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In Society (1944)

Approved | | Comedy, Musical | 18 August 1944 (USA)
Two bumbling plumbers are hired by a socialite to fix a leak. A case of mistaken identity gets the pair an invitation to a fancy party and an entree into high society. As expected, things ... See full summary »

Directors:

, (uncredited)

Writers:

(story), (story) | 4 more credits »
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Cast

Cast overview, first billed only:
...
...
Marion Hutton ...
...
Peter
...
Mrs. Winthrop
...
Gloria (as Anne Gillis)
Arthur Treacher ...
Pipps
...
Drexel
...
Baron Alexis
The Fontane Sisters ...
Singers (as The Three Sisters)
...
Count Sergei
Geri Rosse ...
Orchestra Singer (as Geri)
Will Osborne ...
Will Osborne (as Will Osborne and His Orchestra)
Margie Rosse ...
Orchestra Singer (as Margie Fontane)
Murray Leonard ...
Marlow
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Storyline

Two bumbling plumbers are hired by a socialite to fix a leak. A case of mistaken identity gets the pair an invitation to a fancy party and an entree into high society. As expected, things don't go too smoothly. Written by Daniel Bubbeo <dbubbeo@cmp.com>

Plot Summary | Add Synopsis

Genres:

Comedy | Musical

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

18 August 1944 (USA)  »

Also Known As:

Abbott and Costello in Society  »

Filming Locations:

 »

Box Office

Budget:

$660,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

This was the first Bud Abbott and Lou Costello feature for Universal to go into production in more than a year, following Costello's recovery from rheumatic fever. See more »

Goofs

When Costello is ostensibly pushing the taxi car horn, both his hands are visible when scuffling with the policeman. See more »

Quotes

Albert Mansfield: Lady, he ain't dead, he's hiding!
See more »

Crazy Credits

In the opening billing of "Bud Abbott" and "Lou Costello" the "o" in Abbott and one of the "o"'s in "Costello" are unusually large and used to "frame" photos of them. See more »

Connections

Featured in The World of Abbott and Costello (1965) See more »

Soundtracks

Rehearsin
Written by Bobby Worth, Stanley Cowan
Sung by Ann Gillis and The Three (Fontane) Sisters, accompanied by Will Osborne and his orchestra
See more »

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User Reviews

 
The Infamous Susquehanna Hat Company On Beagle Street
18 September 2010 | by (Buffalo, New York) – See all my reviews

Years ago Alan King had a great line about plumbers that it was indeed a noble profession and should be celebrated the way astronauts are. Without plumbers King reasoned, we'd all be astronauts. But when you hire Abbott&Costello as plumbers you'd better be checked out in a space suit.

Bumbling plumbers Bud and Lou after wrecking the home of Thurston Hall and Nella Walker get invited to a big society bash when they get that instead of a threatening letter from Walker. When they went to that job they got a lift from their friend, Rosie the Riveteer cab driver Marion Hutton who was mistaken for a society girl in costume by Kirby Grant who was similarly attired. So begins Marion's Cinderella like odyssey.

In fact Marion and Kirby are given a great deal more screen footage than you would normally expect in an Abbott&Costello feature. I'm guessing that Universal was trying to turn Hutton into a big film star the way Paramount was doing with her older sister Betty. Marion was a lighter and sweeter version of Betty, maybe if she had a more distinct personality of her own she might have had a film career. In any event she was more interested in singing than acting. She got a couple of really good songs to sing, No Bout Adoubt It is in the style of her sister. And one of the big song hits of 1944 was introduced by Marion with My Dreams Are Getting Better All The Time. Television's future Sky King also has a fine number with What A Change In The Weather. This should prove a pleasant surprise to his fans who probably didn't know Kirby Grant started as a singer.

But Bud and Lou get their innings as well here as they make an ungodly mess of Thurston Hall's lovely home. And they do one of burlesque's celebrated routines, the famous Susquehanna Hat Company on Beagle Street. Who could possibly believe that such horrific events in people's lives could have happened on that street or been connected with that hat company?

The last chase sequence as society crook Thomas Gomez tries to steal a valuable painting on the fire engine is re-edited from W.C. Fields's Never Give A Sucker An Even Break. You'll recognize it of course if you are a fan of Fields, but it is certainly edited nicely into In Society.

This is one of the best A&C films from their early Universal period, a must for their still growing legion of fans.


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