg" Stuyvesant. While...
See full summary »
During World War II, all the studios put out "all-star" vehicles which featured virtually every star on the lot--often playing themselves--in musical numbers and comedy skits, and were ... See full summary »
The daughter of a Russian general arrives at Fort Ross American outpost with a slightly credible motive, hiding her true reasons which have to do with treason and blackmail. Yet she can not... See full summary »
In order to avoid an arranged marriage with a man she doesn't love, Sarah Millick runs off to Vienna with her music teacher, Carl Linden, whom she does love. They are married. In Vienna, ... See full summary »
W.S. Van Dyke
Hypochondriac Danny Weems gets drafted into the army and makes life miserable for his fellow GIs. He's also lovesick when it comes to pretty Mary Morgan, unaware that she's in love with his... See full summary »
A man is found murdered, with witnesses convinced about the woman they saw leaving his apartment. However, it becomes apparent that the woman has a twin, and finding out which one is the killer seems impossible.
Olivia de Havilland,
Susan is about to be married, but the wedding may get called off after her fiancee summons three former beaus. Each reveals a different portrait of Susan: one describes her as a naive ... See full summary »
William A. Seiter
It's 1650 in New Amsterdam, and Brom Broeck, a young outspoken newspaper publisher is arrested for printing advanced opinions on the undemocratic rule of Govenor "Peg-Leg" Stuyvesant. While Brom is in prison, old "Peg-Leg" goes on the make for Brom's sweetheart. But, when "Peg-Leg" is forced to release Brom... Watch-out! Written by
Although most of the stage musical's songs were omitted from the film, "September Song" did make it into the film, and the original lyrics of the song (referring to Peter Stuyvesant's wooden leg) were used, rather than the more familiar ones sung by most popular and nightclub singers. See more »
Entertaining adaptation of the Kurt Weill Broadway musical.
An odd combo for writing a Broadway musical - Kurt Weill and serious dramatist, Maxwell Anderson - but write it they did, amused by the NYC corruption that existed back in 1647 under the Dutch rule of Peter Stuyvesant and the then current 1940s political atmosphere. Charles Coburn, complete with pegleg, essays the role of Stuyvesant, played and sung on stage by Walter Huston - high point of the score is SEPTEMBER SONG. Nelson Eddy and Constance Dowling do well as the revolutionary firebrand against corruption and for a federation of the colonies under a democracy (horrors!) and his vivacious sweetheart. The plot takes turn poking political fun at the corrupt Dutch businessmen and guiding the effervescent Tina away from the grasp of the elderly Stuyvesant and into the arms of Brom (Nelson Eddy). The score consists of nine numbers that are all lively and well-written (the score combined parts of the Weill original and new songs written by Jule Styne and a quartet of lyricists and the background scoring is quite well done (Oscar nomination for Scoring). The sets and costumes are also very good and were deserving of similar recognition but failed to garner votes - in the latter case the category wasn't invented until 3 years later. Nothing extraordinary but very amusing and jolly and well done.
10 of 10 people found this review helpful.
Was this review helpful to you?