A young bride who comes from a rich family has a hard time adjusting to life in a boarding house with other soldiers and their wives. Her spoiled ways cause resentment from the other wives ...
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Douglas Fairbanks Jr.,
In 1456, French king Charles VII recalls the story of how he met the 17 year-old peasant girl Joan of Arc, entrusted her with the command of the French Army and ultimately burned her at the stake as a heretic.
A young bride who comes from a rich family has a hard time adjusting to life in a boarding house with other soldiers and their wives. Her spoiled ways cause resentment from the other wives and problems with her husband. Written by
Daniel Bubbeo <firstname.lastname@example.org>
In interviews Jeanne Crain alleged that Eugene Pallette was not only a bigot who refused to share a table with black cast member Clarence Muse, but an admirer of Adolf Hitler as well. Due to the controversy Pallette was fired from the production, with his character downsized to accommodate scenes already completed. See more »
No Love, No Nothin'
Music by Harry Warren
Played when Red and Shirley are in their room after the wedding See more »
Slender little wartime comedy whose best feature is a winsome young Jeanne Crain and a lively Gale Robbins as new brides. The boys are training in the desert before being shipped overseas. In the meantime, the married officers are boarding at what looks like the only house for miles around. Many of the junior officers are newly married and much of the comedy comes from their efforts to cope. For the girls, it's a period of adjustment sharing facilities and household duties with others. For Crain, with her privileged background, adjustment proves especially difficult.
The premise is promising, but the screenplay remains underdeveloped and never really gels as a comedy. That's not surprising since the running time is 70 minutes for a production probably chunked out in 10 days and scheduled for bottom-of-the-bill showing to the eager droves of wartime audiences. Also, cult director Otto Preminger seems an odd choice for light comedy, his strength being slow, heavy psychological dramas like Laura (1943). The results here suggest he was uninterested in the material, to say the least. Nonetheless, for those interested in how newly-weds adjusted to wartime demands, the movie offers a generally entertaining if lightweight glimpse.
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