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Jam Session (1944)

Approved | | Comedy, Music | 13 April 1944 (USA)
Terry Baxter is a never-say-die Hollywood newcomer from Waterfall Kansas, determined to make it big. And does she have talent. Filled, of course, with lots of musical numbers that showcase her many talents.

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Writers:

(screenplay), (story) | 1 more credit »
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Cast

Cast overview, first billed only:
...
...
George Carter Haven
Charles D. Brown ...
Raymond Stuart
Eddie Kane ...
Lloyd Marley
George Eldredge ...
Berkeley Bell
...
Ms. Tobin
...
Henry
Pauline Drake ...
Evelyn
Charles La Torre ...
Coletti
Anne Loos ...
Neva Canendish
...
Fred Wylie
Charlie Barnet and His Orchestra ...
Charlie Barnet Orchestra (as Charlie Barnet's Orchestra)
Louis Armstrong and His Orchestra ...
Louis Armstrong Orchestra (as Louis Armstrong's Orchestra)
Alvino Rey's Orchestra ...
Alvino Rey Orchestra
Jan Garber's Orchestra ...
Jan Garber Orchestra
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Storyline

Kansas girl Terry Baxter has won a trip to Hollywood, tries to get a job as a dancer and ends up as secretary of screenwriter Haven. She mixes up the scripts, is fired and when she tries to explain to him what happened, she tries to break in a residence - she belives it belongs Haven's boss Stuart, but she is wrong - and is arrested. But Stuart and Haven don't let her drop. Written by Stephan Eichenberg <eichenbe@fak-cbg.tu-muenchen.de>

Plot Summary | Add Synopsis

Taglines:

READ 'EM AND LEAP! (original poster-all caps) See more »

Genres:

Comedy | Music

Certificate:

Approved | See all certifications »
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Details

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Language:

Release Date:

13 April 1944 (USA)  »

Also Known As:

A Grande Atracção  »

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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?

Connections

Featured in Head (1968) See more »

Soundtracks

Cherokee
Written by Ray Noble
Performed by Charlie Barnet and His Orchestra
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User Reviews

 
Sparkling
2 September 2007 | by (Claremont,USA) – See all my reviews

Sprightly Ann Miller musical featuring many of the top bands and vocalists of the day. Notable too for a rather tough-minded look at the movie industry, as Kansas contest winner Miller tries to break into the big time. The studio scenes are an occasional hoot-- like the stagecoach driving in from the street to shoot an Old West scene! However, the business side gets a pretty realistic and none-to-flattering treatment (maybe the writers' revenge). Some other nice touches-- Alvino Rey's "echo-box dummy" that sings electronic lyrics (that one spooked me); Miller's under-the-staircase bedroom, about big enough for a midget if she doesn't stand up; and the big-finish "marching at ya" tribute to the boys overseas. Miller is engaging throughout, wholesomely pretty with a lot of verve and sparkle. This was perfect war-time escapism, a programmer with no pretensions that despite the years continues to entertain.


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