It's 1650 in New Amsterdam, and Brom Broeck, a young outspoken newspaper publisher is arrested for printing advanced opinions on the undemocratic rule of Govenor "Peg-Leg" Stuyvesant. While... See full summary »
Anna Zador is a secretary who's been working for 6 years at Count Willie Palaffi's bank. Every day, she rides to work on her bike and places flowers on Willie's desk, but Willie (the ... See full summary »
W.S. Van Dyke,
Roy Del Ruth
Edward Everett Horton
Marianne de Beaumaniour is on her way to New Orleans from Paris to inspect the plantation she inherited from her uncle. On the ship with her are bondsmen, that are to be sold for slavery. ... See full summary »
Robert Z. Leonard,
W.S. Van Dyke
Lady, Let's Dance was a 1944 black and white film directed by Frank Woodruff that was nominated for two Oscars. Produced by Monogram Studios, the film is unique as an ice skating musical. ... See full summary »
It's 1650 in New Amsterdam, and Brom Broeck, a young outspoken newspaper publisher is arrested for printing advanced opinions on the undemocratic rule of Govenor "Peg-Leg" Stuyvesant. While Brom is in prison, old "Peg-Leg" goes on the make for Brom's sweetheart. But, when "Peg-Leg" is forced to release Brom... Watch-out! Written by
Washington Irving, author of "Rip Van Winkle" and "The Legend of Sleepy Hollow", was a prominent character in the stage version of this musical, where he was played by Ray Middleton; however, he was completely omitted from the film version. See more »
Entertaining adaptation of the Kurt Weill Broadway musical.
An odd combo for writing a Broadway musical - Kurt Weill and serious dramatist, Maxwell Anderson - but write it they did, amused by the NYC corruption that existed back in 1647 under the Dutch rule of Peter Stuyvesant and the then current 1940s political atmosphere. Charles Coburn, complete with pegleg, essays the role of Stuyvesant, played and sung on stage by Walter Huston - high point of the score is SEPTEMBER SONG. Nelson Eddy and Constance Dowling do well as the revolutionary firebrand against corruption and for a federation of the colonies under a democracy (horrors!) and his vivacious sweetheart. The plot takes turn poking political fun at the corrupt Dutch businessmen and guiding the effervescent Tina away from the grasp of the elderly Stuyvesant and into the arms of Brom (Nelson Eddy). The score consists of nine numbers that are all lively and well-written (the score combined parts of the Weill original and new songs written by Jule Styne and a quartet of lyricists and the background scoring is quite well done (Oscar nomination for Scoring). The sets and costumes are also very good and were deserving of similar recognition but failed to garner votes - in the latter case the category wasn't invented until 3 years later. Nothing extraordinary but very amusing and jolly and well done.
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