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Storyline
This Warner Bros. short is a jam session with several outstanding African-American jazz musicians, including Lester Young. Darkly lit and with a mood that matches the music, the film was groundbreaking in its day and was a showcase for then lesser-known musicians and entertainers who would not otherwise have had exposure to a much larger audience. Written by
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Certificate:
Approved
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Did You Know?
Trivia
Guitarist
Barney Kessel is the only white performer in this film. He was seated in the shadows to shade his skin, and for close-ups, his hands were stained with berry juice.
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Soundtracks
"On the Sunny Side of the Street"
(1930) (uncredited)
Music by
Jimmy McHugh
Lyrics by
Dorothy Fields
Performed by
Marie Bryant See more »
Wow, it is hard to believe this film was made in 1944. If it were released today, sixty years later, it would still be regarded as stylish and avant-garde. I caught this on a cable channel in the US called Turner Classic Movies (TCM). It was the lead off short in a series of musical shorts compiled to form a two or three hour special. I cannot stress how ahead of it's time this film was. The photography was very clever, such as using Lester Young's hat as a indefinable symbol in the opening shot, pulling back as Lester raises his head revealing his face. A "jam" session opens the short, Marie Bryant sings "On the Sunny Side of the Street" with velvety perfection, then another number which features jitterbug dancers. A good film to show today's artists that clever ideas didn't begin with their generation.
Good news for Jazz fans, I understand Rhino has released a compilation titled Hollywood Swing & Jazz' comprised of numbers from these old musical shorts, which features, among others, the Marie Bryant number from this film.