An altered remake of 1933's "White Woman," finds cabaret-singer Kim Ling, daughter of a Chinese general who has been accused of absconding with government funds, arriving in the Straits ... See full summary »
Jim and Connie's postwar New York building troubles keep Jim from working on his novel. Ex-WAC from Jim's army days Roberta moves in, further upsetting Connie but pleasing Jim's friend Ed. ... See full summary »
Stage-and-night club star Jeannie Laird (June Haver) buys her first home, and everyone who is anyone comes to her first garden party only to be blinded by smoke from next door. Jeannie ... See full summary »
Producer Bob Temple, who's brought an American show to London, loves his star Diana, but she won't take him seriously as a lover. To show her, he picks up stranger Lady Arlington, whose ... See full summary »
Karen Harrison is a spoiled, rich, American predator who falls head-over-heels for the brooding, tormented, about-to-retire matador, Luis Santos who has inexplicably run away prior to a ... See full summary »
A reworking of the movie Three Blind Mice (1938) based on the play of the same name, which in turn led to another remake Moon Over Miami (1941). This remake is set during the turn of the ... See full summary »
H. Bruce Humberstone,
In the early 1900s, song plugger Larry Kelly chances to meet Alfred Breitenbach, poor opera composer...and his lovely daughter Doris, who falls for Larry. To improve their acquaintance, ... See full summary »
A biopic of the career of Joe Howard (12 Feb.,1878 - 19 May, 1961), famous songwriter of the early 20th Century. Howard wrote the title song, Goodbye, My Lady Love; and Hello, My Baby among... See full summary »
Henry Pecket keeps a land-bound, home-made sloop in the backyard of his boarding house ran by widow Sara March, who is tolerant of the fancied trips around the world taken by her "ancient ... See full summary »
The film is part of a long line of musical biographies of songwriters that has hardly any interest in the person's actual life story. Instead, calling them biographies allows the musicals to cull songs from their catalog for various musical numbers. Still, at times, these films can be pleasant time-wasters. This one, ostensibly about turn-of-the-century songwriter Ernest Ball, is one of these pleasant but unexceptional entries.
Judging from the songs presented in the film, Ball specialized in Irish hokum ("Mother Macree" for example)--lugubrious ballads that wallowed in maternal sentimentality and dreams. Consequently, Dick Haymes portrayal of Ball presents him as a weak passive sort, who is easily pushed around. Seemingly to balance him, June Haver as his romantic interest is incredibly butch--growling, aggressive, and constantly popping people in the eye. While Haymes sings Ball's slow ballads, Haver performs peppy up-tempo numbers (that were not written by Ball). One of these underlines the reversal of gender-expected behavior: "Bessie in a Bustle." Here, Haver sings in male clothing, as various men in drag (with bustles naturally) cavort around her!
It's a pretty out-of-nowhere moment, but seems to fit the general attitude about aggressive women and passive men that's going on in the rest of the film.
Overall, it's a colorful period piece, with plenty to keep a viewer diverted for an hour and a half--and some interesting ideas if you stop to notice them. But it's no landmark musical.
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